{"id":67781,"date":"2026-01-22T03:24:39","date_gmt":"2026-01-21T23:24:39","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=67781"},"modified":"2026-01-22T03:24:39","modified_gmt":"2026-01-21T23:24:39","slug":"zirv%c9%99y%c9%99-yazilan-ad-fuad-bil%c9%99suvarli-yazir","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=67781","title":{"rendered":"Zirv\u0259y\u0259 yaz\u0131lan ad…- Fuad Bil\u0259suvarl\u0131 yaz\u0131r"},"content":{"rendered":"
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\/Bu yaz\u0131mda Az\u0259rbaycan teatr\u0131n\u0131n usta s\u0259n\u0259tkar\u0131 Hac\u0131 \u0130smay\u0131lovun s\u0259n\u0259t yoluna, onun zirv\u0259y\u0259 aparan add\u0131mlar\u0131na n\u0259z\u0259r salm\u0131\u015fam.\\<\/em><\/span><\/strong><\/p>\n

Teatr v\u0259 kino s\u0259n\u0259timizin ya\u015fay\u0131b inki\u015faf etm\u0259sind\u0259, n\u0259sill\u0259r\u0259 miras qalmas\u0131nda Hac\u0131 \u0130smay\u0131lovun izl\u0259ri silinm\u0259zdir.
\nAz\u0259rbaycan s\u0259hn\u0259sinin q\u0131z\u0131l salnam\u0259sini yazanlardan biri olan Xalq artisti Hac\u0131 \u0130smay\u0131lov, bu s\u0259n\u0259tin ruhunu \u00f6z n\u0259f\u0259si il\u0259 ya\u015fadan, m\u0259n\u0259vi y\u00fck\u00fcn\u00fc b\u00f6y\u00fck m\u0259suliyy\u0259tl\u0259 da\u015f\u0131yan s\u0259n\u0259tkarlar s\u0131ras\u0131ndad\u0131r. O, sad\u0259c\u0259 bir aktyor deyil \u2014 zaman\u0131n yadda\u015f\u0131na hopmu\u015f s\u0259hn\u0259 n\u0259f\u0259sidir, s\u00fckut i\u00e7ind\u0259 dan\u0131\u015fan g\u00f6zl\u0259rin, tarixl\u0259 n\u0259f\u0259s alan replikalar\u0131n sahibidir.<\/p>\n

“Teatr m\u0259nim h\u0259yat\u0131md\u0131r, kino is\u0259 m\u0259h\u0259bb\u0259timdir,\u201d \u2014 dey\u0259r\u0259k Hac\u0131 \u0130smay\u0131lov, s\u0259n\u0259ti sad\u0259c\u0259 pe\u015f\u0259 yox, taleyin \u00f6z\u00fc kimi anlay\u0131r.
\nHac\u0131 \u0130smay\u0131lovun yarad\u0131c\u0131l\u0131\u011f\u0131 s\u0259hn\u0259 estetikas\u0131 il\u0259 kifay\u0259tl\u0259nmir; o, teatr\u0131n m\u0259kan\u0131ndan ucalaraq m\u0259fhumuna \u00e7evrilmi\u015f nadir simalardand\u0131r. Onun varl\u0131\u011f\u0131 s\u0259hn\u0259y\u0259 daxil olan bir aktyorun yox, teatr\u0131n ruhunu t\u0259c\u0259ss\u00fcm etdir\u0259n bir el\u00e7inindir. H\u0259r \u00e7\u0131x\u0131\u015f\u0131, h\u0259r obraz\u0131 yaln\u0131z pe\u015f\u0259karl\u0131\u011f\u0131n deyil, daxili yan\u011f\u0131n\u0131n v\u0259 s\u0259n\u0259t\u0259 duydu\u011fu ehtiram\u0131n m\u0259hsuludur. Tama\u015fa\u00e7\u0131larla qurdu\u011fu g\u00f6r\u00fcnm\u0259z ba\u011f, sanki q\u0259dim m\u0259rasiml\u0259rin ritmik al\u0259min\u0259 b\u0259nz\u0259yir \u2014 s\u0259hn\u0259d\u0259 h\u0259r t\u0259n\u0259ff\u00fcs, h\u0259r bax\u0131\u015f s\u0259n\u0259tin canl\u0131 bir duas\u0131na \u00e7evrilir.<\/p>\n

Hac\u0131 \u0130smay\u0131lov, teatr\u0131n m\u00f6vcudluq f\u0259ls\u0259f\u0259sini ya\u015fadan s\u0259n\u0259tkarlardand\u0131r. O, t\u0259kc\u0259 rol ifa etmir \u2014 zaman\u0131n yadda\u015f\u0131na duy\u011fu h\u0259kk edir. Onun tama\u015falar\u0131nda t\u0259\u0259ss\u00fcf v\u0259 sevinc, ac\u0131 v\u0259 \u00fcmidsizlik i\u00e7-i\u00e7\u0259 ke\u00e7\u0259r\u0259k insan taleyinin d\u0259rin qatlar\u0131n\u0131 a\u00e7\u0131r. Bu tama\u015falar\u0131n ruhunda yaln\u0131z estetik deyil, b\u00fct\u00f6v bir \u00f6mr\u00fcn d\u00fc\u015f\u00fcnc\u0259si v\u0259 ya\u015fam f\u0259ls\u0259f\u0259si yat\u0131r. O, teatr\u0131 sad\u0259c\u0259 ya\u015fatm\u0131r; onu qoruyur, yenil\u0259yir v\u0259 h\u0259r \u00e7\u0131x\u0131\u015f\u0131 il\u0259 ona yeni bir n\u0259f\u0259s verir.<\/p>\n

O, g\u0259nc aktyorlar \u00fc\u00e7\u00fcn m\u0259kt\u0259b, tama\u015fa\u00e7\u0131lar \u00fc\u00e7\u00fcn aynad\u0131r; teatr s\u0259n\u0259ti \u00fc\u00e7\u00fcn is\u0259 mayak rolunu oynayan zamanlar\u00fcst\u00fc simad\u0131r. Onun s\u0259hn\u0259d\u0259ki varl\u0131\u011f\u0131 \u2014 teatr tariximizd\u0259 t\u0259kc\u0259 d\u00f6n\u00fc\u015f n\u00f6qt\u0259si deyil, h\u0259m d\u0259 s\u0259n\u0259tin s\u00f6nm\u0259z i\u015f\u0131\u011f\u0131d\u0131r. El\u0259 bir i\u015f\u0131q ki, ill\u0259r \u00f6ts\u0259 d\u0259, s\u0259hn\u0259nin ruhunu ayd\u0131nlatmaqdan vaz ke\u00e7mir.<\/p>\n

Hac\u0131 \u0130smay\u0131lovun yaratd\u0131\u011f\u0131 obrazlar sad\u0259c\u0259 teatr rollar\u0131 deyildir \u2014 onlar insan ruhunun d\u0259rinlikl\u0259rin\u0259 en\u0259n daxili s\u0259f\u0259rl\u0259rdir. H\u0259r obraz bir ayr\u0131 al\u0259mdir: \u00f6z\u00fcn\u0259m\u0259xsus, t\u0259krars\u0131z, f\u0259rqli v\u0259 hissl\u0259 dolu. Lakin bu f\u0259rqlilikl\u0259r i\u00e7ind\u0259 bir ortaq d\u0259y\u0259r var \u2014 ruhun ayd\u0131nlanmas\u0131na \u00e7a\u011f\u0131ran d\u0259runi s\u0259s. Onun s\u0259hn\u0259 performanslar\u0131, sanki s\u0259sl\u0259ndirilm\u0259mi\u015f dualar\u0131n, ya\u015fanmam\u0131\u015f hekay\u0259l\u0259rin, susmu\u015f duy\u011fular\u0131n v\u00fccuda g\u0259lmi\u015f hal\u0131d\u0131r. O rollar, tama\u015fa\u00e7\u0131n\u0131n q\u0259lbind\u0259 k\u00f6k salan \u00e7inar a\u011fac\u0131 kimi yadda\u015flara h\u0259kk olunur \u2014 zaman onlar\u0131 soldumur, \u0259ksin\u0259 n\u0259sild\u0259n-n\u0259sil\u0259 ruh kimi siray\u0259t edir.<\/p>\n

O, s\u0259hn\u0259ni sad\u0259c\u0259 ifa m\u0259kan\u0131 deyil, insani d\u0259y\u0259rl\u0259rin yo\u011fruldu\u011fu, ruhun formala\u015fd\u0131\u011f\u0131 bir m\u0259kan kimi ya\u015fad\u0131r. Tama\u015fa\u00e7\u0131lar onun ifas\u0131nda t\u0259kc\u0259 s\u0259n\u0259ti g\u00f6rm\u00fcr \u2014 \u00f6z varl\u0131qlar\u0131n\u0131n d\u0259rin qatlar\u0131n\u0131 k\u0259\u015ff edirl\u0259r. Bu obrazlar, insan\u0131n i\u00e7ind\u0259ki hissl\u0259ri dan\u0131\u015fd\u0131ran s\u0259ssiz s\u00f6hb\u0259tl\u0259r\u0259 \u00e7evrilir.<\/p>\n

Hac\u0131 \u0130smay\u0131lovun s\u0259n\u0259tind\u0259 xalq dan\u0131\u015f\u0131r \u2014 xalq\u0131n s\u0259si, q\u0259lbin d\u00f6y\u00fcnt\u00fcs\u00fc, h\u0259yat\u0131n \u00f6z ritmi onun rollar\u0131nda ya\u015fay\u0131r. O, s\u0259hn\u0259ni bir mikrofon kimi deyil, bir q\u0259lb kimi istifad\u0259 edir; ruhun \u0259n d\u0259rin qatlar\u0131n\u0131 tama\u015fa\u00e7\u0131n\u0131n qar\u015f\u0131s\u0131na \u00e7\u0131xar\u0131r. Onun \u00e7\u0131x\u0131\u015flar\u0131nda yaln\u0131z aktyor ifas\u0131 deyil, bir mill\u0259tin ya\u015fant\u0131s\u0131, d\u00fc\u015f\u00fcnc\u0259si v\u0259 hissi dan\u0131\u015f\u0131r.<\/p>\n

H\u0259r \u00e7\u0131x\u0131\u015f\u0131 sanki bir \u00e7a\u011f\u0131r\u0131\u015fd\u0131r \u2014 insan\u0131 \u00f6z i\u00e7 d\u00fcnyas\u0131 il\u0259 \u00fczl\u0259\u015fdir\u0259n, d\u00fc\u015f\u00fcnc\u0259y\u0259, yadda\u015fa v\u0259 duy\u011fuya s\u0259sl\u0259y\u0259n bir nidas\u0131 var. H\u0259r s\u00f6z\u00fc bir izahatd\u0131r, sanki tarix boyu susmu\u015f hissl\u0259rin dilidir. H\u0259r bax\u0131\u015f\u0131 bir xat\u0131rlatmad\u0131r \u2014 unutdu\u011fumuz d\u0259y\u0259rl\u0259rin, d\u0259rin ba\u011flar\u0131n, insan olman\u0131n mahiyy\u0259tinin b\u0259rpas\u0131d\u0131r.<\/p>\n

Hac\u0131 \u0130smay\u0131lov t\u0259kc\u0259 s\u0259n\u0259tin s\u0259si deyil; o, h\u0259yat\u0131n m\u00fc\u0259llimi, xalq\u0131n yadda\u015f\u0131, n\u0259sill\u0259rin yol g\u00f6st\u0259ricisidir. O, duy\u011fular\u0131n \u0259n saf tonlar\u0131n\u0131 s\u0259n\u0259t f\u0131r\u00e7as\u0131 il\u0259 yox, q\u0259lbin isti barmaqlar\u0131 il\u0259 r\u0259ngl\u0259yir. O rollar \u2014 gah da\u011flar q\u0259d\u0259r d\u0259rin, gah \u00e7i\u00e7\u0259kl\u0259r kimi inc\u0259 \u2014 insana \u00f6z\u00fcn\u00fc anlad\u0131r, ya\u015famaq n\u0259dir sual\u0131na s\u0259hn\u0259 dili il\u0259 cavab verir.<\/p>\n

Onun s\u0259n\u0259ti yaln\u0131z estetik z\u0259nginlik deyil, h\u0259m d\u0259 m\u0259n\u0259vi mirasd\u0131r; i\u00e7ind\u0259 h\u0259m xalq\u0131n g\u00f6z ya\u015flar\u0131 var, h\u0259m d\u0259 \u00fcmidl\u0259ri. O ifalarla biz bir daha anlay\u0131r\u0131q ki, s\u0259n\u0259t t\u0259kc\u0259 n\u00fcmayi\u015f deyil \u2014 ruhun ayd\u0131nlanma yoludur.<\/p>\n

Teatr\u0131n sehrind\u0259n kinonun ger\u00e7\u0259kliyin\u0259 ke\u00e7\u0259n Hac\u0131 \u0130smay\u0131lov, h\u0259r iki sah\u0259d\u0259 silinm\u0259z izl\u0259r buraxm\u0131\u015f s\u0259n\u0259tkar kimi yadda\u015flarda ya\u015fay\u0131r. Onun ekran h\u0259yat\u0131 teatr q\u0259d\u0259r canl\u0131, obrazlar\u0131 is\u0259 teatr s\u0259hn\u0259sind\u0259ki d\u0259rinlikl\u0259 yo\u011frulmu\u015fdur.<\/p>\n

“Ad g\u00fcn\u00fc” filmind\u0259 canland\u0131rd\u0131\u011f\u0131 Mustafa obraz\u0131, t\u0259kc\u0259 s\u0259n\u0259tkarl\u0131\u011f\u0131n zirv\u0259si deyil \u2014 o, bir insan taleyini, bir toplumun i\u00e7 s\u0259sini ekran boyu ya\u015fadan obraz idi. Bu rol onun s\u0259n\u0259t\u0259 verdiyi t\u00f6hf\u0259nin miqyas\u0131n\u0131 o q\u0259d\u0259r g\u00fccl\u00fc n\u00fcmayi\u015f etdirdi ki, 1980-ci ild\u0259 o, Respublikan\u0131n D\u00f6vl\u0259t m\u00fckafat\u0131 laureat\u0131 f\u0259xri ad\u0131na layiq g\u00f6r\u00fcld\u00fc. Bu m\u00fckafat, onun s\u0259n\u0259tin\u0259 xalq\u0131n duydu\u011fu minn\u0259tdarl\u0131\u011f\u0131n r\u0259smi simvoludur.<\/p>\n

“Ba\u011fl\u0131 qap\u0131 arxas\u0131nda”, “B\u0259yin o\u011furlanmas\u0131”, “F\u0259ryad” v\u0259 dig\u0259r ekran \u0259s\u0259rl\u0259rind\u0259 o, m\u00fcxt\u0259lif xarakterl\u0259r\u0259 yaln\u0131z can verm\u0259di \u2014 onlar\u0131n ruhunu hiss etdir\u0259r\u0259k s\u0259n\u0259t\u0259 yeni n\u0259f\u0259s b\u0259x\u015f etdi. B\u0259z\u0259n s\u0259rt, b\u0259z\u0259n zarafat\u00e7\u0131, b\u0259z\u0259n d\u0259 m\u0259\u011frur obrazlar\u0131 il\u0259 o, aktyorluq diapazonunun n\u0259 q\u0259d\u0259r geni\u015f v\u0259 z\u0259ngin oldu\u011funu s\u00fcbut etdi.<\/p>\n

Bu rollar sad\u0259c\u0259 film s\u0259hn\u0259l\u0259rind\u0259 qalmaz \u2014 onlar tama\u015fa\u00e7\u0131n\u0131n yadda\u015f\u0131nda \u00f6z izini qoyar, d\u0259rin hissl\u0259r oyadar. Hac\u0131 \u0130smay\u0131lov ekranda s\u0259hn\u0259ni ya\u015fad\u0131r, s\u0259hn\u0259d\u0259 ekran\u0131n ruhunu da\u015f\u0131y\u0131r. Onun s\u0259n\u0259tind\u0259 s\u0259rh\u0259dl\u0259r itir; teatr v\u0259 kino birl\u0259\u015fir, t\u0259k bir ideala \u2014 insan\u0131n i\u00e7 d\u00fcnyas\u0131na xidm\u0259t edir.<\/p>\n

Hac\u0131 \u0130smay\u0131lov yaln\u0131z s\u0259hn\u0259 v\u0259 ekranla kifay\u0259tl\u0259nm\u0259mi\u015f, h\u0259m d\u0259 teatr ictimaiyy\u0259tinin t\u0259\u015fkilatlanmas\u0131nda f\u0259al i\u015ftirak etmi\u015fdir. Az\u0259rbaycan Teatr Xadiml\u0259ri \u0130ttifaq\u0131n\u0131n s\u0259dri olaraq teatr\u0131n inki\u015faf\u0131na misilsiz t\u00f6hf\u0259l\u0259r vermi\u015f, s\u0259n\u0259t al\u0259mind\u0259 birlik v\u0259 yarad\u0131c\u0131l\u0131\u011f\u0131n yeni \u00fcf\u00fcql\u0259rini a\u00e7m\u0131\u015fd\u0131r. Onun f\u0259dakarl\u0131\u011f\u0131 v\u0259 s\u0259n\u0259t\u0259 ba\u011fl\u0131l\u0131\u011f\u0131 teatr\u0131n ruhunu ya\u015fadan \u0259sas s\u00fctunlardan biridir.<\/p>\n

1968-ci il sentyabr\u0131n 2-d\u0259 g\u0259nc v\u0259 istedadl\u0131 aktyor Hac\u0131 \u0130smay\u0131lov Sumqay\u0131t D\u00f6vl\u0259t Dram Teatr\u0131na d\u0259v\u0259t ald\u0131 v\u0259 yeni truppaya qo\u015fularaq s\u0259hn\u0259 d\u00fcnyas\u0131na ilk ciddi add\u0131m\u0131n\u0131 atd\u0131. O vaxtdan etibar\u0259n, s\u0259hn\u0259 onun \u00fc\u00e7\u00fcn t\u0259kc\u0259 pe\u015f\u0259 deyil, h\u0259m d\u0259 bir h\u0259yat t\u0259rzin\u0259 \u00e7evrildi. Bu teatrda M.F. Axundzad\u0259nin klassik komediyas\u0131 M\u00fcsy\u00f6 Jordan v\u0259 D\u0259rvi\u015f M\u0259st\u0259ri \u015fahda D\u0259rvi\u015f M\u0259st\u0259ri \u015fah obraz\u0131n\u0131 ustal\u0131qla canland\u0131raraq aktyorluq bacar\u0131\u011f\u0131n\u0131 n\u00fcmayi\u015f etdirdi.<\/p>\n

Sonrak\u0131 rollar\u0131 da bir-birind\u0259n se\u00e7il\u0259n obrazlarla yadda qald\u0131: C. Patrikin Q\u0259rib\u0259 missis Slvic dram\u0131nda Ceffi, A. Papayan\u0131n B\u0259li, d\u00fcnya d\u0259yi\u015fib komediyas\u0131nda S\u0259m\u0259nd\u0259r, C\u0259f\u0259r Cabbarl\u0131n\u0131n Sevil pyesind\u0259 M\u0259mm\u0259d\u0259li b\u0259y rollar\u0131 onun geni\u015f s\u0259n\u0259t palitras\u0131n\u0131n ilk r\u0259ngl\u0259ri idi. H\u0259r rolda bir f\u0259rqlilik, bir d\u0259rinlik vard\u0131 \u2014 bu, onun s\u0259n\u0259t\u0259 olan yana\u015fmas\u0131n\u0131n bariz g\u00f6st\u0259ricisidir.<\/p>\n

1970-ci il fevral\u0131n 16-da Hac\u0131 \u0130smay\u0131lov art\u0131q pe\u015f\u0259kar s\u0259hn\u0259nin zirv\u0259sin\u0259 do\u011fru bir add\u0131m daha atd\u0131 \u2014 o, Akademik Milli Dram Teatr\u0131na d\u0259v\u0259t olundu. \u0130lk g\u00fcnd\u0259n bu teatr\u0131n kollektivi i\u00e7ind\u0259 yer ald\u0131 v\u0259 H.Cavidin X\u0259yyam faci\u0259sind\u0259 \u0130kinci qulam rolunu ifa ed\u0259r\u0259k Azdramada \u00f6z s\u0259n\u0259t yolunu ba\u015flad\u0131. Bu s\u0259hn\u0259d\u0259 ke\u00e7\u0259n 55 il \u0259rzind\u0259 o, t\u0259kc\u0259 rollar ifa etm\u0259di \u2014 teatr\u0131n tarixini yazd\u0131, tama\u015fa\u00e7\u0131 yadda\u015f\u0131na silinm\u0259z izl\u0259r buraxd\u0131, g\u0259nc aktyorlara \u00f6rn\u0259k oldu.<\/p>\n

Onun Azdramadak\u0131 f\u0259aliyy\u0259ti, rollar\u0131n\u0131n \u00e7ox\u015fax\u0259liliyi v\u0259 h\u0259r bir obrazda ruh v\u0259 fikir y\u00fckl\u00fc oyun t\u0259rzi, onu \u00e7a\u011fda\u015f teatr\u0131m\u0131z\u0131n s\u00fctunlar\u0131ndan birin\u0259 \u00e7evirdi. H\u0259r s\u0259hn\u0259 \u00e7\u0131x\u0131\u015f\u0131 bir m\u0259kt\u0259b oldu \u2014 s\u0259n\u0259t m\u0259kt\u0259bi, q\u00fcrur m\u0259nb\u0259yi.<\/p>\n

S\u0259hn\u0259 v\u0259 ekran Hac\u0131 \u0130smay\u0131lov \u00fc\u00e7\u00fcn sad\u0259c\u0259 oynamaq \u00fc\u00e7\u00fcn deyil, insan ruhuna s\u0259yah\u0259t etm\u0259k \u00fc\u00e7\u00fcn m\u0259kan olub. Onun yaratd\u0131\u011f\u0131 obrazlar tama\u015fa\u00e7\u0131ya t\u0259kc\u0259 hekay\u0259 dan\u0131\u015fm\u0131r \u2014 onlar bir hiss ya\u015fad\u0131r, bir d\u0259rs verir, bir yol g\u00f6st\u0259rir. Bu obrazlar\u0131n h\u0259r biri c\u0259miyy\u0259tin g\u00fczg\u00fcs\u00fcn\u0259 \u00e7evrilir; h\u0259r biri bir d\u00f6vr\u00fcn n\u0259f\u0259sini, bir insan\u0131n dilemmas\u0131n\u0131, bir xalq\u0131n ruhunu ifad\u0259 edir.<\/p>\n

M\u0259s\u0259l\u0259n, “Ad g\u00fcn\u00fc” filmind\u0259 Mustafa obraz\u0131 \u2014 sad\u0259lik v\u0259 s\u0259mimiyy\u0259tin f\u00f6vq\u00fcnd\u0259 duran bir insan\u0131n daxili dram\u0131 \u2014 tama\u015fa\u00e7\u0131ya \u00f6z ail\u0259sini, \u00f6z ya\u015fant\u0131lar\u0131n\u0131 xat\u0131rlad\u0131r. Hac\u0131 \u0130smay\u0131lov bu obrazda s\u0259ssiz bir ah\u0259ng yarad\u0131r, g\u00f6z\u00fcn d\u0259rinliyind\u0259 dan\u0131\u015fan duy\u011funu ortaya qoyur.<\/p>\n

“Sevil” pyesind\u0259ki M\u0259mm\u0259d\u0259li b\u0259y \u2014 bir epoxa m\u0259nsublu\u011fu, bir m\u0259d\u0259niyy\u0259tin \u00fczv\u00fc \u2014 onunla birlikd\u0259 c\u0259miyy\u0259tin d\u0259yi\u015f\u0259n d\u0259y\u0259rl\u0259rini m\u00fc\u015fahid\u0259 edirik. Obraz\u0131n daxilind\u0259 k\u00f6hn\u0259 il\u0259 yeninin toqqu\u015fmas\u0131, ki\u015fi il\u0259 qad\u0131n rollar\u0131n\u0131n yenid\u0259n d\u00fc\u015f\u00fcn\u00fclm\u0259si yer al\u0131r. Bu, t\u0259kc\u0259 teatr deyil, sosial t\u0259hlildir.<\/p>\n

“B\u0259yin o\u011furlanmas\u0131”, “F\u0259ryad” kimi filml\u0259rd\u0259 is\u0259 obrazlar daha s\u0259rt, daha ictimai-siyasi y\u00fckl\u00fcd\u00fcr. Bu ekran \u0259s\u0259rl\u0259rind\u0259 o, yaln\u0131z aktyor yox, h\u0259m d\u0259 xalq yadda\u015f\u0131n\u0131n da\u015f\u0131y\u0131c\u0131s\u0131d\u0131r \u2014 xalq\u0131n ac\u0131s\u0131n\u0131, dir\u0259ni\u015fini, narahatl\u0131\u011f\u0131n\u0131 ekranda dil\u0259 g\u0259tir\u0259n bir sima. Onun mimikas\u0131, jesti, susqunlu\u011fu bel\u0259 dan\u0131\u015f\u0131r.<\/p>\n

Teatr s\u0259hn\u0259sind\u0259 at\u0131lan h\u0259r add\u0131m, dan\u0131\u015f\u0131lan h\u0259r s\u00f6z, g\u00f6st\u0259ril\u0259n h\u0259r mimika bir m\u0259kt\u0259bdir \u2013 bu m\u0259kt\u0259bin m\u00fc\u0259lliml\u0259rind\u0259n biri Hac\u0131 \u0130smay\u0131lovdur. O, t\u0259kc\u0259 rollar ifa etmir, h\u0259m d\u0259 s\u0259n\u0259tin f\u0259ls\u0259f\u0259sini ya\u015fay\u0131r, ya\u015fad\u0131r. G\u0259nc aktyorlar \u00fc\u00e7\u00fcn onun yan\u0131nda olmaq, s\u0259hn\u0259 d\u0259rsl\u0259rin\u0259 deyil, h\u0259yat d\u0259rsl\u0259rin\u0259 daxil olmaq dem\u0259kdir.<\/p>\n

Onun \u00f6yr\u0259tm\u0259 \u00fcsulu formal deyil \u2013 bir bax\u0131\u015fla \u00f6yr\u0259dir, bir s\u0259hn\u0259 gedi\u015find\u0259 t\u0259rbiy\u0259 verir. S\u0259hn\u0259y\u0259 \u00e7\u0131xan g\u0259ncl\u0259r onunla eyni atmosferi payla\u015fd\u0131qda, \u00f6z daxili s\u0259sl\u0259rini k\u0259\u015ff etm\u0259y\u0259 ba\u015flay\u0131rlar. Hac\u0131 \u0130smay\u0131lov ruh a\u015f\u0131lay\u0131r \u2014 s\u0259n\u0259t\u0259 sad\u0259c\u0259 texniki yana\u015fma deyil, ona inam, sevgi, v\u0259fa a\u015f\u0131lay\u0131r.<\/p>\n

Onun dilind\u0259 s\u0259hn\u0259 terminl\u0259ri yoxdur, o, duy\u011fularla dan\u0131\u015f\u0131r. \u201cBu obraz\u0131 ya\u015fa\u201d deyir, \u201cs\u00f6zl\u0259ri s\u0259sl\u0259ndirm\u0259, onlar\u0131 hiss el\u0259.\u201d H\u0259r t\u00f6vsiy\u0259si g\u0259nc aktyorun s\u0259n\u0259t yolunda bir i\u015f\u0131q, bir yol g\u00f6st\u0259ricisi olur. Onunla bir s\u0259hn\u0259d\u0259 dayanmaq, ill\u0259rin s\u00fczg\u0259cind\u0259n ke\u00e7mi\u015f bir ustadla vaxt\u0131 b\u00f6l\u00fc\u015fm\u0259kdir.<\/p>\n

Teatr m\u0259kt\u0259bl\u0259rind\u0259, b\u0259dii kollektivl\u0259rd\u0259 onun ad\u0131 bir \u00f6rn\u0259k kimi \u00e7\u0259kilir. T\u0259l\u0259b\u0259l\u0259r onun \u00e7\u0131x\u0131\u015flar\u0131n\u0131 izl\u0259yir, mimikalar\u0131n\u0131 \u00f6yr\u0259nir, s\u0259sini t\u0259hlil edirl\u0259r \u2014 amma ham\u0131 bilir ki, Hac\u0131 \u0130smay\u0131lovun s\u0259n\u0259ti yaln\u0131z \u00f6yr\u0259nilm\u0259z, o, hiss olunmal\u0131d\u0131r.<\/p>\n

O, teatr\u0131n yadda\u015f\u0131nda deyil, onun ruhundad\u0131r. N\u0259sild\u0259n-n\u0259sil\u0259 \u00f6t\u00fcr\u00fcl\u0259n bu ruh, onun say\u0259sind\u0259 \u0259b\u0259diya\u015far bir ah\u0259ng\u0259 \u00e7evrilir. Onun varl\u0131\u011f\u0131, s\u0259hn\u0259d\u0259ki s\u00fckutu bel\u0259 ilhamd\u0131r. \u00c7\u00fcnki o, s\u0259n\u0259t\u0259 dan\u0131\u015fmaq \u00fc\u00e7\u00fcn deyil \u2014 dinl\u0259tm\u0259k, d\u00fc\u015f\u00fcnd\u00fcrm\u0259k v\u0259 ya\u015fatmaq \u00fc\u00e7\u00fcn g\u0259lmi\u015fdir.<\/p>\n

S\u0259n\u0259td\u0259 iz qoymaq \u2014 t\u0259kc\u0259 rollarla deyil, h\u0259m d\u0259 zamanla yar\u0131\u015fmaqd\u0131r. Hac\u0131 \u0130smay\u0131lov bu yar\u0131\u015fda \u0259b\u0259diyy\u0259ti se\u00e7di. Onun yarad\u0131c\u0131l\u0131\u011f\u0131na veril\u0259n d\u00f6vl\u0259t m\u00fckafatlar\u0131 v\u0259 f\u0259xri adlar, yaln\u0131z titul deyil, h\u0259m d\u0259 bir m\u0259d\u0259niyy\u0259tin s\u0259n\u0259tkara verdiyi \u0259n d\u0259rin t\u0259\u015f\u0259kk\u00fcr formas\u0131d\u0131r.<\/p>\n

1980-ci ild\u0259 \u201cAd g\u00fcn\u00fc\u201d filmind\u0259ki Mustafa obraz\u0131na g\u00f6r\u0259 Respublika D\u00f6vl\u0259t M\u00fckafat\u0131 laureat\u0131 ad\u0131n\u0131 almas\u0131, onun s\u0259n\u0259tkar m\u00f6vqeyinin t\u0259sdiqi idi. Bu m\u00fckafat, sad\u0259c\u0259 bir aktyorun oyununu deyil, bir obraz\u0131n insanlar\u0131n q\u0259lbind\u0259 yaratd\u0131\u011f\u0131 sars\u0131nt\u0131n\u0131 qiym\u0259tl\u0259ndirdi.<\/p>\n

Daha sonra “Az\u0259rbaycan Respublikas\u0131n\u0131n Xalq artisti” f\u0259xri ad\u0131n\u0131n verilm\u0259si il\u0259 Hac\u0131 \u0130smay\u0131lovun s\u0259n\u0259t yolunun r\u0259smi \u015f\u0259kild\u0259 zirv\u0259y\u0259 \u00e7atd\u0131\u011f\u0131 elan olundu. Bu ad, yaln\u0131z bir teatr xadiminin deyil, xalq\u0131n ruhunu ifad\u0259 ed\u0259n s\u0259n\u0259tkar\u0131n tan\u0131nmas\u0131 idi.<\/p>\n

Onun ictimai-s\u0259n\u0259t n\u00fcfuzu, aktyor olmaqdan \u00e7ox, s\u0259n\u0259tkar olmaqla \u00f6l\u00e7\u00fcl\u00fcr. M\u00fcxt\u0259lif m\u0259d\u0259niyy\u0259t t\u0259dbirl\u0259rind\u0259 i\u015ftirak\u0131, Az\u0259rbaycan Teatr Xadiml\u0259ri \u0130ttifaq\u0131n\u0131n s\u0259dri kimi g\u00f6rd\u00fcy\u00fc t\u0259\u015fkilati i\u015fl\u0259r, s\u0259n\u0259t d\u00fcnyas\u0131nda ona olan ehtiram\u0131n g\u00f6st\u0259ricisidir.<\/p>\n

\u018fsl s\u0259n\u0259tkar\u0131 yaln\u0131z t\u0259nqid\u00e7il\u0259r yox, tama\u015fa\u00e7\u0131lar tan\u0131y\u0131r. Hac\u0131 \u0130smay\u0131lovun varl\u0131\u011f\u0131 s\u0259hn\u0259d\u0259 oldu\u011fu zaman hiss edilmir \u2014 o, s\u0259hn\u0259y\u0259 g\u0259lm\u0259mi\u015fd\u0259n \u00f6nc\u0259 hiss olunur. Tama\u015fa\u00e7\u0131n\u0131n intizar dolu bax\u0131\u015f\u0131nda, s\u0259hn\u0259y\u0259 y\u00f6n\u0259lmi\u015f diqq\u0259tind\u0259, s\u0259ssiz dua kimi s\u0259hn\u0259 \u00f6n\u00fcnd\u0259 y\u0131\u011f\u0131\u015fmas\u0131nda onun izini g\u00f6rm\u0259k olar.<\/p>\n

O, s\u0259hn\u0259y\u0259 \u00e7\u0131xanda zaldak\u0131 s\u00fckut d\u0259yi\u015fir \u2014 atmosfer a\u011f\u0131rla\u015fm\u0131r, d\u0259rinl\u0259\u015fir. S\u0259sl\u0259r azal\u0131r, diqq\u0259t art\u0131r, \u00e7\u00fcnki tama\u015fa\u00e7\u0131 bilir: indi s\u0259hn\u0259d\u0259 n\u0259 is\u0259 deyil\u0259c\u0259k, amma s\u00f6zl\u0259 yox \u2014 varl\u0131qla.<\/p>\n

Tama\u015fa\u00e7\u0131lar onun rollar\u0131nda \u00f6z ya\u015fant\u0131lar\u0131n\u0131 tap\u0131r. Hac\u0131 \u0130smay\u0131lov obrazlarda h\u0259r k\u0259si bir az g\u00f6st\u0259rir: bir ata qay\u011f\u0131s\u0131, bir \u00f6vlad f\u0259ryad\u0131, bir xalq k\u0259d\u0259ri, bir insan sevinci. Onun tama\u015falar\u0131 t\u0259kc\u0259 izl\u0259nilmir \u2014 h\u0259m d\u0259 ya\u015fan\u0131l\u0131r.<\/p>\n

Bu s\u0259b\u0259bd\u0259n, onun s\u0259n\u0259ti canl\u0131d\u0131r. O, s\u0259hn\u0259d\u0259n tama\u015fa\u00e7\u0131n\u0131n q\u0259lbin\u0259 bir ip at\u0131r, onu i\u00e7\u0259 ba\u011flay\u0131r, sonra da obrazla birlikd\u0259 o ipi titr\u0259d\u0259r\u0259k ruhu oyad\u0131r.<\/p>\n

P.S.\u00a0B\u00f6y\u00fck s\u0259n\u0259tkar\u0131m\u0131z, Xalq artisti, D\u00f6vl\u0259t m\u00fckafat\u0131 laureat\u0131 Hac\u0131 \u0130smay\u0131lov haqq\u0131nda bu yaz\u0131m\u0131n sonunda anlay\u0131ram: onun haqq\u0131nda yazmaq yaln\u0131z bir insan\u0131 deyil \u2014 bir d\u00f6vr\u00fc, bir s\u0259n\u0259t f\u0259ls\u0259f\u0259sini duymaqd\u0131r. H\u0259r c\u00fcml\u0259m onun s\u0259sinin \u0259ks-s\u0259das\u0131d\u0131r, h\u0259r s\u0259trim is\u0259 biz g\u0259ncl\u0259rin ruhuna hopan t\u0259rbiy\u0259nin izidir. Bu yaz\u0131 m\u0259n\u0259 m\u0259xsusdur \u2014 \u00e7\u00fcnki onun s\u0259n\u0259ti m\u0259nim ruhumu yo\u011furur, m\u0259n\u0259 s\u0259n\u0259tin n\u0259 oldu\u011funu \u00f6yr\u0259dir.<\/strong><\/div>\n

\n

M\u00fc\u0259llif: Fuad B\u0130L\u018fSUVARLI<\/strong><\/span><\/div>\n

AYB v\u0259 AJB \u00fczv\u00fc, Prezident v\u0259 <\/strong><\/span><\/div>\n
H\u0259s\u0259n b\u0259y Z\u0259rdabi m\u00fckafat\u00e7\u0131s\u0131.<\/strong><\/span><\/div>\n
<\/div>\n
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M\u0259nb\u0259: Az\u0259rbaycan.media\u00a0<\/strong><\/span><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\/Bu yaz\u0131mda Az\u0259rbaycan teatr\u0131n\u0131n usta s\u0259n\u0259tkar\u0131 Hac\u0131 \u0130smay\u0131lovun s\u0259n\u0259t yoluna, onun zirv\u0259y\u0259 aparan add\u0131mlar\u0131na n\u0259z\u0259r salm\u0131\u015fam.\\ Teatr v\u0259 kino s\u0259n\u0259timizin ya\u015fay\u0131b inki\u015faf etm\u0259sind\u0259, n\u0259sill\u0259r\u0259 miras qalmas\u0131nda Hac\u0131 \u0130smay\u0131lovun izl\u0259ri silinm\u0259zdir.… <\/p>\n","protected":false},"author":4,"featured_media":67782,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,57],"tags":[],"class_list":["post-67781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manset","category-mdniyyt"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/67781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67781"}],"version-history":[{"count":2,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/67781\/revisions"}],"predecessor-version":[{"id":67784,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/67781\/revisions\/67784"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/67782"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}