{"id":55314,"date":"2025-10-10T21:32:26","date_gmt":"2025-10-10T17:32:26","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=55314"},"modified":"2025-10-10T21:32:56","modified_gmt":"2025-10-10T17:32:56","slug":"ed%c9%99biyyatla-h%c9%99yat-arasinda-elnar%c9%99-akimova-yazir","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=55314","title":{"rendered":"\u018fd\u0259biyyatla h\u0259yat aras\u0131nda \u2013 Elnar\u0259 Akimova yaz\u0131r…"},"content":{"rendered":"
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\u201cM\u0259nim \u00fc\u00e7\u00fcn q\u0131z\u0131lg\u00fcl\u201d kitab\u0131 Samir\u0259 \u018f\u015fr\u0259fin yaz\u0131\u00e7\u0131 kimi f\u0259rdi keyfiyy\u0259tl\u0259rinin, b\u0259dii ifad\u0259 resurslar\u0131n\u0131n ger\u00e7\u0259kl\u0259\u015fdiyi m\u0259kand\u0131r, yadda\u015f d\u00fc\u015f\u00fcnc\u0259sinin, ya\u015fam t\u0259cr\u00fcb\u0259sinin b\u0259dii m\u0259tnd\u0259 t\u0259zah\u00fcr tapmas\u0131d\u0131r. Avtobioqrafik kodlar\u0131n g\u00fccl\u00fc oldu\u011funu n\u0259z\u0259r\u0259 alsaq, h\u0259m d\u0259 tale il\u0259 m\u00fccadil\u0259sinin t\u0259c\u0259ss\u00fcm tapd\u0131\u011f\u0131 \u0259razidir. Unutmaqm\u0131? H\u0259m d\u0259 unutmaq! Cavan\u015fir Yusiflinin yazd\u0131\u011f\u0131 kimi, \u201cYazmaq unutmaq s\u0259n\u0259tidir. Amma biz\u0259 el\u0259 g\u0259lir ki, biz n\u0259l\u0259rs\u0259 yada d\u00fc\u015fd\u00fckc\u0259, xatir\u0259l\u0259r canland\u0131qca yazma\u011fa ba\u015flay\u0131r\u0131q. Yazanda h\u0259r \u015feyi arxada qoyub h\u0259r \u015feyi s\u00fcr\u0259tl\u0259 unudursan…\u201d<\/p>\n

Samir\u0259 \u018f\u015fr\u0259fin hekay\u0259l\u0259rind\u0259 b\u00fct\u00fcnl\u00fckd\u0259 faktura m\u00fcharib\u0259y\u0259 k\u00f6kl\u0259ns\u0259 bel\u0259 b\u00fct\u00fcn psixoloji-fizioloji aksiomatikliyi il\u0259 m\u00fcharib\u0259 amili burada insan xarakterini, insan ya\u015fant\u0131s\u0131n\u0131 b\u0259lirl\u0259y\u0259n \u0259sas vasit\u0259 kimi \u00e7\u0131x\u0131\u015f edir. H\u0259tta \u0259n g\u00f6zl\u0259nilm\u0259z, qa\u00e7maq, unutmaq ist\u0259diyi (!) situasiyada bel\u0259: \u201c\u0130lahi, bu q\u0259d\u0259r h\u0259ngam\u0259nin i\u00e7ind\u0259 C\u0259bray\u0131l\u0131n al\u0131nmas\u0131 haradan a\u011fl\u0131ma g\u0259ldi? (\u201cSaturasiya\u201d)\u201d<\/p>\n

Samir\u0259nin real planda, ideya v\u0259 qay\u0259 etibaril\u0259 biz\u0259 g\u00f6st\u0259rdiyi, b\u0259hs etdiyi, inikas v\u0259 t\u0259c\u0259ss\u00fcm etdirm\u0259y\u0259 \u00e7al\u0131\u015fd\u0131\u011f\u0131 v\u0259 obraz\u0131n\u0131 yaratd\u0131\u011f\u0131 zaman, birinci Qaraba\u011f sava\u015f\u0131 il\u0259 ba\u015flanan d\u00f6vr\u00fcn ard\u0131nca g\u0259tirdiyi a\u011fr\u0131lar, ya\u015fant\u0131lard\u0131r. Amma burada n\u0259 1990-c\u0131 ill\u0259rin s\u0259rt h\u0259qiq\u0259tl\u0259ri, n\u0259 d\u0259 m\u00fcst\u0259qillik u\u011frunda \u00e7arp\u0131\u015fman\u0131n ger\u00e7\u0259k durumu v\u0259 \u00e7\u0259tinlikl\u0259ri var. Sad\u0259c\u0259 ke\u00e7mi\u015fini itirdiyi torpaqlarda d\u0259fn ed\u0259n, taleyin ax\u0131\u015f\u0131na qo\u015fulub g\u00fcnd\u0259lik a\u011fr\u0131 v\u0259 sars\u0131nt\u0131lar\u0131 il\u0259 ba\u015f-ba\u015fa qalan insanlar\u0131n h\u0259yat\u0131: iflas, m\u0259hv olmu\u015f arzular, t\u00fck\u0259nmi\u015flik, yor\u011funluq \u2013 hekay\u0259l\u0259rd\u0259ki Qaraba\u011f m\u00f6vzusu b\u00fcsb\u00fct\u00fcn bu m\u00fcst\u0259vi \u00fcz\u0259rind\u0259 q\u0259rarla\u015fm\u0131\u015fd\u0131r: \u201cBozumtul g\u00f6zl\u0259rini \u00fcz\u00fcm\u0259 dikib, \u00e7oxdan aral\u0131 d\u00fc\u015fd\u00fcy\u00fc uzaq ke\u00e7mi\u015find\u0259n t\u0259z\u0259 x\u0259b\u0259r g\u00f6zl\u0259yirdi. Bilmir\u0259m, bu anda m\u0259nim yad\u0131ma d\u00fc\u015f\u0259nl\u0259ri o da xat\u0131rlay\u0131rd\u0131m\u0131?…<\/p>\n

…H\u0259mi\u015f\u0259 viran qoyulmu\u015f evimiz, \u00f6l\u00fcb getmi\u015f ill\u0259rimiz, aya\u011f\u0131m\u0131z\u0131n alt\u0131ndan qa\u00e7m\u0131\u015f torpa\u011f\u0131m\u0131z yad\u0131ma d\u00fc\u015f\u0259nd\u0259, onun yer\u0259 s\u0259rilmi\u015f \u0259yri-\u00fcyr\u00fc qaralt\u0131s\u0131 g\u00f6z\u00fcm\u00fcn \u00f6n\u00fcnd\u0259 canlan\u0131rd\u0131\u201d (\u201cEyb\u0259c\u0259r\u201d).<\/p>\n

Samir\u0259nin hekay\u0259l\u0259rind\u0259 \u0259n \u00f6n\u0259mli m\u0259qam h\u0259r hans\u0131 problemi ill\u00fcstr\u0259 etm\u0259m\u0259y\u0259 \u00e7al\u0131\u015fmas\u0131d\u0131r, naturadan yay\u0131n\u0131b potensial\u0131n\u0131n yetdiyi hekay\u0259\u00e7ilik t\u0259cr\u00fcb\u0259si v\u0259 h\u0259yat material\u0131 daxilind\u0259 b\u0259diiyyat yarada bilm\u0259sidir. Kitabda m\u00fc\u0259llifin \u0259vv\u0259ld\u0259n ax\u0131ra \u2013 m\u00fc\u0259yy\u0259n irili x\u0131rdal\u0131 \u015ftrixl\u0259rl\u0259 torpaq itkisin\u0259, qa\u00e7q\u0131nl\u0131q a\u011fr\u0131lar\u0131, f\u0259sadlar\u0131na k\u00f6kl\u0259nm\u0259si b\u0259dii konsepsiya daxilind\u0259 b\u00fct\u00f6v t\u0259sir ba\u011f\u0131\u015flay\u0131r. Amma bu b\u00fct\u00f6vl\u00fck hekay\u0259l\u0259rin struktur-tipoloji m\u00fcqayis\u0259si, motiv s\u0259sl\u0259\u015fm\u0259si kontekstind\u0259 deyil, \u00fcmum\u0259n funksiyaca eyni bir ah\u0259ngsizliyin m\u00fcxt\u0259lif m\u0259kan v\u0259 ictimai m\u00fcnasib\u0259tl\u0259r koordinatlar\u0131nda ya\u015fayan insanlardak\u0131 \u0259ks-s\u0259das\u0131n\u0131 g\u00f6st\u0259rm\u0259k hesab\u0131na ba\u015fa g\u0259lir. Bu hekay\u0259l\u0259rd\u0259 m\u00fcharib\u0259 obraz\u0131 m\u0259xsusi m\u0259xr\u0259c al\u0131r, h\u0259rb meydan\u0131ndan, arxa c\u0259bh\u0259nin m\u0259nz\u0259r\u0259l\u0259rind\u0259n uzaq d\u00fcnyan\u0131 obyektiv\u0259 fokuslayaraq, ruhun b\u00fct\u00fcn sosial, psixoloji, ekzistensial varl\u0131q m\u0259qamlar\u0131nda i\u015ftirak edir.<\/p>\n

Samir\u0259 \u018f\u015fr\u0259f bu sava\u015fdak\u0131 ac\u0131 m\u0259\u011flubiyy\u0259timizin f\u0259si n\u0259tic\u0259l\u0259rini, ya\u015fatd\u0131\u011f\u0131 dramatik olaylar\u0131 bir ail\u0259 xronikas\u0131 \u00fcz\u0259rind\u0259 yaz\u0131r: ata, ana, bac\u0131, qarda\u015f, \u0259mi, \u00f6vladlar\u0131, sinif yolda\u015flar\u0131, dostlar v\u0259 s., bir s\u00f6zl\u0259, b\u00fct\u00fcn do\u011fma v\u0259 yad adamlar… Bu insanlar\u0131n h\u0259r biri kitabda m\u00fcharib\u0259 sonu h\u0259qiq\u0259tl\u0259rin – qa\u00e7q\u0131nl\u0131q m\u0259nz\u0259r\u0259l\u0259ri v\u0259 ac\u0131lar\u0131n, do\u011furdu\u011fu d\u0259rin sosial kataklizml\u0259rin m\u0259tn\u0259 g\u0259tirilm\u0259si bax\u0131m\u0131ndan i\u015ftirak edirl\u0259r. Hekay\u0259l\u0259rd\u0259 yurdundan-yuvas\u0131ndan perik d\u00fc\u015fm\u00fc\u015f insanlar\u0131n iztirablar\u0131n\u0131, sosial t\u0259zadlardan do\u011fan m\u0259n\u0259vi a\u011fr\u0131lar\u0131n\u0131 yax\u0131ndan hiss edir, yar\u0131m\u00e7\u0131q qalm\u0131\u015f \u00fcmidl\u0259rin ac\u0131lar\u0131n\u0131 birlikd\u0259 ya\u015fay\u0131r\u0131q: \u201cAtam Az\u0259rbaycan dili m\u00fc\u0259llimi idi. Ancaq o m\u00fc\u0259llimliyin da\u015f\u0131n\u0131 atm\u0131\u015fd\u0131, daha do\u011frusu, atma\u011fa m\u0259cbur olmu\u015fdu. O h\u0259r ax\u015fam evimizin yax\u0131nl\u0131\u011f\u0131nda yerl\u0259\u015f\u0259n pekarnid\u0259n otuz, q\u0131rx \u00e7\u00f6r\u0259k al\u0131b iki iri \u00e7antaya y\u0131\u011far, sonra qarda\u015f\u0131mla k\u00f6m\u0259kl\u0259\u015fib metrolar\u0131n birinin qar\u015f\u0131s\u0131nda satard\u0131lar. \u00c7\u00f6r\u0259kl\u0259ri satandan sonra gec\u0259 on ikid\u0259 ev\u0259 qay\u0131dard\u0131lar. \u00dcst\u0259lik atam h\u0259r g\u00fcn \u00f6z\u00fcm\u00fcz\u00fcn d\u0259 \u00e7\u00f6r\u0259k pay\u0131n\u0131 g\u0259tir\u0259rdi. Amma dolan\u0131\u015f\u0131q yen\u0259 d\u0259 \u00e7\u0259tin idi (\u201cM\u00fc\u0259llimin \u00f6l\u00fcm\u00fc)\u201d.<\/p>\n

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\u201cM\u00fc\u0259llimin \u00f6l\u00fcm\u00fc\u201d h\u0259qiqi d\u0259y\u0259ri il\u0259 ya\u015fay\u0131\u015f t\u0259rzi aras\u0131nda uy\u011funsuzluq olan obraz\u0131n daxil\u0259n ya\u015fad\u0131\u011f\u0131 iflas, son problematikas\u0131n\u0131 m\u0259tnalt\u0131 m\u0259na v\u0259 daxili s\u0259s q\u00fcdr\u0259ti il\u0259 a\u00e7an m\u0259tndir. \u00dcmumiyy\u0259tl\u0259, Samir\u0259nin hekay\u0259l\u0259rinin obrazlar\u0131 \u00fc\u00e7\u00fcn iki s\u0259slilik xarakterikdir. Biri \u00fcnsiyy\u0259td\u0259, ba\u015fqalar\u0131 il\u0259 s\u00f6hb\u0259td\u0259 meydana \u00e7\u0131xan, biri is\u0259 daxild\u0259 dan\u0131\u015fan, obraz\u0131n \u00f6z \u201cm\u0259n\u201dind\u0259 gizl\u0259n\u0259n v\u0259 onun h\u0259qiqi mahiyy\u0259tini meydana \u00e7\u0131xaran s\u0259s. \u201cYapon yayl\u0131\u011f\u0131\u201d hekay\u0259sini g\u00f6t\u00fcr\u0259k. Hekay\u0259 dem\u0259k olar ki, bu s\u0259sin add\u0131mbaadd\u0131m obraz\u0131n davran\u0131\u015f\u0131nda, ruhunda, yadda\u015f qat\u0131nda \u0259sk-s\u0259da verm\u0259si \u00fcst\u00fcnd\u0259dir. B\u0259z\u0259n adi bir detal, adi bir s\u00f6z insan h\u0259yat\u0131n\u0131n d\u0259rinliy\u0259 g\u00f6md\u00fcy\u00fc hissl\u0259rini dill\u0259ndirib onu \u00f6mr\u00fcn son pill\u0259k\u0259nin\u0259 g\u0259tir\u0259c\u0259k q\u0259d\u0259r poetik simvoliklik qazan\u0131r. Kitaba layiqli \u00f6n s\u00f6z yazm\u0131\u015f Cavan\u015fir Yusifli hekay\u0259l\u0259rd\u0259ki daxili s\u0259s v\u0259 \u0259\u015fya-detallar\u0131n x\u00fcsusi mahiyy\u0259t da\u015f\u0131d\u0131\u011f\u0131n\u0131, \u00e7ox m\u0259nal\u0131 v\u0259 \u00e7ox funksiyal\u0131 oldu\u011funu d\u0259qiq xarakteriz\u0259 edib. Bura \u00fc\u00e7\u00fcnc\u00fc \u2013 r\u0259ng amilini d\u0259 \u0259lav\u0259 etm\u0259k olar: \u201cMa\u011fazan\u0131n qap\u0131s\u0131n\u0131n \u00fcst\u00fcnd\u0259, \u00e7\u0259r\u00e7iv\u0259d\u0259 q\u0131rm\u0131z\u0131 boya il\u0259 \u201cXatir\u0259\u201d s\u00f6z\u00fc yaz\u0131lm\u0131\u015fd\u0131. Q\u0131rm\u0131z\u0131 r\u0259ngi xatir\u0259l\u0259r\u0259 he\u00e7 c\u00fcr yara\u015fd\u0131ra bilmirdim. Ke\u00e7mi\u015f m\u0259nim g\u00f6z\u00fcm\u0259 h\u0259mi\u015f\u0259 a\u011f-qara r\u0259ngl\u0259rd\u0259 g\u00f6r\u00fcn\u00fcrd\u00fc. (\u201cEyb\u0259c\u0259r\u201d)\u201d; yaxud \u201cBoz r\u0259ngli soyuducumun \u00f6z\u00fc il\u0259 g\u0259tirdiyi soyuqluq, k\u00f6lg\u0259 m\u0259ni ondan uzaqla\u015fd\u0131r\u0131r\u201d (\u201cSoyuducumun k\u00f6lg\u0259si\u201d).<\/p>\n

Samir\u0259nin hekay\u0259l\u0259rind\u0259 \u0259\u015fyalar, s\u0259sl\u0259r, r\u0259ngl\u0259r v\u0259 dig\u0259r ba\u015fqa i\u015far\u0259l\u0259rin h\u0259r biri hadis\u0259 i\u00e7ind\u0259 \u00f6z simvolik m\u0259ntiqi olmaqla vacib s\u00fcjet funksiyas\u0131n\u0131 yerin\u0259 yetirirl\u0259r. V\u0259 bu s\u00fcjet m\u0259ntiqi q\u0259hr\u0259manlar\u0131n \u00f6m\u00fcr, tale m\u0259ntiqini tamamlay\u0131r. Bir yapon yayl\u0131\u011f\u0131na g\u00f6r\u0259 h\u0259yat\u0131, d\u00fcz\u0259ni darmada\u011f\u0131n olan jurnalistin ya\u015fad\u0131\u011f\u0131 son aqib\u0259t kimi: \u201cG\u00fcn\u0259\u015f \u015f\u0259rqd\u0259n \u00e7\u0131rtlay\u0131b g\u00f6y\u00fcn \u00fcz\u00fcn\u0259 qalxanda, Yaqubgilin eyvan\u0131ndan as\u0131lan yapon yayl\u0131\u011f\u0131 ipd\u0259n s\u00fcr\u00fc\u015f\u00fcb d\u00f6\u015f\u0259m\u0259d\u0259 uzan\u0131ql\u0131 qalan Yaqubun \u00fcz\u00fcn\u00fc \u00f6rtd\u00fc\u201d (\u201cYapon yayl\u0131\u011f\u0131\u201d). Yaxud nakam \u00f6mr\u00fcn metaforas\u0131 say\u0131la bil\u0259c\u0259k \u201cSaturasiya\u201d hekay\u0259sin\u0259 diqq\u0259t ed\u0259k. Bu hekay\u0259d\u0259ki t\u0259hkiy\u0259 texnikas\u0131 – s\u0259s obraz\u0131nda kodla\u015fan tale yolu, \u015f\u00fcuralt\u0131 ax\u0131n kimi ba\u015f ver\u0259n yada salma akt\u0131, s\u0259sin xat\u0131rlama dal\u011fas\u0131nda m\u00f6vcud olan hadis\u0259l\u0259r ger\u00e7\u0259kliyin s\u0259rh\u0259dl\u0259rini da\u011f\u0131dan, yadda\u015f\u0131n mistik-ezoterik formas\u0131n\u0131 yeni bi\u00e7imd\u0259 t\u0259qdim ed\u0259n ba\u015flan\u011f\u0131c m\u0259qam olaraq d\u0259rk edilir. Dan\u0131\u015fan q\u0259hr\u0259man\u0131n d\u00fc\u015f\u00fcnc\u0259l\u0259ridir, predmet \u2013 q\u0259hr\u0259man\u0131n h\u0259yat\u0131.<\/p>\n

Ke\u00e7mi\u015f Samir\u0259 \u018f\u015fr\u0259fin hekay\u0259l\u0259rind\u0259ki obrazlar\u0131 \u00fc\u00e7\u00fcn h\u0259r zaman diridir. Zaman\u0131n \u00e7a\u011fda\u015f ritmi il\u0259 eyni anda add\u0131mlay\u0131r, b\u0259z\u0259n \u00f6n\u0259 ke\u00e7ir, geriy\u0259 yol olmasa bel\u0259 ir\u0259lid\u0259 d\u0259 \u00fcmidverici n\u0259yins\u0259 qalmad\u0131\u011f\u0131na i\u015far\u0259 kimi q\u00fcvv\u0259tli bir cizgi k\u0259sb edir. Obrazlar da sanki d\u00fcn\u0259nl\u0259 sabah\u0131n aras\u0131nda var-g\u0259l edib he\u00e7 n\u0259yin \u0259vv\u0259lki kimi olmayaca\u011f\u0131, ya\u015fanmayaca\u011f\u0131 q\u0259na\u0259tini \u00f6zl\u0259rinin ay\u0131lma, \u00f6z\u00fcn\u00fcd\u0259rketm\u0259 m\u0259qamlar\u0131n\u0131n g\u0259tirdiyi situasiyalarda ayd\u0131n \u0259ks etdirmi\u015f olurlar.<\/p>\n

B\u0259lk\u0259 buna g\u00f6r\u0259 Samir\u0259nin hekay\u0259l\u0259rind\u0259 vidala\u015fma, ayr\u0131lma situasiyas\u0131n\u0131 \u015f\u0259rtl\u0259ndir\u0259n v\u0259 s\u0259ciyy\u0259l\u0259ndir\u0259n obraz v\u0259 motivl\u0259r\u0259 geni\u015f rast g\u0259linir. Kitabdak\u0131 dem\u0259k olar ki, b\u00fct\u00fcn hekay\u0259l\u0259rd\u0259 ayr\u0131lma, nisgil, s\u0259ssiz axan g\u00f6z ya\u015f\u0131 hakimdir. \u201cSaturasiya\u201dda anan\u0131n, \u201cM\u00fc\u0259llimin \u00f6l\u00fcm\u00fc\u201d v\u0259 \u201cA\u00e7\u0131lmayan \u00e7\u0259tir\u201dd\u0259 atan\u0131n, \u201cSonuncu yay\u0131n sonatas\u0131\u201d v\u0259 \u201cM\u00fcharib\u0259 bit\u0259n g\u00fcn\u201dd\u0259 sevdiyi o\u011flan\u0131n, \u201cYapon yayl\u0131\u011f\u0131\u201d v\u0259 \u201cRektorun \u00f6l\u00fcm\u00fc\u201dnd\u0259 q\u0259hr\u0259manlar\u0131n \u00f6l\u00fcm\u00fc, \u201cEyb\u0259c\u0259r\u201dd\u0259 ke\u00e7mi\u015fi simvoliz\u0259 ed\u0259n sinif yolda\u015f\u0131 il\u0259 vida, \u201cDolab\u0131n sonuncu siyirm\u0259si\u201dnd\u0259 abort ed\u0259n anan\u0131n i\u00e7ind\u0259ki bo\u015fluq \u2013 h\u0259r biri polifunksional \u00e7alar\u0131 il\u0259 k\u0259d\u0259r v\u0259 h\u00fczn\u00fc motivl\u0259ndirir. Bu h\u00fczn v\u0259 nisgil t\u0259hkiy\u0259d\u0259 d\u0259 metafizik auras\u0131n\u0131 qoruyub saxlay\u0131r, ovqat duy\u011fusu kontekstind\u0259 \u0259ksini tap\u0131r. D\u00fczd\u00fcr, Samir\u0259nin b\u0259z\u0259n t\u0259hkiy\u0259nin ciddi tonuna, hekay\u0259nin s\u00fcjetin\u0259 yumor, replika, istehza, komik \u00e7alar qatd\u0131\u011f\u0131 m\u0259qamlar da olur v\u0259 qeyd ed\u0259k ki, m\u0259tnd\u0259 \u00e7ox ustaca yer alan bu m\u0259qamlar h\u0259r hans\u0131 psixoloji hal\u0131n monolit i\u015far\u0259sin\u0259 \u00e7evrilir. Buna baxmayaraq, bu g\u00fcl\u00fcms\u0259m\u0259 anid\u0259n ba\u015f tutur, il\u011f\u0131m kimi yan\u0131b s\u00f6n\u00fcr v\u0259 yerini p\u0259rd\u0259l\u0259nm\u0259si he\u00e7 c\u00fcr m\u00fcmk\u00fcn olmayan ac\u0131 h\u0259qiq\u0259tl\u0259r tutur: \u201cSonuncu yay\u0131n sonatas\u0131\u201d hekay\u0259si bu m\u0259nada, g\u00fcl\u00fc\u015f v\u0259 k\u0259d\u0259rin antitezi olmas\u0131 bax\u0131m\u0131ndan yax\u015f\u0131 material verir. \u0130lk m\u0259h\u0259bb\u0259t, ilk duy\u011fu, titr\u0259yi\u015f, sevdiyi o\u011flan \u00fc\u00e7\u00fcn pianoda mahn\u0131 \u00e7almaq bacar\u0131\u011f\u0131n\u0131 s\u0259rgil\u0259yib f\u0259r\u0259hl\u0259nm\u0259k arzusu… Q\u0259hr\u0259man\u0131n bu ist\u0259yi valideynl\u0259rinin pianonu qonaq ota\u011f\u0131na deyil, u\u015faq ota\u011f\u0131na qoymalar\u0131 il\u0259 \u0259ng\u0259ll\u0259nir v\u0259 q\u0131z\u0131n \u00e7ald\u0131\u011f\u0131 musiqinin s\u0259si \u201cd\u0259rin quyu q\u0259d\u0259r qaranl\u0131q, m\u00fcbh\u0259m u\u015faq ota\u011f\u0131ndan\u201d e\u015fidilm\u0259z olur. Q\u0259hr\u0259man\u0131n \u201cqisas plan\u0131\u201d i\u015f\u0259 d\u00fc\u015f\u00fcr: \u201cEybi yoxdur. M\u0259n indi s\u0259nd\u0259n, b\u0259lk\u0259 d\u0259 s\u0259ni sevdiyi \u00fc\u00e7\u00fcn nakam qal\u0131b he\u00e7 kim\u0259 \u0259r\u0259 getm\u0259y\u0259n, bu g\u00fcn\u0259 q\u0259d\u0259r q\u0131z qar\u0131yan G\u00fclar\u0259 xalan\u0131n da, \u00f6z\u00fcm\u00fcn d\u0259 qisas\u0131n\u0131 alaram!<\/p>\n

“D\u00fcn\u0259n pianomun yan\u0131ndan bir m\u0259ktub tapm\u0131\u015fam. Atam\u0131n G\u00fclar\u0259 adl\u0131 t\u0259l\u0259b\u0259 yolda\u015f\u0131ndan g\u0259lmi\u015fdi.”<\/p>\n

Atam dik at\u0131ld\u0131. Anam \u00e7aydan\u0131 z\u0259rbl\u0259 sobaya \u00e7\u0131rpd\u0131.<\/p>\n

Aman Allah, evimizd\u0259 yaradaca\u011f\u0131m “z\u0259lz\u0259l\u0259nin” bu q\u0259d\u0259r \u015fidd\u0259tli olaca\u011f\u0131n\u0131 m\u0259n d\u0259 t\u0259xmin etm\u0259mi\u015fdim.<\/p>\n

Atam:<\/p>\n

N\u0259 s\u0259fehl\u0259yirs\u0259n? Dur, r\u0259dd ol. D\u0259rs\u0259 gecikirs\u0259n.<\/p>\n

\u00d6z\u00fcm\u00fc suyu s\u00fcz\u00fclm\u00fc\u015f kimi g\u00f6st\u0259r\u0259r\u0259k m\u0259tb\u0259xi t\u0259rk ets\u0259m d\u0259, sevincimin h\u00fcdudu yox idi. Qisas plan\u0131m\u0131 m\u00fcv\u0259ff\u0259qiyy\u0259tl\u0259 yerin\u0259 yetirmi\u015fdim. B\u0259li, \u018fkb\u0259r b\u0259y. S\u0259n g\u00f6t\u00fcr, m\u0259nim pianomu apar, quyunun dibin\u0259 tulla. B\u00fct\u00fcn arzular\u0131m\u0131n \u00f6n\u00fcn\u0259 \u00fc\u00e7 otaqdan hasar \u00e7\u0259k, m\u0259n d\u0259 bunun ac\u0131\u011f\u0131n\u0131 s\u0259nd\u0259 qoyum? Olmaz! H\u0259r k\u0259s layiq oldu\u011fu c\u0259zan\u0131 almal\u0131d\u0131r!\u201d.<\/p>\n

Hekay\u0259 boyu duyulan bu x\u0259fif t\u0259b\u0259ss\u00fcm\u00fc, m\u0259tn\u0259 estetik h\u0259zz a\u015f\u0131layan haz\u0131rcavabl\u0131\u011f\u0131, zarafat v\u0259 atmacalar\u0131 zaman\u0131n ac\u0131 ger\u00e7\u0259kliyi yar\u0131da k\u0259sir. H\u0259yat e\u015fqi, \u00fcmid i\u015f\u0131\u011f\u0131, ya\u015famaq sevdas\u0131 b\u0259dbinlik v\u0259 \u00fcmidsizlikl\u0259 \u0259v\u0259zl\u0259nir: \u201cGec\u0259d\u0259n ba\u015flayan at\u0131\u015fma s\u0259h\u0259r\u0259 yax\u0131n daha da g\u00fccl\u0259ndi. Anam tez-t\u0259l\u0259sik \u0259lin\u0259 ke\u00e7\u0259n paltarlar\u0131 kuloka y\u0131\u011f\u0131r, atam evimizin v\u0259 bizim s\u0259n\u0259dl\u0259rimizi g\u00f6t\u00fcr\u00fcrd\u00fc.<\/p>\n

M\u0259n… Son d\u0259f\u0259 pianom olan ota\u011fa ke\u00e7dim. Etibaras\u0131zl\u0131q g\u00f6st\u0259rdiyim u\u015faql\u0131q dostumun qapa\u011f\u0131n\u0131 qald\u0131rd\u0131m. Barmaqlar\u0131m\u0131 pianonun dill\u0259ri \u00fcz\u0259rind\u0259 ehmalca g\u0259zdirib, onlar\u0131 s\u0131\u011fallad\u0131m. \u018fmin idim ki, titr\u0259y\u0259n \u0259ll\u0259rimin h\u0259niri m\u0259nim etibars\u0131zl\u0131\u011f\u0131m\u0131 ba\u011f\u0131\u015fladacaqd\u0131. G\u0259l\u0259c\u0259k arzular\u0131m\u0131, \u00fcmidl\u0259rimi, bir d\u0259 ilk sevgimin xatir\u0259l\u0259rini pianonun dill\u0259ri \u00fcz\u0259rind\u0259 gizl\u0259dib, qapa\u011f\u0131 \u00f6rtd\u00fcm. Bizi g\u00f6zl\u0259y\u0259n taksi son d\u0259f\u0259 uzun-uzad\u0131 siqnal verdi. El\u0259 bil hardasa n\u0259s\u0259 q\u0131r\u0131ld\u0131, yar\u0131m\u00e7\u0131q qald\u0131…\u201d<\/p>\n

Samir\u0259nin kitab\u0131nda on iki hekay\u0259nin h\u0259r birind\u0259 sanki \u00f6n plana \u00e7\u0259kilmi\u015f bir \u0259sas obraz var. Torpa\u011f\u0131 i\u015f\u011fal edilmi\u015f, yurd yerini t\u0259rk edib m\u00fcxt\u0259lif s\u0131\u011f\u0131nacaqlara p\u0259nah g\u0259tirmi\u015f, bu faci\u0259d\u0259 u\u015faql\u0131\u011f\u0131n\u0131 sal\u0131b itirmi\u015f, ke\u00e7mi\u015fin h\u00f6rd\u00fcy\u00fc yadda\u015f hasar\u0131 \u00f6n\u00fcnd\u0259 ac\u0131 v\u0259 nisgil dolu bir titr\u0259yi\u015fl\u0259 daim itirdikl\u0259rini soraqlay\u0131b \u00f6mr\u00fc yola ver\u0259n bu obrazla \u0259slind\u0259, yaz\u0131\u00e7\u0131n\u0131n \u201cm\u0259ni\u201di dan\u0131\u015f\u0131r. Ona g\u00f6r\u0259 hekay\u0259l\u0259rd\u0259 obraz\u0131n daxili s\u0259si kimi meydana \u00e7\u0131xan bir \u00e7ox suallar\u0131n cavab\u0131 yoxdur. \u00c7\u00fcnki yaz\u0131\u00e7\u0131 \u00fc\u00e7\u00fcn bu suallar\u0131n cavab\u0131 m\u0259lumdur art\u0131q. Cavab – zaman\u0131n g\u0259tirdiyi iztirablard\u0131r, bar\u0131\u015fma\u011fa m\u0259hkum oldu\u011fu taleyidir. Ona g\u00f6r\u0259 bu obrazlar\u0131n \u00f6z\u00fc il\u0259 m\u00fcnaqi\u015f\u0259si, \u00e7\u0131rp\u0131nt\u0131s\u0131 hiss olunmur. Sanki h\u0259r \u015feyi h\u0259ll edib ruhi tarazl\u0131q v\u0259ziyy\u0259tin\u0131 g\u0259libl\u0259r. Bu toxdaql\u0131\u011f\u0131 m\u00fc\u0259llifin \u00f6z q\u0259l\u0259min\u0259 m\u00fcnasib\u0259td\u0259 d\u0259 qeyd ed\u0259 bil\u0259rik. \u0130ll\u0259rdir i\u00e7ind\u0259 da\u015f\u0131d\u0131\u011f\u0131 yurd itkisi, daim \u00fcnsiyy\u0259td\u0259 oldu\u011fu \u015f\u0259hid v\u0259 qazi ail\u0259l\u0259ri, onlarla s\u00f6hb\u0259td\u0259n i\u00e7in\u0259 y\u0131\u011f\u0131l\u0131b qalan m\u0259n\u0259vi-psixoloji y\u00fck Samir\u0259nin nasir kimi yeti\u015fm\u0259sind\u0259 c\u0259bb\u0259xana rolunu oynay\u0131b. Bura \u00e7al\u0131\u015fd\u0131\u011f\u0131 q\u0259zet v\u0259 saytlardak\u0131 jurnalistika \u201c\u00fcniversiteti\u201dni d\u0259 \u0259lav\u0259 ets\u0259k, insanlarla canl\u0131 t\u0259mas\u0131n\u0131n, h\u0259yat hadis\u0259l\u0259rin\u0259 b\u0259l\u0259dliyinin, yiy\u0259l\u0259ndiyi yaz\u0131 v\u0259 dil v\u0259rdi\u015fl\u0259rinin, el\u0259c\u0259 d\u0259 m\u00fctali\u0259 \u015f\u00f6vq\u00fcn\u00fcn onun bug\u00fcnk\u00fc yaz\u0131\u00e7\u0131 obraz\u0131n\u0131n hasil\u0259 g\u0259lm\u0259sind\u0259 az i\u015f g\u00f6rm\u0259diyini vur\u011fulaya bil\u0259rik. Q.Markes m\u00fcsahib\u0259l\u0259rinin birind\u0259 jurnalist kimi f\u0259aliyy\u0259tinin h\u0259yat\u0131ndak\u0131 \u00f6n\u0259mini bel\u0259 vur\u011fulam\u0131\u015fd\u0131r: \u201cBir yaz\u0131\u00e7\u0131 kimi informasiyan\u0131 m\u0259n h\u0259mi\u015f\u0259 jurnalistikadan alm\u0131\u015fam. Jurnalistika m\u0259n\u0259 ger\u00e7\u0259klikl\u0259 daim \u0259laq\u0259 saxlama\u011fa imkan yarad\u0131r. \u018fsl m\u00fc\u0259llim h\u0259yatd\u0131r, qalan m\u00fc\u0259lliml\u0259r onun yan\u0131nda he\u00e7 n\u0259dir\u201d.<\/p>\n

Bu m\u0259nada, \u201cM\u0259nim \u00fc\u00e7\u00fcn q\u0131z\u0131lg\u00fcl\u201d kitab\u0131ndak\u0131 hekay\u0259l\u0259r, buradak\u0131 h\u0259r\u0259k\u0259t enerjisi, g\u00fccl\u00fc emosiyaya malik y\u0131\u011fcam epizodlar monolitliyi, detal v\u0259 t\u0259f\u0259rr\u00fcat s\u0131\u00e7ray\u0131\u015flar\u0131 il\u0259 g\u0259l\u0259n t\u0259hkiy\u0259 yolu Samir\u0259nin ill\u0259rl\u0259 qazand\u0131\u011f\u0131 h\u0259yat t\u0259cr\u00fcb\u0259sinin n\u0259sr formas\u0131na \u00e7evrili\u015fidir. Bu t\u0259cr\u00fcb\u0259nin daha b\u00f6y\u00fck janrda v\u0259 t\u0259z\u0259 b\u0259diiyyatda \u00f6z s\u00f6z\u00fcn\u00fc dey\u0259c\u0259yin\u0259 inam\u0131m b\u00f6y\u00fckd\u00fcr.<\/p>\n<\/div>\n<\/div>\n

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Az\u0259rbaycan.media\u00a0<\/strong><\/span><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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