{"id":54349,"date":"2025-10-03T16:59:57","date_gmt":"2025-10-03T12:59:57","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=54349"},"modified":"2025-10-03T17:00:27","modified_gmt":"2025-10-03T13:00:27","slug":"hekay%c9%99-diskurs-kimi-abyssalis-elnar%c9%99-akimova","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=54349","title":{"rendered":"Hekay\u0259 diskurs kimi: “Abyssalis” – Elnar\u0259 AK\u0130MOVA"},"content":{"rendered":"

Elnar\u0259 AK\u0130MOVA<\/span><\/h3>\n
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Orxan H\u0259s\u0259ninin “Abyssalis” hekay\u0259si a\u011fr\u0131 v\u0259 i\u015far\u0259l\u0259ri d\u0259rind\u0259 gizl\u0259n\u0259n m\u0259tndir. Tale s\u00fcjetind\u0259 simvol v\u0259 arxetipl\u0259r yet\u0259rinc\u0259dir. F\u0259ls\u0259fi-b\u0259dii havas\u0131n\u0131 b\u0259lk\u0259 d\u0259 Z.Freydin ata kultuna ba\u011flamaq olar. U\u015faql\u0131q travmas\u0131, yadda\u015f faktoru, q\u0259mli, \u00fcmidsiz xatir\u0259l\u0259r, psixoloji depressiyalar v\u0259 s. Ata t\u0259r\u0259find\u0259n at\u0131l\u0131b, ana d\u0259lixanada \u00f6z\u00fcn\u00fc as\u0131b, ke\u00e7mi\u015f bo\u015fluq, g\u0259l\u0259c\u0259k yoxluq i\u00e7ind\u0259. O\u011fulun atas\u0131 il\u0259 s\u00f6hb\u0259ti \u0259snas\u0131nda m\u0259lum olur ki, atas\u0131 da \u00f6z ke\u00e7mi\u015fi, atas\u0131 \u00fc\u00e7\u00fcn dar\u0131x\u0131r, he\u00e7lik aras\u0131nda var-g\u0259l edir.<\/p>\n

Orxan H\u0259s\u0259ninin \u00fcslubunda \u0259n m\u00fch\u00fcm \u00e7alar dilimizin poetik imkanlar\u0131ndan u\u011furla yararlanmas\u0131, q\u0259hr\u0259manlar\u0131n\u0131n daxili al\u0259mini t\u0259mkinli v\u0259 ifad\u0259li oyun t\u0259rzi il\u0259 a\u00e7mas\u0131d\u0131r. Dil vasit\u0259l\u0259ri xarici effekt v\u0259 t\u0259\u0259ss\u00fcrat yaratmaqdan daha \u00e7ox x\u00fcsusi m\u0259ntiqi g\u00fcc\u00fc olan d\u0259lil v\u0259 \u0259saslara \u00e7evrilir. Bu hekay\u0259d\u0259 d\u0259 yaz\u0131\u00e7\u0131 h\u0259min keyfiyy\u0259ti qoruma\u011fa \u00e7al\u0131\u015f\u0131r. \u0130lk bax\u0131\u015fda q\u0259hr\u0259man\u0131n \u00f6m\u00fcr m\u0259kan\u0131n\u0131n \u00fcf\u00fcql\u0259rind\u0259 daha ata obraz\u0131na yer yoxdur: “Atam m\u0259ni \u00e7a\u011f\u0131randa, a\u00e7\u0131\u011f\u0131, t\u0259klifini q\u0259bul etm\u0259k ist\u0259m\u0259dim. B\u00fct\u00fcn bunlar n\u0259y\u0259 laz\u0131md\u0131r? Dedi, g\u0259l, g\u00f6r\u00fc\u015f\u0259k, dan\u0131\u015faq, ancaq n\u0259 dan\u0131\u015faca\u011f\u0131q? H\u0259r \u015fey uzun zaman \u00f6nc\u0259 dan\u0131\u015f\u0131l\u0131b qurtar\u0131b”.<\/p>\n

Amma gedi\u015fat zaman\u0131 ayd\u0131n olur ki, h\u0259l\u0259 ba\u011flar diridir. Q\u0259hr\u0259man\u0131 d\u0259niz k\u0259nar\u0131na, atas\u0131 il\u0259 g\u00f6r\u00fc\u015f\u0259 g\u0259tir\u0259n,\u00a0 h\u0259r situasiyada \u00f6z\u00fc il\u0259 atas\u0131 aras\u0131nda ox\u015farl\u0131qlar qurma\u011fa vadar ed\u0259n i\u00e7ind\u0259ki o ba\u011fl\u0131l\u0131qd\u0131r. Onun metaforik-simvolik yadda\u015f\u0131nda ke\u00e7mi\u015fl\u0259 ba\u011fl\u0131 h\u0259r \u015fey y\u00fcks\u0259k i\u015fl\u0259nm\u0259 d\u0259r\u0259c\u0259sin\u0259 malikdir. B\u00fct\u00fcn m\u0259tn boyu yadda\u015f k\u00f6hn\u0259 yara kimi s\u0131z\u0131lday\u0131r:<\/p>\n

“B\u00fct\u00fcn d\u00fcnyan\u0131 g\u0259zib ayaqdan sald\u0131m, bu sahili v\u0259 bu \u015f\u0259h\u0259ri h\u0259mi\u015f\u0259 \u00f6z\u00fcml\u0259 g\u0259zdirdim.<\/p>\n

– S\u0259ni bura yadda\u015f\u0131ndan ba\u015fqa he\u00e7 n\u0259 ba\u011flam\u0131r.<\/p>\n

– B\u0259y\u0259m yadda\u015f el\u0259-bel\u0259 \u015feydir?”.<\/p>\n

El\u0259 q\u0259hr\u0259mana da \u0259zab ver\u0259n xatir\u0259l\u0259ri, ke\u00e7mi\u015fidir. Atas\u0131 il\u0259 dialoqunda, ona h\u0259r baxd\u0131\u011f\u0131nda i\u015f\u0259 d\u00fc\u015f\u0259n yadda\u015f elementl\u0259ri daxili s\u0259sin k\u00f6m\u0259yi il\u0259 a\u00e7\u0131l\u0131r. Bu daxili s\u0259s add\u0131mba\u015f\u0131 obraz\u0131n d\u00fc\u015f\u00fcnc\u0259sind\u0259, davran\u0131\u015f v\u0259 ruhunda \u0259ks-s\u0259da verir: “Birinci g\u00f6r\u00fc\u015fd\u0259 qarn\u0131n\u0131n b\u00f6y\u00fck oldu\u011funu hiss el\u0259m\u0259mi\u015f\u0259m. \u00d6z\u00fcn\u00fc b\u0259yaz polo klassik geyiminin alt\u0131nda yax\u015f\u0131 gizl\u0259mi\u015fdi. N\u0259 dem\u0259li? Gizl\u0259nm\u0259yi yax\u015f\u0131 bacar\u0131r”.<\/p>\n

Orxan H\u0259s\u0259ninin n\u0259sr dili \u00fc\u00e7\u00fcn xarakterik olan m\u0259ziyy\u0259tl\u0259rd\u0259n biri d\u0259 \u0259n minimal par\u00e7alarda situativ m\u0259qamlara vur\u011fu etm\u0259sidir. O m\u0259qamlar ki, konkret \u00fcnsiyy\u0259t m\u0259zmunundan \u0259lav\u0259\u00a0 obraz\u0131n ke\u00e7mi\u015fi il\u0259 u\u011furla motivl\u0259nirl\u0259r: “\u00c7iyinl\u0259ri a\u011f\u0131r bir y\u00fck da\u015f\u0131y\u0131rm\u0131\u015f kimi \u00e7\u00f6k\u00fcb. Qocal\u0131q \u00f6z\u00fcn\u00fc yava\u015f-yava\u015f b\u0259d\u0259nind\u0259 b\u00fcruz\u0259 verir. Cavanl\u0131q \u015f\u0259klini g\u00f6rm\u0259mi\u015f\u0259m dey\u0259, n\u0259 vaxtsa cavan oldu\u011funu t\u0259s\u0259vv\u00fcr el\u0259m\u0259k \u00e7\u0259tindir”.<\/p>\n

Bu hekay\u0259 \u0259slind\u0259, q\u0259hr\u0259man\u0131n \u00f6z taleyin\u0259 m\u00f6vqeyini m\u00fc\u0259yy\u0259nl\u0259\u015fdir\u0259n m\u0259na strukturlar\u0131n\u0131n a\u00e7\u0131lmas\u0131 dem\u0259kdir. M\u0259tnd\u0259 \u00fc\u00e7 ya\u015f senzini simvoliz\u0259 ed\u0259n – u\u015faql\u0131q, g\u0259nclik v\u0259 qocal\u0131q qar\u015f\u0131la\u015fd\u0131r\u0131l\u0131r, qurulan v\u0259 da\u011f\u0131d\u0131lan q\u0259sr – \u00fcmidl\u0259rin ovulub t\u00f6k\u00fclm\u0259si, g\u00f6r\u00fc\u015f – ayr\u0131l\u0131q, dondurma ist\u0259yi – \u00f6l\u00fcm\u00fcn mistik i\u015far\u0259si kimi h\u0259r biri m\u0259chullu\u011fa m\u00fcnc\u0259rdir. B\u0259lk\u0259 d\u0259 real olan yaz\u0131d\u0131r ki, q\u0259hr\u0259man da bunu (\u00f6l\u00fcms\u00fczl\u00fcy\u00fc!) se\u00e7m\u0259kl\u0259 \u00f6m\u00fcr m\u0259tnini \u0259b\u0259dil\u0259\u015fdirm\u0259y\u0259 \u00e7al\u0131\u015f\u0131r: “- Ax\u0131 yazma\u011fa d\u0259y\u0259n n\u0259yin var?<\/p>\n

Do\u011frudanm\u0131, dan\u0131\u015fmaq ist\u0259dikl\u0259ri bunlar idi?<\/p>\n

– Anam \u00f6z\u00fcn\u00fc d\u0259lixanada asd\u0131. Yazma\u011fa d\u0259y\u0259n \u015feyim budur”.<\/p>\n

Amma m\u00fc\u0259llif q\u0259hr\u0259man\u0131n travmatik \u0259zablar\u0131n\u0131, daxili konfliktini d\u0259rinl\u0259\u015fdirs\u0259ydi, daha iri planlarla, psixoloji rakurs v\u0259 mizanlarla \u00f6t\u00fcrm\u0259y\u0259 \u00e7al\u0131\u015fsayd\u0131 psixoloji effekt yaradard\u0131. Halbuki atas\u0131n\u0131n soyuqlu\u011fu, bigan\u0259lik alt\u0131nda gizl\u0259n\u0259n iztirablar\u0131 daha toxunand\u0131r v\u0259 t\u0259ht\u0259l\u015f\u00fcura birba\u015fa i\u015fl\u0259yir.<\/p>\n

Hekay\u0259d\u0259 refren kimi veril\u0259n \u00f6sk\u00fcr\u0259k s\u0259sl\u0259ri \u00e7ox yax\u0131nda olan \u00f6l\u00fcm\u00fcn m\u00fcjd\u0259\u00e7isi kimi m\u0259nalan\u0131r. B\u0259lk\u0259 \u00f6z “q\u0259zav\u00fc-q\u0259d\u0259ri” atas\u0131n\u0131n \u00fcr\u0259yin\u0259 damd\u0131\u011f\u0131na g\u00f6r\u0259 o\u011flunu dondurma alma\u011fa g\u00f6nd\u0259rir (\u00f6l\u00fcm aya\u011f\u0131nda olan \u00f6z atas\u0131 da ondan dondurma ist\u0259mi\u015fdi). Geri qay\u0131dan q\u0259hr\u0259man u\u015faqlar\u0131n qurdu\u011fu q\u0259srin da\u011f\u0131d\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr. Bu da\u011f\u0131lma ya\u015fanmam\u0131\u015f u\u015faql\u0131\u011f\u0131n, yar\u0131m\u00e7\u0131q qalm\u0131\u015f duy\u011fular\u0131n, ovulub t\u00f6k\u00fclm\u00fc\u015f arzular\u0131n r\u0259mzi olaraq modell\u0259\u015fir.<\/p>\n

 <\/p>\n<\/div>\n

Az\u0259rbaycan.media<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Elnar\u0259 AK\u0130MOVA   Orxan H\u0259s\u0259ninin “Abyssalis” hekay\u0259si a\u011fr\u0131 v\u0259 i\u015far\u0259l\u0259ri d\u0259rind\u0259 gizl\u0259n\u0259n m\u0259tndir. Tale s\u00fcjetind\u0259 simvol v\u0259 arxetipl\u0259r yet\u0259rinc\u0259dir. F\u0259ls\u0259fi-b\u0259dii havas\u0131n\u0131 b\u0259lk\u0259 d\u0259 Z.Freydin ata kultuna ba\u011flamaq olar. U\u015faql\u0131q travmas\u0131,… <\/p>\n","protected":false},"author":4,"featured_media":54350,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,1],"tags":[],"class_list":["post-54349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dbiyyat","category-manset"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/54349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54349"}],"version-history":[{"count":3,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/54349\/revisions"}],"predecessor-version":[{"id":54353,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/54349\/revisions\/54353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/54350"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}