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<\/p>\nH\u0259r bir sah\u0259d\u0259 oldu\u011fu kimi, teatrda da yenilikl\u0259r qa\u00e7\u0131lmazd\u0131r. Akademik Milli Dram Teatr\u0131 is\u0259 bu bax\u0131mdan \u00e7ox \u015fansl\u0131d\u0131r, \u00e7\u00fcnki onun b\u0259dii r\u0259hb\u0259ri Mehriban \u018fl\u0259kb\u0259rzad\u0259dir. O, Azdramaya r\u0259hb\u0259r t\u0259yin olunduqdan sonra teatr\u0131n abu-havas\u0131 tamamil\u0259 d\u0259yi\u015fdi, s\u0259hn\u0259 yeni ideyalarla z\u0259nginl\u0259\u015fdi. Bir-birind\u0259n g\u00f6z\u0259l \u0259s\u0259rl\u0259r\u0259 qurulu\u015f ver\u0259r\u0259k, teatr\u0131 yeni f\u0259ls\u0259fi v\u0259 b\u0259dii istiqam\u0259tl\u0259r\u0259 y\u00f6n\u0259ltdi.<\/p>\n
Akademik Milli Dram Teatr\u0131nda t\u0259qdim olunan \u201c\u0130blis v\u0259\u2026\u201d tama\u015fas\u0131 is\u0259 bu klassik \u0259s\u0259r\u0259 yeni bax\u0131\u015f g\u0259tirir, H\u00fcseyn Cavidin ideyalar\u0131n\u0131 analiz ed\u0259r\u0259k m\u00fcasir teatr\u0131n g\u00fcc\u00fcn\u00fc ortaya qoyur. Burada \u0130blis t\u0259kc\u0259 bir obraz deyil, h\u0259m d\u0259 insan ruhundak\u0131 t\u0259r\u0259dd\u00fcdl\u0259rin simvoludur \u2013 bu tama\u015fa bizi \u00f6z daxili m\u00fcbariz\u0259miz\u0259 bir daha baxma\u011fa vadar edir.<\/p>\n
Mehriban xan\u0131m H\u00fcseyn Cavidin “\u0130blis” \u0259s\u0259rind\u0259 yaln\u0131z klassikan\u0131 qorumaqla kifay\u0259tl\u0259nmir\u2014o, m\u00fcasir teatr\u0131n manevras\u0131n\u0131 ustal\u0131qla n\u0259z\u0259r\u0259 alaraq, tama\u015faya \u00f6z\u00fcn\u00fcn f\u0259ls\u0259fi bax\u0131\u015f\u0131n\u0131 v\u0259 inc\u0259 rejissor yozumunu \u0259lav\u0259 edir. Onun qurulu\u015funda “\u0130blis v\u0259…” sad\u0259c\u0259 bir tama\u015fa deyil, h\u0259m d\u0259 insan\u0131n m\u0259n\u0259vi dilemmas\u0131n\u0131 ortayaqoyan g\u00fccl\u00fc bir teatr t\u0259cr\u00fcb\u0259sin\u0259 \u00e7evrilir.<\/p>\n
Dahi H\u00fcseyn Cavidin Az\u0259rbaycan teatr\u0131na b\u0259x\u015f etdiyi “\u0130blis” faci\u0259si t\u0259kc\u0259 repertuar\u0131 z\u0259nginl\u0259\u015fdir\u0259n bir dram deyil, h\u0259m d\u0259 insan\u0131n daxili m\u00fcbariz\u0259sini, t\u0259r\u0259dd\u00fcdl\u0259rini v\u0259 h\u0259yat\u0131n amans\u0131z paradokslar\u0131n\u0131 s\u0259hn\u0259y\u0259 da\u015f\u0131yan d\u0259rin bir f\u0259ls\u0259fi \u0259s\u0259rdi. Bu \u0259s\u0259r yaln\u0131z tarixi dram deyil, eyni zamanda xeyirl\u0259 \u015f\u0259rin bir yolda add\u0131mlamas\u0131 bar\u0259d\u0259 d\u00fc\u015f\u00fcnd\u00fcr\u0259n bir hekay\u0259dir.<\/p>\n
Mehriban \u018fl\u0259kb\u0259rzad\u0259 tama\u015fan\u0131n dekorasiyas\u0131ndan i\u015f\u0131qland\u0131rmas\u0131na q\u0259d\u0259r h\u0259r bir detal\u0131 b\u00f6y\u00fck ustal\u0131qla haz\u0131rlam\u0131\u015fd\u0131. Burada rejissorun t\u0259cr\u00fcb\u0259si v\u0259 inc\u0259 yana\u015fmas\u0131 ayd\u0131n \u015f\u0259kild\u0259 g\u00f6r\u00fcn\u00fcr. S\u0259hn\u0259 t\u0259rtibat\u0131 konkret bir m\u0259kana ba\u011fl\u0131 deyil, \u0259ksin\u0259, insan\u0131n daxili d\u00fcnyas\u0131n\u0131 \u0259ks etdir\u0259n simvolik bir atmosfer yarad\u0131r. \u0130\u015f\u0131qland\u0131rma v\u0259 vizual effektl\u0259r tama\u015fan\u0131n emosional t\u0259sirini g\u00fccl\u0259ndirir, \u0130blisin varl\u0131\u011f\u0131n\u0131 is\u0259 tama\u015fa\u00e7\u0131lara daha sirli, q\u00fcvv\u0259tli v\u0259 t\u0259sirli \u015f\u0259kild\u0259 t\u0259qdim edir.<\/p>\n
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\u0130\u015f\u0131q dizayn\u0131 tama\u015fa\u00e7\u0131da h\u0259y\u0259can hissi yaratmaq \u00fc\u00e7\u00fcn x\u00fcsusi \u015f\u0259kild\u0259 haz\u0131rlan\u0131b. Rafael H\u0259s\u0259novun i\u015f\u0131q qurulu\u015fu \u0130blisin s\u0259hn\u0259d\u0259ki \u00fcst\u00fcn m\u00f6vqeyini vur\u011fulamaq m\u0259qs\u0259dil\u0259 qaranl\u0131q v\u0259 parlaq i\u015f\u0131q aras\u0131ndak\u0131 g\u00fccl\u00fc kontrastlardan istifad\u0259 edir.<\/p>\n
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Azdramada s\u0259hn\u0259 dekorasiyas\u0131 h\u0259m vizual c\u0259lbediciliyi, h\u0259m d\u0259 d\u0259rin d\u00fc\u015f\u00fcnc\u0259y\u0259 s\u00f6vq ed\u0259n atmosferi il\u0259 se\u00e7ilirdi. Konsepti Azdraman\u0131n direktoru \u0130lham \u018fsg\u0259rov t\u0259r\u0259find\u0259n haz\u0131rlanm\u0131\u015fd\u0131\u2014sad\u0259liyin\u0259 baxmayaraq, tama\u015fan\u0131n f\u0259ls\u0259fi mahiyy\u0259tini ifad\u0259 ed\u0259n g\u00fccl\u00fc simvolik elementl\u0259rd\u0259n ibar\u0259t idi.<\/p>\n
Tama\u015fada \u0130blis obraz\u0131n\u0131 Ay\u015fad M\u0259mm\u0259dov v\u0259 Anar Heyb\u0259tov canland\u0131r\u0131r, bu da onun ikili t\u0259bi\u0259tini v\u0259 f\u0259rqli xarakter \u00e7alarlar\u0131n\u0131 vur\u011fulay\u0131r. Onlar\u0131n ifas\u0131 \u0130blisin daxili dilemmas\u0131n\u0131, metafizik m\u00fcbariz\u0259sini ustal\u0131qla \u00f6n plana \u00e7\u0131xar\u0131r. S\u0259hn\u0259d\u0259ki jestl\u0259ri, geyim detallar\u0131 v\u0259 h\u0259r\u0259k\u0259tl\u0259ri tama\u015fa\u00e7\u0131n\u0131 d\u0259rin d\u00fc\u015f\u00fcnm\u0259y\u0259 vadar edir\u2014sanki aktyorlar\u0131n dinamizmi v\u0259 emosional enerjisi tama\u015fa\u00e7\u0131n\u0131n \u00f6z qavray\u0131\u015f\u0131na y\u00f6n verir.<\/p>\n
Elnar Qarayev (\u0130blisin varisi-1), El\u015f\u0259n C\u0259bray\u0131lov (\u0130blisin varisi-2), aktyorlar Murad \u0130smay\u0131l (Arif), Elsev\u0259r R\u0259himov (Vasif), \u018fm\u0259kdar artist V\u0259fa Rzayeva (R\u0259na), aktyor El\u00e7in \u018ff\u0259ndi (\u0130bn Y\u0259min), \u0259m\u0259kdar artist El\u015f\u0259n R\u00fcst\u0259mov (Elxan), Xalq artisti Kaz\u0131m Abdullayev (\u0130xtiyar \u015feyx), aktyorlar Lal\u0259 S\u00fcleymanova (Xav\u0259r), V\u00fcsal Mustafayev (Vasifin dostu), El\u00e7in Nur\u0259liyev (\u00c7avu\u015f, Haydut) v\u0259 Tural \u0130brahimov (Kanuni, Haydut) i\u015ftirak edirl\u0259r.<\/p>\n
Mehriban \u018fl\u0259kb\u0259rzad\u0259 h\u0259r bir \u0259s\u0259rin\u0259 qurulu\u015f ver\u0259rk\u0259n sad\u0259c\u0259 teatr tama\u015fas\u0131 deyil, h\u0259m d\u0259 d\u0259rin f\u0259ls\u0259fi bir m\u0259kan yarad\u0131r. Onun rejissor bax\u0131\u015f\u0131 t\u0259kc\u0259 s\u0259hn\u0259ni deyil, tama\u015fa\u00e7\u0131n\u0131n d\u00fc\u015f\u00fcnc\u0259 d\u00fcnyas\u0131n\u0131 da d\u0259yi\u015fir.<\/p>\n
“\u0130blis v\u0259…” tama\u015fas\u0131nda is\u0259 bu yana\u015fma daha k\u0259skin hiss olunur. Mehriban \u018fl\u0259kb\u0259rzad\u0259 \u0130blis obraz\u0131n\u0131 klassik q\u0259ddar v\u0259 \u0259zazil bir varl\u0131q kimi t\u0259qdim etm\u0259kl\u0259 kifay\u0259tl\u0259nmir\u2014onu gizli bir q\u00fcvv\u0259, insan\u0131n daxili t\u0259r\u0259dd\u00fcdl\u0259rinin simvolu kimi formala\u015fd\u0131r\u0131r. Tama\u015fan\u0131n atmosferi t\u0259kc\u0259 vizual olaraq deyil, f\u0259ls\u0259fi d\u0259rinliyi il\u0259 d\u0259 qorxunc bir m\u00fchit yarad\u0131r. Diqq\u0259tli tama\u015fa\u00e7\u0131 s\u0259hn\u0259d\u0259 \u0130blisin varl\u0131\u011f\u0131n\u0131n t\u0259kc\u0259 dekorasiya v\u0259 i\u015f\u0131qland\u0131rma il\u0259 yox, h\u0259m d\u0259 obraz\u0131n daxili enerjisi il\u0259 s\u0259hn\u0259ni nec\u0259 d\u0259yi\u015fdirdiyini hiss ed\u0259c\u0259k.<\/p>\n
Tama\u015fada \u0130blis yaln\u0131z bir varl\u0131q deyil\u2014o, insanla dan\u0131\u015fan, onun i\u00e7 d\u00fcnyas\u0131na n\u00fcfuz ed\u0259n bir g\u00fccd\u00fcr. Onun insanla qurdu\u011fu dialoq tama\u015fa\u00e7\u0131n\u0131 passiv m\u00fc\u015fahid\u0259\u00e7i olmaqdan \u00e7\u0131xar\u0131b, se\u00e7iml\u0259r v\u0259 t\u0259r\u0259dd\u00fcdl\u0259r i\u00e7ind\u0259 d\u00fc\u015f\u00fcnm\u0259y\u0259 m\u0259cbur edir. \u0130blisin s\u00f6zl\u0259ri sad\u0259c\u0259 teatr dilind\u0259 deyil, tama\u015fa\u00e7\u0131 \u00fc\u00e7\u00fcn daxili bir sual\u0131n cavab\u0131 kimidir.
\nMehriban \u018fl\u0259kb\u0259rzad\u0259, “\u0130blis v\u0259…” tama\u015fas\u0131n\u0131 haz\u0131rlayark\u0259n, klassik dramaturgiyaya yeni bir bax\u0131\u015f g\u0259tirmi\u015fdir. O, H\u00fcseyn Cavidin \u0259s\u0259rd\u0259ki fikirl\u0259rini m\u00fcasir teatrla uzla\u015fd\u0131raraq, tama\u015faya daha geni\u015f f\u0259ls\u0259fi v\u0259 b\u0259dii \u00e7alarlar \u0259lav\u0259 etmi\u015fdir.<\/p>\n
Mehriban \u018fl\u0259kb\u0259rzad\u0259nin qurulu\u015funda “\u0130blis” yaln\u0131z ke\u00e7mi\u015fin bir izi deyil, h\u0259m d\u0259 indiki d\u00f6vr \u00fc\u00e7\u00fcn aktual olan m\u0259n\u0259vi v\u0259 f\u0259ls\u0259fi suallar do\u011furur. Tama\u015fada biz yaln\u0131z Cavidin ideyalar\u0131n\u0131 deyil, eyni zamanda rejissorun f\u0259ls\u0259fi d\u00fcnyag\u00f6r\u00fc\u015f\u00fcn\u00fc d\u0259 hiss ed\u0259 bil\u0259rik.<\/p>\n
Bu tama\u015fa sual do\u011furmur\u2014o, tama\u015fa\u00e7\u0131n\u0131 q\u0259ti n\u0259tic\u0259y\u0259 g\u0259tirir.
\n\u0130blis\u0259 yaln\u0131z bir obraz kimi baxmaq olmaz. O, real h\u0259yatla uzla\u015fan, h\u0259r bir insan\u0131n daxili m\u00fcbariz\u0259sini simvoliz\u0259 ed\u0259n bir g\u00fccd\u00fcr. Mehriban xan\u0131m n\u00f6vb\u0259ti u\u011furu il\u0259 rejissor prizmas\u0131ndan baxaraq H\u00fcseyn Cavidin “\u0130blis” \u0259s\u0259rini tama\u015fa\u00e7\u0131lara Azdraman\u0131n m\u00f6ht\u0259\u015f\u0259m s\u0259hn\u0259sind\u0259 b\u00f6y\u00fck \u015f\u00f6vql\u0259 t\u0259qdim etdi.<\/p>\n
Tama\u015fan\u0131n vizual d\u00fcnyas\u0131, aktyorlar\u0131n qeyri-adi oyunu v\u0259 dramaturji qurulu\u015fu el\u0259 i\u015fl\u0259nib ki, \u0130blisin varl\u0131\u011f\u0131 yaln\u0131z s\u0259hn\u0259d\u0259 deyil, tama\u015fa\u00e7\u0131n\u0131n d\u00fc\u015f\u00fcnc\u0259sind\u0259 d\u0259 ya\u015fay\u0131r.<\/p>\n
P.S. Bir daha \u015fahid oldum ki, Az\u0259rbaycan Teatr\u0131n\u0131n \u0259n g\u00fccl\u00fc v\u0259 parlaq n\u00fcmay\u0259nd\u0259l\u0259rind\u0259n biri Mehriban \u018fl\u0259kb\u0259rzad\u0259dir. Yaratd\u0131\u011f\u0131 h\u0259r bir \u0259s\u0259rl\u0259 o, s\u0259hn\u0259y\u0259 yeni n\u0259f\u0259s verib, fikirl\u0259ri formala\u015fd\u0131r\u0131b. Bu g\u00fcn izl\u0259diyim \u201c\u0130blis\u201d tama\u015fas\u0131 da bunun \u0259yani s\u00fcbutudur. Mehriban xan\u0131m\u0131n teatr\u0131 sad\u0259c\u0259 t\u0259qdim etmir\u2014o, d\u00fc\u015f\u00fcnd\u00fcr\u00fcr, suallar yarad\u0131r v\u0259 tama\u015fa\u00e7\u0131ya yeni bax\u0131\u015f bucaqlar\u0131 a\u00e7\u0131r.<\/p>\n
Bu tama\u015fada \u0130blis\u0259 yaln\u0131z bir obraz kimi baxmaq olmaz. O, real h\u0259yatla uzla\u015fan, h\u0259r bir insan\u0131n daxili m\u00fcbariz\u0259sini simvoliz\u0259 ed\u0259n bir g\u00fccd\u00fcr. Mehriban xan\u0131m n\u00f6vb\u0259ti u\u011furu il\u0259 rejissor prizmas\u0131ndan baxaraq H\u00fcseyn Cavidin “\u0130blis” \u0259s\u0259rini tama\u015fa\u00e7\u0131lara Azdraman\u0131n m\u00f6ht\u0259\u015f\u0259m s\u0259hn\u0259sind\u0259 b\u00f6y\u00fck \u015f\u00f6vql\u0259 t\u0259qdim etdi.<\/p>\n
Mehriban xan\u0131m, yaratmaq \u015f\u00f6vq\u00fcn\u00fcz sozalmas\u0131n. Yeni tama\u015falar\u0131n\u0131zda g\u00f6r\u00fc\u015f\u0259n\u0259d\u0259k!<\/p>\n
M\u00fc\u0259llif: Fuad B\u0130L\u018fSUVARLI, AYB \u00fczv\u00fc, AJB \u00fczv\u00fc, Prezident m\u00fckafat\u00e7\u0131s\u0131, H\u0259s\u0259n b\u0259y Z\u0259rdabi m\u00fckafat\u00e7\u0131s\u0131<\/strong><\/span><\/p>\n Az\u0259rbaycan.media<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" H\u0259r bir sah\u0259d\u0259 oldu\u011fu kimi, teatrda da yenilikl\u0259r qa\u00e7\u0131lmazd\u0131r. Akademik Milli Dram Teatr\u0131 is\u0259 bu bax\u0131mdan \u00e7ox \u015fansl\u0131d\u0131r, \u00e7\u00fcnki onun b\u0259dii r\u0259hb\u0259ri Mehriban \u018fl\u0259kb\u0259rzad\u0259dir. O, Azdramaya r\u0259hb\u0259r t\u0259yin olunduqdan sonra… <\/p>\n","protected":false},"author":4,"featured_media":53096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,57],"tags":[],"class_list":["post-53095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manset","category-mdniyyt"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/53095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53095"}],"version-history":[{"count":2,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/53095\/revisions"}],"predecessor-version":[{"id":53100,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/53095\/revisions\/53100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/53096"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}