{"id":51932,"date":"2025-09-09T07:37:55","date_gmt":"2025-09-09T03:37:55","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=51932"},"modified":"2025-09-09T07:43:06","modified_gmt":"2025-09-09T03:43:06","slug":"esl-s%c9%99n%c9%99t-f%c9%99daisi-fuad-bil%c9%99suvarli-yazir","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=51932","title":{"rendered":"\u018fsl s\u0259n\u0259t f\u0259daisi…- Fuad Bil\u0259suvarl\u0131 yaz\u0131r"},"content":{"rendered":"

Mehriban \u018fl\u0259kb\u0259rzad\u0259 – 60<\/i><\/span><\/strong><\/span><\/p>\n

Bug\u00fcn Az\u0259rbaycan teatr s\u0259hn\u0259sinin parlaq simalar\u0131ndan biri \u2014 rejissor, pedaqoq, maarif\u00e7i v\u0259 \u0259sl s\u0259n\u0259t f\u0259daisi Mehriban \u018fl\u0259kb\u0259rzad\u0259nin do\u011fum g\u00fcn\u00fcd\u00fcr. O, yaln\u0131z rejissor deyil, h\u0259m d\u0259 inc\u0259s\u0259n\u0259tin sadiq qoruyucusudur \u2014 s\u0259hn\u0259nin f\u0259ls\u0259fi mahiyy\u0259tini anlayan, onu bir m\u0259b\u0259d olaraq ya\u015fayan, ruhun d\u0259rin qatlar\u0131na toxunan s\u0259n\u0259tkar. Mehriban xan\u0131m, ill\u0259rl\u0259 yaratd\u0131\u011f\u0131 tama\u015falar\u0131 il\u0259 n\u0259inki teatr dilini z\u0259nginl\u0259\u015fdirmi\u015f, h\u0259m d\u0259 insan m\u0259n\u0259viyyat\u0131n\u0131n izini s\u0259hn\u0259y\u0259 hopdurmu\u015fdur.<\/b><\/span><\/p>\n

Onun yarad\u0131c\u0131l\u0131\u011f\u0131, Az\u0259rbaycan m\u0259d\u0259niyy\u0259tinin yadda\u015f\u0131na yaz\u0131lm\u0131\u015f poetik bir irsdir. S\u0259hn\u0259 onun \u00fc\u00e7\u00fcn bir fikirl\u0259rin, hissl\u0259rin v\u0259 ideallar\u0131n ya\u015fad\u0131\u011f\u0131 canl\u0131 bir sah\u0259dir. Rejissura onun \u0259lind\u0259 t\u0259kc\u0259 s\u0259n\u0259t yox, h\u0259m d\u0259 m\u0259n\u0259vi t\u0259rbiy\u0259, estetik z\u00f6vq v\u0259 ictimai maarifl\u0259nm\u0259 vasit\u0259sin\u0259 \u00e7evrilmi\u015fdir. O, g\u0259nc istedadlar\u0131n yolunu i\u015f\u0131qland\u0131ran, onlar\u0131n s\u0259n\u0259t\u0259 inam\u0131n\u0131 b\u00f6y\u00fcd\u0259n bir m\u00fc\u0259llim v\u0259 yol g\u00f6st\u0259ricisidir.<\/p>\n

Bug\u00fcnk\u00fc teatr onun d\u0259qiqliyinin, intellektual d\u0259rinliyinin v\u0259 qad\u0131n irad\u0259sinin bariz t\u0259zah\u00fcr\u00fcd\u00fcr. Mehriban \u018fl\u0259kb\u0259rzad\u0259, teatr\u0131 sad\u0259c\u0259 s\u0259hn\u0259 olaraq g\u00f6rm\u00fcr \u2014 o, onu bir h\u0259yat f\u0259ls\u0259f\u0259si kimi ya\u015fay\u0131b, ya\u015fad\u0131b. Bu s\u0259b\u0259bd\u0259n d\u0259 onun ad\u0131 Az\u0259rbaycan teatr tarixind\u0259 silinm\u0259z bir izl\u0259 qalacaqd\u0131r.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin teatr sah\u0259sin\u0259 g\u0259tirdiyi yenilikl\u0259r, yaratd\u0131\u011f\u0131 tama\u015falar v\u0259 qurdu\u011fu m\u0259n\u0259vi s\u0259n\u0259t d\u00fcnyas\u0131 tama\u015fa\u00e7\u0131lar\u0131n yadda\u015f\u0131nda silinm\u0259z izl\u0259r burax\u0131b. O, teatr\u0131 yaln\u0131z bir m\u0259kan deyil, d\u00fc\u015f\u00fcnc\u0259l\u0259rin dan\u0131\u015fd\u0131\u011f\u0131, duy\u011fular\u0131n s\u0259sl\u0259ndiyi v\u0259 tarixl\u0259 ruhun g\u00f6r\u00fc\u015fd\u00fcy\u00fc canl\u0131 bir m\u0259kana \u00e7evirmi\u015fdir. Onun r\u0259hb\u0259rliyi alt\u0131nda Az\u0259rbaycan D\u00f6vl\u0259t Akademik Milli Dram Teatr\u0131 yaln\u0131z bir s\u0259n\u0259t oca\u011f\u0131 deyil, h\u0259m d\u0259 ruhlar\u0131n s\u0131\u011f\u0131na\u011f\u0131na, estetik d\u00fc\u015f\u00fcnc\u0259nin m\u0259rk\u0259zin\u0259 \u00e7evrilmi\u015fdir.<\/p>\n

X\u00fcsusil\u0259 \u201cV. X. A.\u201d adl\u0131 tama\u015fas\u0131 Mehriban xan\u0131m\u0131n s\u0259n\u0259t f\u0259ls\u0259f\u0259sinin v\u0259 ictimai m\u00f6vqeyinin parlaq n\u00fcmun\u0259sidir. Bu \u0259s\u0259r t\u0259kc\u0259 teatr dili il\u0259 dan\u0131\u015fan bir performans deyil \u2014 repressiya qurbanlar\u0131n\u0131n susmu\u015f s\u0259sini zaman\u0131n qula\u011f\u0131na s\u0259sl\u0259y\u0259n, tarixi yadda\u015f\u0131m\u0131z\u0131 oyadan v\u0259 kollektiv \u015f\u00fcurumuza i\u015f\u0131q sa\u00e7an s\u0259n\u0259t manifestidir. Mehriban \u018fl\u0259kb\u0259rzad\u0259 burada yaln\u0131z rejissor kimi deyil, h\u0259m d\u0259 bir tarix dan\u0131\u015fan\u0131, bir \u0259dal\u0259t axtar\u0131c\u0131s\u0131 v\u0259 vicdan\u0131n s\u0259hn\u0259d\u0259ki t\u0259c\u0259ss\u00fcm\u00fc kimi \u00e7\u0131x\u0131\u015f edir.<\/p>\n

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Tama\u015fa\u00e7\u0131lar onun \u0259s\u0259rl\u0259rind\u0259 yaln\u0131z estetika yox, h\u0259m d\u0259 h\u0259qiq\u0259t axtar\u0131\u015f\u0131 g\u00f6r\u00fcrl\u0259r. S\u0259hn\u0259 onun \u00fc\u00e7\u00fcn bir \u0259dal\u0259t k\u00fcrs\u00fcs\u00fcd\u00fcr, burada h\u0259r obraz \u00f6z i\u00e7 d\u00fcnyas\u0131n\u0131n s\u0259sini tap\u0131r, h\u0259r s\u00f6z bir yadda\u015f par\u00e7as\u0131na \u00e7evrilir.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin qurulu\u015f verdiyi \u201cM\u0259hkumlar\u201d filmi onun rejissor d\u0259sti-x\u0259ttinin kino dilind\u0259ki t\u0259c\u0259ss\u00fcm\u00fcd\u00fcr. Bu \u0259s\u0259r yaln\u0131z bir film deyil \u2014 o, insan talel\u0259rin\u0259, i\u00e7 d\u00fcnyalara v\u0259 c\u0259miyy\u0259tin g\u00f6zd\u0259n uzaq qalan a\u011fr\u0131lar\u0131na g\u00fczg\u00fc tutan s\u0259n\u0259t akt\u0131d\u0131r. Beyn\u0259lxalq festivallarda qazand\u0131\u011f\u0131 u\u011furlar bir daha s\u00fcbut etdi ki, Mehriban xan\u0131m\u0131n s\u0259n\u0259ti lokal co\u011frafiyalar\u0131n s\u0259rh\u0259dini a\u015faraq, universal duy\u011fulara toxunma g\u00fcc\u00fcn\u0259 malikdir.<\/p>\n

Onun teatr sah\u0259sind\u0259ki t\u00f6hf\u0259l\u0259ri is\u0259 sad\u0259c\u0259 tama\u015falarla \u00f6l\u00e7\u00fclm\u00fcr. Mehriban xan\u0131m g\u0259nc rejissorlar \u00fc\u00e7\u00fcn bir \u00f6rn\u0259k, bir m\u0259kt\u0259b, bir h\u0259yat modelidir. Ondan \u00f6yr\u0259nm\u0259k \u2014 s\u0259hn\u0259nin n\u0259f\u0259sini duya bilm\u0259k, h\u0259r p\u0259rd\u0259nin arxas\u0131nda insan ruhunun titr\u0259yi\u015fini e\u015fitm\u0259k dem\u0259kdir. Onunla \u00e7al\u0131\u015fmaq, \u00f6z yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131 formala\u015fd\u0131rmaq \u00fc\u00e7\u00fcn bir daxili m\u0259kt\u0259b\u0259 q\u0259d\u0259m qoymaq kimidir \u2014 burada yaln\u0131z s\u0259n\u0259t deyil, insanl\u0131q da \u00f6yr\u0259dilir.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259 s\u0259n\u0259t\u0259 yaln\u0131z forma deyil, ruh ver\u0259 bil\u0259n nadir \u015f\u0259xsiyy\u0259tl\u0259rd\u0259ndir. O, s\u0259hn\u0259nin ruhunu hiss edir, p\u0259rd\u0259l\u0259rin aras\u0131nda gizl\u0259nmi\u015f poetikan\u0131 \u00fcz\u0259 \u00e7\u0131xar\u0131r v\u0259 inc\u0259s\u0259n\u0259t al\u0259minin u\u011furlar\u0131na \u00f6z \u0259l imzas\u0131n\u0131, duy\u011fu z\u0259rr\u0259l\u0259rini, estetik bax\u0131\u015f\u0131n\u0131 h\u0259kk edir.<\/p>\n

Teatr\u0131 sevm\u0259k, ona ba\u011fl\u0131 qalmaq yaln\u0131z s\u0259hn\u0259y\u0259 tama\u015fa qurmaqla yekunla\u015fm\u0131r \u2014 onu ya\u015fatmaq, ruhuna n\u0259f\u0259s verm\u0259k v\u0259 zamanla ayaqla\u015fan bir s\u0259n\u0259t n\u00fcmun\u0259sin\u0259 \u00e7evirm\u0259k laz\u0131md\u0131r. Mehriban \u018fl\u0259kb\u0259rzad\u0259 bu m\u0259nada yaln\u0131z s\u0259n\u0259tkar deyil, s\u0259hn\u0259nin can\u0131n\u0131 duyan, ruhunu d\u0259rk ed\u0259n bir yarad\u0131c\u0131d\u0131r. Onun ill\u0259r boyu Az\u0259rbaycan teatr\u0131n\u0131 ucalara da\u015f\u0131maq \u00fc\u00e7\u00fcn g\u00f6st\u0259rdiyi f\u0259dakar \u0259m\u0259k, sanki bir s\u0259n\u0259tkar\u0131n deyil, bir idealistin missiyas\u0131d\u0131r.<\/p>\n

O, Az\u0259rbaycan D\u00f6vl\u0259t Akademik Milli Dram Teatr\u0131n\u0131n b\u0259dii r\u0259hb\u0259ri kimi f\u0259aliyy\u0259t g\u00f6st\u0259r\u0259r\u0259k bu s\u0259n\u0259t oca\u011f\u0131n\u0131 yaln\u0131z pe\u015f\u0259kar tama\u015falarla deyil, h\u0259m d\u0259 d\u00fc\u015f\u00fcnc\u0259, ideya v\u0259 estetik y\u00fck da\u015f\u0131yan \u0259s\u0259rl\u0259rl\u0259 z\u0259nginl\u0259\u015fdirib. Mehriban xan\u0131m, g\u0259nc yarad\u0131c\u0131lar\u0131 yeti\u015fdir\u0259rk\u0259n onlara yaln\u0131z s\u0259n\u0259tin texnikas\u0131n\u0131 deyil, onun ruhunu, m\u0259suliyy\u0259tini v\u0259 m\u0259n\u0259vi g\u00fcc\u00fcn\u00fc a\u015f\u0131lay\u0131b. Bu yolun h\u0259r add\u0131m\u0131 Az\u0259rbaycan m\u0259d\u0259niyy\u0259t tarixind\u0259 q\u0131z\u0131l h\u0259rfl\u0259rl\u0259 yaz\u0131l\u0131b.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259 teatr\u0131 sad\u0259c\u0259 bir tama\u015fa m\u0259kan\u0131 kimi deyil, fikir meydan\u0131, duy\u011fular\u0131n dialoq qurdu\u011fu v\u0259 ruhlar\u0131n s\u0259hn\u0259d\u0259 v\u00fcsala g\u0259ldiyi bir m\u0259rk\u0259z kimi t\u0259qdim edir. Onun qurdu\u011fu s\u0259n\u0259t f\u0259zas\u0131nda h\u0259m ke\u00e7mi\u015fin izl\u0259ri, h\u0259m bu g\u00fcn\u00fcn n\u0259f\u0259si, h\u0259m d\u0259 g\u0259l\u0259c\u0259yin \u00e7a\u011f\u0131r\u0131\u015f\u0131 var.<\/p>\n

Teatr onun say\u0259sind\u0259 bir fikir m\u0259rk\u0259zin\u0259, estetik t\u0259rbiy\u0259 meydan\u0131na v\u0259 m\u0259n\u0259vi dir\u00e7\u0259li\u015f \u00fcnvan\u0131na \u00e7evrilmi\u015fdir. Mehriban xan\u0131m, ill\u0259r boyu yorulmadan \u00e7al\u0131\u015faraq s\u0259n\u0259ti xalq\u0131n duy\u011fusuna yax\u0131nla\u015fd\u0131rm\u0131\u015f, teatr\u0131 c\u0259miyy\u0259tin ruhu il\u0259 dan\u0131\u015fan bir platformaya \u00e7evirmi\u015fdir. Onun f\u0259aliyy\u0259ti, yaratd\u0131\u011f\u0131 tama\u015falar v\u0259 yeti\u015fdirdiyi yarad\u0131c\u0131 g\u0259ncl\u0259r bu yolun n\u0259 q\u0259d\u0259r u\u011furlu v\u0259 z\u0259ruri oldu\u011funu s\u00fcbut edir.<\/p>\n

Bu g\u00fcn onun ad\u0131n\u0131 minn\u0259tdarl\u0131qla qeyd etm\u0259k, yaln\u0131z do\u011fum g\u00fcn\u00fcn\u00fc xat\u0131rlamaq deyil \u2014 bu, Az\u0259rbaycan teatr\u0131n\u0131n bu g\u00fcn\u0259 q\u0259d\u0259r g\u0259ldiyi yolun, qazan\u0131lan d\u0259y\u0259rl\u0259rin v\u0259 g\u0259l\u0259c\u0259k n\u0259sill\u0259r\u0259 \u00f6t\u00fcr\u00fcl\u0259n irsin d\u0259y\u0259rini tan\u0131maqd\u0131r.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259 Az\u0259rbaycan teatr\u0131na v\u0259 m\u0259d\u0259niyy\u0259tin\u0259 verdiyi d\u0259rin v\u0259 davaml\u0131 t\u00f6hf\u0259l\u0259rl\u0259 \u00f6z\u00fcn\u00fc t\u0259sdiql\u0259mi\u015f, s\u0259n\u0259t yollar\u0131nda iz qoymu\u015f nadir \u015f\u0259xsiyy\u0259tl\u0259rd\u0259ndir. Onun yarad\u0131c\u0131l\u0131\u011f\u0131 yaln\u0131z s\u0259hn\u0259 il\u0259 m\u0259hdudla\u015fm\u0131r \u2014 bu, h\u0259m d\u0259 ideyan\u0131n formaya \u00e7evrildiyi, ruhun dill\u0259ndiyi v\u0259 d\u00fc\u015f\u00fcnc\u0259nin tama\u015faya \u00e7evrildiyi bir yarad\u0131c\u0131 yol\u00e7uluqdur.<\/p>\n

Bu yol, Mehriban xan\u0131m\u0131n ilk add\u0131mlar\u0131ndan etibar\u0259n s\u0259n\u0259tin d\u0259rinlikl\u0259rin\u0259 enm\u0259si il\u0259 ba\u015flay\u0131b. O, teatr s\u0259hn\u0259sin\u0259 yaln\u0131z texniki ustal\u0131q deyil, poetik bax\u0131\u015f, m\u0259n\u0259vi m\u0259suliyy\u0259t v\u0259 insani duy\u011fu qataraq, h\u0259r obrazda \u00f6z ruhuyla iz qoymu\u015fdur. Onun qurdu\u011fu tama\u015falar t\u0259kc\u0259 s\u0259n\u0259t n\u00fcmun\u0259si deyil, h\u0259m d\u0259 insan\u0131n daxili al\u0259min\u0259 edil\u0259n s\u0259yah\u0259tdir \u2014 burada h\u0259r dialoq bir vicdan \u00e7a\u011f\u0131r\u0131\u015f\u0131, h\u0259r s\u0259hn\u0259 bir zamanla s\u00f6hb\u0259tdir.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin estetik bax\u0131\u015flar\u0131, rejissor d\u0259sti-x\u0259tti, tarixi v\u0259 m\u00fcasir m\u00f6vzulara yana\u015fmas\u0131 teatr\u0131 zamanla dialoqa gir\u0259n bir m\u0259d\u0259ni platformaya \u00e7evirmi\u015fdir. O, s\u0259n\u0259ti t\u0259kc\u0259 g\u00f6z\u0259llik kimi yox, h\u0259m d\u0259 sosial m\u0259suliyy\u0259t, insani d\u0259rinlik v\u0259 m\u0259d\u0259niyy\u0259tin g\u0259l\u0259c\u0259yin\u0259 veril\u0259n bir t\u00f6hf\u0259 kimi ya\u015fay\u0131b v\u0259 ya\u015fad\u0131b.<\/p>\n

Mehriban xan\u0131m\u0131n s\u0259n\u0259t\u0259 verdiyi d\u0259y\u0259r, onun ad\u0131n\u0131 Az\u0259rbaycan m\u0259d\u0259niyy\u0259t tarixind\u0259 yaln\u0131z bir s\u0259n\u0259tkar kimi deyil, h\u0259m d\u0259 bir fikir da\u015f\u0131y\u0131c\u0131s\u0131, ruhani m\u00fc\u0259llim v\u0259 m\u0259n\u0259viyyat el\u00e7isi kimi ya\u015fadacaqd\u0131r.<\/p>\n

1988-ci ild\u0259n bu g\u00fcn\u0259 q\u0259d\u0259r Mehriban \u018fl\u0259kb\u0259rzad\u0259 teatr v\u0259 televiziya sah\u0259sind\u0259 yenilik\u00e7i v\u0259 d\u0259rin d\u00fc\u015f\u00fcnc\u0259li yana\u015fmalar\u0131 il\u0259 yadda\u015flara yaz\u0131l\u0131b. Jan Pol Sart\u0131n \u201cD\u0259fn edilm\u0259mi\u015f \u00f6l\u00fcl\u0259r\u201d \u0259s\u0259rinin s\u0259hn\u0259l\u0259\u015fdirilm\u0259si il\u0259 Akademik Milli Dram Teatr\u0131na atd\u0131\u011f\u0131 ilk add\u0131m, onun s\u0259hn\u0259 d\u00fcnyas\u0131na daxil oldu\u011fu anla deyil, eyni zamanda Az\u0259rbaycan teatr\u0131na yeni n\u0259f\u0259s g\u0259tir\u0259c\u0259yinin g\u00f6st\u0259ricisi idi.<\/p>\n

Bu ilk tama\u015fa onun yaratd\u0131\u011f\u0131 rejissor bax\u0131\u015f\u0131n\u0131n f\u0259ls\u0259fi v\u0259 estetik d\u0259rinliyini ortaya qoydu. Ard\u0131nca bir-birind\u0259n d\u0259y\u0259rli teatr v\u0259 televiziya layih\u0259l\u0259ri il\u0259 s\u0259n\u0259t al\u0259mini z\u0259nginl\u0259\u015fdir\u0259n Mehriban xan\u0131m, televiziya sah\u0259sin\u0259 m\u00fc\u0259llif proqramlar\u0131 g\u0259tirm\u0259kl\u0259 Az\u0259rbaycan vizual m\u0259d\u0259niyy\u0259tin\u0259 yeni t\u0259rz, yeni d\u00fc\u015f\u00fcnc\u0259, yeni yana\u015fma qazand\u0131rd\u0131.<\/p>\n

O, s\u0259n\u0259td\u0259 sad\u0259c\u0259 yarad\u0131c\u0131 deyil, h\u0259m d\u0259 ruh da\u015f\u0131yan bir m\u00fc\u0259llim, bir maarif\u00e7i, bir m\u0259d\u0259niyy\u0259t f\u0259ls\u0259f\u0259\u00e7isidir. Televiziya onun \u0259lind\u0259 maarifl\u0259ndirici g\u00fcc\u0259, teatr is\u0259 estetik v\u0259 m\u0259n\u0259vi oyan\u0131\u015f m\u0259kan\u0131na \u00e7evrilib. Mehriban \u018fl\u0259kb\u0259rzad\u0259 s\u0259n\u0259t\u0259 verdiyi t\u00f6hf\u0259l\u0259rl\u0259 yaln\u0131z tama\u015fa\u00e7\u0131 z\u00f6vq\u00fcn\u00fc formala\u015fd\u0131rmay\u0131b, h\u0259m d\u0259 ictimai \u015f\u00fcurda s\u0259n\u0259tin yerini v\u0259 rolunu yenid\u0259n m\u00fc\u0259yy\u0259nl\u0259\u015fdirib.<\/p>\n

Onun yarad\u0131c\u0131l\u0131\u011f\u0131, milli-m\u0259n\u0259vi d\u0259y\u0259rl\u0259rin, estetik duy\u011fular\u0131n v\u0259 ictimai m\u0259suliyy\u0259tin b\u0259nz\u0259rsiz bir sintezidir. Mehriban xan\u0131m\u0131n ad\u0131na ba\u011fl\u0131 olan h\u0259r layih\u0259, bir s\u0259n\u0259t hadis\u0259si olmaqla yana\u015f\u0131, m\u0259d\u0259niyy\u0259t tarixinin yadda\u015f\u0131na yaz\u0131lan saf v\u0259 s\u0259mimi bir imzad\u0131r.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin televiziya v\u0259 kino sah\u0259sind\u0259 \u0259rs\u0259y\u0259 g\u0259tirdiyi n\u00fcmun\u0259l\u0259r \u2014 \u201cM\u0259hkumlar\u201d filmi, \u201cXalq d\u00fc\u015fm\u0259nl\u0259ri\u201d adl\u0131 televiziya proqram\u0131, \u201cV.X.A.\u201d tama\u015fas\u0131 \u2014 sad\u0259c\u0259 s\u0259n\u0259t n\u00fcmun\u0259si olaraq deyil, eyni zamanda tarixi yadda\u015f\u0131n yenid\u0259n i\u015f\u0131qland\u0131r\u0131ld\u0131\u011f\u0131 d\u00fc\u015f\u00fcnc\u0259 platformalar\u0131 kimi qiym\u0259tl\u0259ndirilm\u0259lidir. Bu layih\u0259l\u0259rin h\u0259r biri bizi yaln\u0131z estetik d\u0259y\u0259rl\u0259rl\u0259 deyil, h\u0259m d\u0259 sars\u0131d\u0131c\u0131 tarixi h\u0259qiq\u0259tl\u0259rl\u0259 \u00fcz-\u00fcz\u0259 qoyur.<\/p>\n

\u201cM\u0259hkumlar\u201d insan talel\u0259rinin s\u00fckutda qalan f\u0259ryad\u0131n\u0131 dan\u0131\u015fd\u0131r\u0131r. \u201cXalq d\u00fc\u015fm\u0259nl\u0259ri\u201d proqram\u0131 is\u0259 repressiyalar\u0131n unutdurulmaq ist\u0259n\u0259n s\u0259hif\u0259l\u0259rini c\u0259miyy\u0259t\u0259 t\u0259qdim ed\u0259r\u0259k, k\u00fctl\u0259vi yadda\u015fda unudulmu\u015f s\u0259s\u0259 yer a\u00e7\u0131r. \u201cV.X.A.\u201d tama\u015fas\u0131 is\u0259 t\u0259kc\u0259 bir teatr \u0259s\u0259ri deyil \u2014 bu, bizim tariximizl\u0259 \u00fczl\u0259\u015fm\u0259k c\u0259sar\u0259ti t\u0259l\u0259b ed\u0259n bir s\u0259n\u0259t \u00e7a\u011f\u0131r\u0131\u015f\u0131d\u0131r. H\u0259r biri Mehriban xan\u0131m\u0131n tarix\u0259 olan ehtiram\u0131n\u0131, c\u0259miyy\u0259t\u0259 olan m\u0259suliyy\u0259tini v\u0259 s\u0259n\u0259t\u0259 verdiyi d\u0259rin yana\u015fman\u0131 n\u00fcmayi\u015f etdirir.<\/p>\n

O, bu layih\u0259l\u0259r vasit\u0259sil\u0259 \u00f6z\u00fcn\u00fc yaln\u0131z rejissor deyil, h\u0259m d\u0259 bir s\u0259n\u0259t d\u00fc\u015fk\u00fcn\u00fc, m\u0259d\u0259niyy\u0259t da\u015f\u0131y\u0131c\u0131s\u0131, tarixl\u0259 dialoq quran bir fikir sahibi kimi t\u0259sdiql\u0259mi\u015fdir. Mehriban \u018fl\u0259kb\u0259rzad\u0259 s\u0259n\u0259ti ke\u00e7mi\u015fin s\u0259ssiz a\u011fr\u0131s\u0131n\u0131 bu g\u00fcn\u00fcn estetik dili il\u0259 dan\u0131\u015fd\u0131rmaq bacar\u0131\u011f\u0131na malik olan nadir yarad\u0131c\u0131d\u0131r.<\/p>\n

Onun yarad\u0131c\u0131l\u0131\u011f\u0131 yaln\u0131z teatrla m\u0259hdudla\u015fm\u0131r, h\u0259m d\u0259 Az\u0259rbaycan tarixin\u0259, elmi ara\u015fd\u0131rmalara v\u0259 maarif\u00e7ilik f\u0259aliyy\u0259tin\u0259 d\u0259y\u0259rli t\u00f6hf\u0259l\u0259r verib.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259 2007-ci ild\u0259n etibar\u0259n Az\u0259rbaycan Milli Elml\u0259r Akademiyas\u0131n\u0131n Yeni Tarix \u015e\u00f6b\u0259sind\u0259 elmi f\u0259aliyy\u0259t\u0259 ba\u015flayaraq, Az\u0259rbaycan\u0131n \u0259razi b\u00fct\u00f6vl\u00fcy\u00fc u\u011frunda m\u00fcbariz\u0259 m\u00f6vzusunda d\u0259y\u0259rli t\u0259dqiqatlar aparm\u0131\u015fd\u0131r. Onun elmi maraqlar\u0131 yaln\u0131z akademik m\u00fcst\u0259vid\u0259 qalmam\u0131\u015f, inc\u0259s\u0259n\u0259t\u0259 d\u0259 siray\u0259t etmi\u015fdir \u2014 bu, onun yaratd\u0131\u011f\u0131 teatr v\u0259 televiziya layih\u0259l\u0259rinin mahiyy\u0259tini daha da d\u0259rinl\u0259\u015fdirib, s\u0259n\u0259t\u0259 tarixi v\u0259 ictimai m\u0259suliyy\u0259t qat\u0131b.<\/p>\n

Mehriban xan\u0131m\u0131n s\u0259n\u0259t bax\u0131\u015f\u0131, tarix\u0259 olan ba\u011fl\u0131l\u0131\u011f\u0131 il\u0259 qidalan\u0131r. O, bir m\u00fcsahib\u0259sind\u0259 deyir: \u201cTariximizin qaranl\u0131q s\u0259hif\u0259l\u0259rini s\u0259n\u0259t vasit\u0259sil\u0259 i\u015f\u0131qland\u0131rmaq m\u0259nim \u00fc\u00e7\u00fcn yaln\u0131z rejissor missiyas\u0131 deyil, h\u0259m d\u0259 v\u0259t\u0259nda\u015f borcudur\u201d. Bu yana\u015fma onun \u201cXalq d\u00fc\u015fm\u0259nl\u0259ri\u201d, \u201cM\u0259hkumlar\u201d v\u0259 \u201cV.X.A.\u201d kimi layih\u0259l\u0259rind\u0259 \u00f6z \u0259ksini tap\u0131r \u2014 burada s\u0259n\u0259t yaln\u0131z estetika deyil, h\u0259m d\u0259 yadda\u015f\u0131n b\u0259rpas\u0131, c\u0259miyy\u0259tl\u0259 dialoq vasit\u0259sidir.<\/p>\n

Elmi t\u0259dqiqatlar\u0131 il\u0259 paralel olaraq, Mehriban xan\u0131m s\u0259n\u0259td\u0259 d\u0259 maarif\u00e7ilik missiyas\u0131n\u0131 da\u015f\u0131y\u0131r. O, Az\u0259rbaycan tarixinin unudulmu\u015f s\u0259hif\u0259l\u0259rini tama\u015fa\u00e7\u0131ya t\u0259qdim etm\u0259kl\u0259, milli kimliyimizin formala\u015fmas\u0131na xidm\u0259t edir. \u201cTeatr yaln\u0131z s\u0259hn\u0259 deyil, d\u00fc\u015f\u00fcnc\u0259 v\u0259 duy\u011funun birl\u0259\u015fdiyi m\u0259kand\u0131r. M\u0259n bu m\u0259kan\u0131 tarixl\u0259 dan\u0131\u015fd\u0131rmaq ist\u0259yir\u0259m\u201d \u2014 dey\u0259 o, teatr\u0131n f\u0259ls\u0259fi mahiyy\u0259tini izah edir.<\/p>\n

Mehriban xan\u0131m\u0131n elmi v\u0259 s\u0259n\u0259t yolunun k\u0259si\u015fdiyi n\u00f6qt\u0259d\u0259 bir fikir dayan\u0131r: s\u0259n\u0259t yaln\u0131z g\u00f6z\u0259llik deyil, h\u0259m d\u0259 h\u0259qiq\u0259tin ifad\u0259sidir. Onun t\u0259dqiqatlar\u0131 v\u0259 tama\u015falar\u0131 bu h\u0259qiq\u0259ti m\u00fcxt\u0259lif formalarda t\u0259qdim edir \u2014 b\u0259z\u0259n s\u0259hn\u0259d\u0259, b\u0259z\u0259n ekranda, b\u0259z\u0259n is\u0259 s\u0259n\u0259dli filml\u0259rin d\u0259rinlikl\u0259rind\u0259.<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin teatr tama\u015falar\u0131<\/p>\n

Mehriban xan\u0131m m\u00fcxt\u0259lif teatr s\u0259hn\u0259l\u0259rind\u0259 a\u015fa\u011f\u0131dak\u0131 \u0259s\u0259rl\u0259r\u0259 qurulu\u015f vermi\u015fdir:<\/p>\n

Tama\u015fan\u0131n Ad\u0131 | M\u00fc\u0259llif | Teatr |
\n|——————|————|———-|
\n| D\u0259fn edilm\u0259mi\u015f \u00f6l\u00fcl\u0259r | Jan Pol Sartr | Akademik Milli Dram Teatr\u0131 |
\n| Min ill\u0259rin i\u015f\u0131\u011f\u0131 | Kamil Abdullayev | Akademik Milli Dram Teatr\u0131 |
\n| M\u00fc\u0259mmal\u0131 bir q\u0259tlin \u00fc\u00e7 versiyas\u0131 | R\u00fcnoske Akutaqava | Akademik Milli Dram Teatr\u0131 \/ Yu\u011f Teatr\u0131 |
\n| Po\u00e7t \u015f\u00f6b\u0259sind\u0259 x\u0259yal | El\u00e7in | Akademik Milli Dram Teatr\u0131 |
\n| Af\u0259t | H\u00fcseyn Cavid | Akademik Milli Dram Teatr\u0131 |
\n| “Qatil” | El\u00e7in | Akademik Milli Dram Teatr\u0131 |
\n| “Qatar\u0131n alt\u0131na at\u0131lan qad\u0131n” | Afaq M\u0259sud | Akademik Milli Dram Teatr\u0131 |
\n| “\u018fmir Teymur” | H\u00fcseyn Cavid | Akademik Milli Dram Teatr\u0131 |
\n| “Herostrat\u0131 unudun” | Qriqori Qorin | Akademik Milli Dram Teatr\u0131 |
\n| “\u0130sg\u0259nd\u0259r\u0259 yeni nam\u0259” | \u0130lqar F\u0259hmi | Akademik Milli Dram Teatr\u0131 |
\n| “\u018fsr\u0259 b\u0259rab\u0259r g\u00fcn”| \u00c7ingiz Aytmatov | Akademik Milli Dram Teatr\u0131 |
\n| \u0130blis v\u0259…” | H\u00fcseyn Cavidin \u201c\u0130blis\u201d \u0259s\u0259ri \u0259sas\u0131nda | Akademik Milli Dram Teatr\u0131 |
\n| “S\u0259nsiz” | \u015e\u0131x\u0259li Qurbanov | L\u0259nk\u0259ran D\u00f6vl\u0259t Dram Teatr\u0131 |
\n| “Ya\u011f\u0131\u015fdan sonra” | B\u0259xtiyar Vahabzad\u0259 | L\u0259nk\u0259ran D\u00f6vl\u0259t Dram Teatr\u0131 |
\n| “\u00c7ar\u0259siz s\u0259rni\u015finl\u0259r” | Stanislav Stratiyev | L\u0259nk\u0259ran D\u00f6vl\u0259t Dram Teatr\u0131 |
\n| “Nuri-Did\u0259 Ceyhun” | \u018fli \u018fmirli | Musiqili Teatr |
\n| “M\u0259n\u0259m\u2026m\u0259n” | \u0130lqar F\u0259hmi (N\u0259simi obraz\u0131) | Yu\u011f Teatr\u0131 |
\n| “C\u0259za” | T\u0259ran\u0259 V\u0259liyeva | G\u0259nc Tama\u015fa\u00e7\u0131lar Teatr\u0131 |
\n| “Kod ad\u0131: V.X.A”. | Mehriban \u018fl\u0259kb\u0259rzad\u0259 | G\u0259nc Tama\u015fa\u00e7\u0131lar Teatr\u0131 |<\/p>\n

Televiziya v\u0259 kino sah\u0259sind\u0259ki se\u00e7ilmi\u015f i\u015fl\u0259ri<\/p>\n

– Filml\u0259r: \u201cG\u00fczg\u00fc\u201d, \u201cM\u0259hkumlar\u201d, \u201cMart hadis\u0259l\u0259ri\u201d, \u201cQ\u0131rm\u0131z\u0131 terror v\u0259 ya Mirc\u0259f\u0259r Ba\u011f\u0131rov\u201d, \u201cAz\u0259rbaycan xanl\u0131qlar\u0131\u201d, \u201c\u0130l\u011f\u0131m\u201d, \u201cC\u0259za\u201d, \u201cYa\u015fa, ey haqq!\u201d, \u201c\u0130nsan s\u0259si\u201d, \u201cGec\u0259n xeyr\u0259 qals\u0131n, ana\u201d v\u0259 s.
\n– M\u00fc\u0259llif proqramlar\u0131: \u201cD\u00fcn\u0259n, bu g\u00fcn, sabah\u201d, \u201cF\u00f6vq\u0259l d\u00fcnya v\u0259 m\u0259n\u201d, \u201cTeleportret rakursunda\u201d, \u201cH\u0259qiq\u0259t an\u0131 v\u0259 ya Aporiya\u201d, \u201cXalq d\u00fc\u015fm\u0259nl\u0259ri v\u0259 ya repressiya qurbanlar\u0131n\u0131n ail\u0259l\u0259ri\u201d<\/p>\n

Mehriban \u018fl\u0259kb\u0259rzad\u0259nin qurulu\u015f verdiyi h\u0259r bir tama\u015fa, yaln\u0131z s\u0259hn\u0259 hadis\u0259si deyil \u2014 bu, insan ruhunun, zaman\u0131n v\u0259 tarixin s\u0259hn\u0259d\u0259ki t\u0259c\u0259ss\u00fcm\u00fcd\u00fcr. Onun rejissor bax\u0131\u015f\u0131 il\u0259 s\u0259hn\u0259y\u0259 g\u0259tiril\u0259n \u0259s\u0259rl\u0259r, obrazlar\u0131n dili il\u0259 dan\u0131\u015f\u0131r, tama\u015fa\u00e7\u0131n\u0131n yadda\u015f\u0131na v\u0259 duy\u011fular\u0131na toxunur. G\u0259lin bu s\u0259n\u0259t yolunun izl\u0259rini onun tama\u015falar\u0131ndan se\u00e7ilmi\u015f sitatlarla izl\u0259y\u0259k \u2014 h\u0259r biri bir f\u0259ls\u0259fi \u00e7a\u011f\u0131r\u0131\u015f, bir estetik n\u0259f\u0259s, bir m\u0259n\u0259vi g\u00fczg\u00fcd\u00fcr.<\/p>\n

Tama\u015falardan se\u00e7ilmi\u015f sitatlar:<\/p>\n

\u201cD\u0259fn edilm\u0259mi\u015f \u00f6l\u00fcl\u0259r\u201d \u2013 \u201c\u0130nsan \u00f6l\u0259nd\u0259 yox, unudulanda \u00f6l\u00fcr.\u201d<\/p>\n

\u201c\u0130blis v\u0259\u2026\u201d \u2013 \u201cM\u0259n sizin i\u00e7inizd\u0259y\u0259m. M\u0259n sizin t\u0259r\u0259dd\u00fcd\u00fcn\u00fcz\u0259m.\u201d<\/p>\n

\u201c\u018fsr\u0259 b\u0259rab\u0259r g\u00fcn\u201d \u2013 \u201cZaman insan\u0131n i\u00e7ind\u0259 ba\u015f verir, t\u0259qvimd\u0259 yox.\u201d
\n\u201cAf\u0259t\u201d \u2013 \u201c\u018fdal\u0259t gecik\u0259nd\u0259, q\u0259z\u0259b dan\u0131\u015fma\u011fa ba\u015flay\u0131r.\u201d<\/p>\n

\u201cQatil\u201d \u2013 \u201cH\u0259r k\u0259sin i\u00e7ind\u0259 bir qatil yat\u0131r, onu oyadan s\u0259b\u0259bl\u0259rdir.\u201d<\/p>\n

\u201c\u0130sg\u0259nd\u0259r\u0259 yeni nam\u0259\u201d \u2013 \u201cS\u00f6zl\u0259r silah deyil, amma tarix\u0259 y\u00f6n ver\u0259 bil\u0259r.\u201d<\/p>\n

\u201cKod ad\u0131: V.X.A.\u201d \u2013 \u201cS\u0259ssiz qalanlar da dan\u0131\u015f\u0131r \u2014 s\u0259n\u0259t onlar\u0131n dilidir.\u201d<\/p>\n

\u201cM\u0259hkumlar\u201d \u2013 \u201cH\u0259bsxana divarlar\u0131 deyil, susdurulmu\u015f yadda\u015fd\u0131r.\u201d<\/p>\n

\u201cC\u0259za\u201d \u2013 \u201cC\u0259za b\u0259z\u0259n qanunda yox, vicdanda yaz\u0131l\u0131r.\u201d<\/p>\n

\u201cM\u0259n\u0259m\u2026m\u0259n\u201d (N\u0259simi) \u2013 \u201cM\u0259n\u0259m ki, m\u0259nliyiml\u0259 varam, yoxlu\u011fa meydan oxuyuram.\u201d<\/p>\n

\u201cHerostrat\u0131 unudun\u201d \u2013 \u201cAd\u0131n\u0131 tarix\u0259 yazmaq ist\u0259y\u0259nl\u0259r, b\u0259z\u0259n onu yand\u0131r\u0131rlar.\u201d<\/p>\n

\u201cPo\u00e7t \u015f\u00f6b\u0259sind\u0259 x\u0259yal\u201d \u2013 \u201cG\u00f6zl\u0259nil\u0259n m\u0259ktub g\u0259lm\u0259y\u0259nd\u0259, x\u0259yallar yazma\u011fa ba\u015flay\u0131r.\u201d<\/p>\n

\u201cQatar\u0131n alt\u0131na at\u0131lan qad\u0131n\u201d \u2013 \u201cB\u0259z\u0259n bir qad\u0131n\u0131n s\u00fckutu, bir c\u0259miyy\u0259tin f\u0259ryad\u0131d\u0131r.\u201d<\/p>\n

\u201cYa\u011f\u0131\u015fdan sonra\u201d \u2013 \u201cYa\u011f\u0131\u015f yuyur torpa\u011f\u0131, amma insan\u0131n i\u00e7ini kim yuyacaq?\u201d<\/p>\n

\u201cS\u0259nsiz\u201d \u2013 \u201cS\u0259nsizlik s\u00fckut deyil, s\u0259hn\u0259siz bir tama\u015fad\u0131r.\u201d<\/p>\n

P.S. Mehriban \u018fl\u0259kb\u0259rzad\u0259 \u2014 Az\u0259rbaycan m\u0259d\u0259niyy\u0259tinin q\u00fcrur vitrini, teatr s\u0259n\u0259tinin m\u00fcdrik s\u0259si, d\u00fc\u015f\u00fcnc\u0259 v\u0259 duy\u011funun m\u00f6ht\u0259\u015f\u0259m sintezidir. O, s\u0259hn\u0259ni sad\u0259c\u0259 dekor yox, bir fikir meydan\u0131 kimi g\u00f6r\u00fcr; obrazlar\u0131 yaln\u0131z canland\u0131rm\u0131r, onlara ruh verir, s\u00f6zl\u0259rin\u0259 vicdan v\u0259 tarix y\u00fckl\u0259yir. Bu g\u00fcn onun qurdu\u011fu s\u0259n\u0259t m\u0259kan\u0131 bir \u00f6m\u00fcrl\u00fck f\u0259dakarl\u0131\u011f\u0131n, estetik z\u0259rr\u0259l\u0259rin, m\u0259n\u0259vi g\u00fcc\u00fcn v\u0259 m\u0259d\u0259ni z\u0259kan\u0131n v\u0259hd\u0259tidir.<\/b><\/span><\/p>\n

S\u0259hn\u0259y\u0259 verdiyi h\u0259r bir tama\u015fa, ekrana g\u0259tirdiyi h\u0259r bir kadr v\u0259 ictimai fikr\u0259 y\u00f6n\u0259ltdiyi h\u0259r bir sual onun yarad\u0131c\u0131 enerjisini, milli m\u0259suliyy\u0259tini v\u0259 estetik duy\u011fusunu \u0259ks etdirir. O, Az\u0259rbaycan tama\u015fa\u00e7\u0131s\u0131n\u0131n intellektual z\u00f6vq\u00fcn\u00fc formala\u015fd\u0131rm\u0131\u015f, g\u0259nc yarad\u0131c\u0131lar\u0131n ruhunu oyatm\u0131\u015f, tarixl\u0259 s\u0259hn\u0259 aras\u0131nda k\u00f6rp\u00fcl\u0259r salm\u0131\u015f s\u0259n\u0259tkar v\u0259 maarif\u00e7idir.<\/p>\n

Mehriban xan\u0131m\u0131n varl\u0131\u011f\u0131 s\u0259n\u0259t d\u00fcnyas\u0131 \u00fc\u00e7\u00fcn bir h\u00fczur \u00fcnvan\u0131d\u0131r \u2014 o, estetik bax\u0131\u015f\u0131 il\u0259 ruhu s\u0131\u011fallayan, etik duru\u015fu il\u0259 c\u0259miyy\u0259t\u0259 g\u00fczg\u00fc tutan, elmi v\u0259 yarad\u0131c\u0131 qatlar\u0131 il\u0259 g\u0259l\u0259c\u0259y\u0259 i\u015f\u0131q sa\u00e7an nadir insand\u0131r. Onun ad\u0131 yaln\u0131z tama\u015falar\u0131n afi\u015fas\u0131nda deyil, xalq\u0131n yadda\u015f\u0131nda, s\u0259n\u0259tsev\u0259rl\u0259rin \u00fcr\u0259yind\u0259, g\u0259ncl\u0259rin ilham\u0131nda ya\u015fama\u011fa davam edir.<\/p>\n

Bu g\u00fcn onun do\u011fum g\u00fcn\u00fcd\u00fcr \u2014 amma bu yaln\u0131z t\u0259qviml\u0259 \u00f6l\u00e7\u00fcl\u0259n bir g\u00fcn deyil. Bu, s\u0259n\u0259t\u0259 d\u0259y\u0259r ver\u0259n bir ruhun, tarixl\u0259 dialoqa gir\u0259n bir \u015f\u0259xsiyy\u0259tin, xalq\u0131n inc\u0259s\u0259n\u0259t x\u0259zin\u0259sini sevgi il\u0259 qoruyan bir f\u0259dainin varl\u0131\u011f\u0131n\u0131 qeyd etdiyimiz g\u00fcnd\u00fcr. Mehriban xan\u0131m\u0131n ad\u0131 ya\u015fad\u0131qca, s\u0259hn\u0259 dan\u0131\u015facaq, d\u00fc\u015f\u00fcnc\u0259 inki\u015faf ed\u0259c\u0259k, s\u0259n\u0259t n\u0259f\u0259s alacaq.<\/p>\n

\"\"<\/p>\n

M\u00fc\u0259llif: Fuad B\u0130L\u018fSUVARLI,<\/span><\/strong>
\nAYB v\u0259 AJB \u00fczv\u00fc, Prezident m\u00fckafat\u00e7\u0131s\u0131, H\u0259s\u0259n b\u0259y Z\u0259rdabi m\u00fckafat\u00e7\u0131s\u0131.<\/span><\/strong><\/p>\n

Az\u0259rbaycan.media<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Mehriban \u018fl\u0259kb\u0259rzad\u0259 – 60 Bug\u00fcn Az\u0259rbaycan teatr s\u0259hn\u0259sinin parlaq simalar\u0131ndan biri \u2014 rejissor, pedaqoq, maarif\u00e7i v\u0259 \u0259sl s\u0259n\u0259t f\u0259daisi Mehriban \u018fl\u0259kb\u0259rzad\u0259nin do\u011fum g\u00fcn\u00fcd\u00fcr. O, yaln\u0131z rejissor deyil, h\u0259m d\u0259 inc\u0259s\u0259n\u0259tin… <\/p>\n","protected":false},"author":4,"featured_media":51933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,57],"tags":[],"class_list":["post-51932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manset","category-mdniyyt"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51932"}],"version-history":[{"count":4,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51932\/revisions"}],"predecessor-version":[{"id":51942,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51932\/revisions\/51942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/51933"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}