{"id":51260,"date":"2025-09-03T10:11:54","date_gmt":"2025-09-03T06:11:54","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=51260"},"modified":"2025-09-03T10:11:54","modified_gmt":"2025-09-03T06:11:54","slug":"kubarliq-goz%c9%99llik-m%c9%99n%c9%99viyyat-muc%c9%99ss%c9%99m%c9%99si-zumrud-dadaszad%c9%99-yazir","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=51260","title":{"rendered":"K\u00fcbarl\u0131q, g\u00f6z\u0259llik, m\u0259n\u0259viyyat m\u00fcc\u0259ss\u0259m\u0259si – Z\u00fcmr\u00fcd Dada\u015fzad\u0259 yaz\u0131r"},"content":{"rendered":"
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Z\u00fcmr\u00fcd DADA\u015eZAD\u018f<\/b><\/i><\/span>
\nProfessor, \u018fm\u0259kdar inc\u0259s\u0259n\u0259t xadimi<\/i><\/b><\/span><\/h3>\n

Musiqi\u015f\u00fcnas Aida Ta\u011f\u0131zad\u0259nin yubileyin\u0259 sevgi v\u0259 ehtiramla ithaf olunur<\/strong><\/em><\/span><\/p>\n

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XX \u0259sr Az\u0259rbaycan musiqi m\u0259d\u0259niyy\u0259tinin t\u0259\u015f\u0259kk\u00fcl\u00fc v\u0259 inki\u015faf\u0131na t\u00f6hf\u0259l\u0259r vermi\u015f s\u0259n\u0259t\u00e7il\u0259r s\u0131ras\u0131nda aliml\u0259r d\u0259 \u015f\u0259r\u0259fli yer tutur. Bu s\u0131rada Aida Ta\u011f\u0131zad\u0259 x\u00fcsusi qeyd olunmal\u0131d\u0131r.<\/strong><\/span><\/p>\n

A.Ta\u011f\u0131zad\u0259 professor, \u018fm\u0259kdar inc\u0259s\u0259n\u0259t xadimi, f\u0259rdi Prezident t\u0259qa\u00fcd\u00e7\u00fcs\u00fc, uzun ill\u0259r konservatoriyam\u0131zda (haz\u0131rda Bak\u0131 Musiqi Akademiyas\u0131) musiqi tarixi kafedras\u0131n\u0131n m\u00fcdiri, bir ne\u00e7\u0259 sanball\u0131 monoqrafiyan\u0131n m\u00fc\u0259llifi,\u00a0 amma h\u0259r \u015feyd\u0259n \u0259vv\u0259l\u00a0 h\u0259mkarlar\u0131n\u0131n, t\u0259l\u0259b\u0259l\u0259rinin\u00a0 ehtiram\u0131n\u0131 qazanm\u0131\u015f bir alim, pedaqoqdur. F\u0259xri\u00a0 v\u0259 elmi adlar\u0131n\u00a0 d\u0259y\u0259rini \u0259sla danmaq ist\u0259m\u0259zdim, lakin indiki zamanda bir m\u00fct\u0259x\u0259ssis kimi n\u00fcfuz qazanmaq daha \u00f6n\u0259mlidir.<\/p>\n

A.Ta\u011f\u0131zad\u0259nin t\u0259dqiqatlar\u0131 m\u00f6vzuca r\u0259ngar\u0259ngdir. Ali pe\u015f\u0259kar kimi o, \u00f6z s\u0259ri\u015ft\u0259li s\u00f6z\u00fcn\u00fc s\u0259n\u0259tl\u0259 ba\u011fl\u0131 bir \u00e7ox m\u0259s\u0259l\u0259l\u0259r haqq\u0131nda s\u00f6yl\u0259m\u0259k iqtidar\u0131ndad\u0131r: “Az\u0259rbaycan musiqi tarixi” kursuna dair h\u0259mkarlar\u0131 il\u0259 birlikd\u0259\u00a0\u00a0 proqram da t\u0259rtib edib,\u00a0 “Az\u0259rbaycan musiqi tarixi” (1992) d\u0259rsliyinin ayr\u0131-ayr\u0131 f\u0259sill\u0259rini d\u0259 yaz\u0131b. Amma Aida xan\u0131m\u0131 h\u0259mi\u015f\u0259 m\u00fcasir s\u0259n\u0259t s\u0259sl\u0259yib, “musiqi tarixinin \u0259n h\u0259y\u0259canland\u0131r\u0131c\u0131 m\u0259qam\u0131 – bu g\u00fcn\u00fcn musiqisi” (Stravinski) c\u0259lb edib.<\/p>\n

Alimin “q\u0259hr\u0259manlar\u0131ndan” biri – C\u00f6vd\u0259t Hac\u0131yev haqq\u0131nda\u00a0 m\u0259qal\u0259mi “M\u00fcasirliyin salnam\u0259\u00e7isi” adland\u0131rm\u0131\u015fd\u0131m. A.Ta\u011f\u0131zad\u0259ni d\u0259 ya\u015fad\u0131\u011f\u0131m\u0131z d\u00f6vr\u00fcn ilhaml\u0131 salnam\u0259\u00e7isi kimi t\u0259qdim etm\u0259k m\u00fcmk\u00fcnd\u00fcr. O, h\u0259mi\u015f\u0259 yarad\u0131c\u0131l\u0131q prosesin\u0259 h\u0259ssas yana\u015f\u0131b, \u00e7e\u015fidli probleml\u0259ri geni\u015f tarixi, b\u0259dii-estetik kontekstd\u0259 ara\u015fd\u0131rma\u011fa s\u0259y g\u00f6st\u0259rib.<\/p>\n

Aida xan\u0131m haqq\u0131nda yaz\u0131larda onun xarakterinin \u00fcmd\u0259 x\u00fcsusiyy\u0259tl\u0259ri – ciddiliyi, n\u0259cibliyi, xeyirxahl\u0131\u011f\u0131 vur\u011fulan\u0131r. “Stress v\u0259 ehtiraslar” d\u00f6vr\u00fcnd\u0259 ona xas t\u0259mkini, araml\u0131 davran\u0131\u015f t\u0259rzini d\u0259 bu s\u0131raya \u0259lav\u0259 ed\u0259rdim. H\u0259r hans\u0131 bir t\u0259l\u0259siklikd\u0259n uzaq\u00a0 m\u00fchakim\u0259l\u0259r, k\u00fcbarl\u0131q, nadir daxili sanbal v\u0259 b\u00fct\u00f6vl\u00fck – bu keyfiyy\u0259tl\u0259r bir araya g\u0259l\u0259r\u0259k A.Ta\u011f\u0131zad\u0259 \u015f\u0259xsiyy\u0259tin\u0259 f\u00fcsunkarl\u0131q a\u015f\u0131lay\u0131r.<\/p>\n

Onun obraz\u0131n\u0131n qeyri-adi m\u0259lah\u0259tinin sirrini axtarmal\u0131 olsaq, u\u015faql\u0131q ill\u0259rin\u0259 d\u00f6nm\u0259liyik. N\u0259 yax\u015f\u0131 ki, Aida xan\u0131m atas\u0131 – tan\u0131nm\u0131\u015f dil\u015f\u00fcnas-alim\u0259 h\u0259sr olunmu\u015f “Zeynal Ta\u011f\u0131zad\u0259: \u00d6mr\u00fcn \u00fcf\u00fcql\u0259ri” (2011) kitab\u0131n\u0131 n\u0259\u015fr etdirib.\u00a0 Zeynal m\u00fc\u0259llimin\u00a0 \u00f6m\u00fcr kitab\u0131ndan s\u0259hif\u0259l\u0259ri, xatir\u0259l\u0259ri oxuya-oxuya bir \u00e7ox maraql\u0131 q\u0259na\u0259tl\u0259r\u0259 g\u0259lirs\u0259n.<\/p>\n

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Aida xan\u0131m Bak\u0131da d\u00fcnyaya g\u00f6z a\u00e7sa da, xarakterinin formala\u015fd\u0131\u011f\u0131\u00a0 ilk m\u0259kt\u0259b ill\u0259ri d\u0259d\u0259-baba yurdu \u015eu\u015fada ke\u00e7ib. O \u015eu\u015fada ki\u00a0 “h\u00fcnd\u00fcr bir yerd\u0259 dayan\u0131b, bir t\u0259r\u0259fd\u0259n Kirsi, o t\u0259r\u0259fd\u0259n Ba\u011f\u0131rqan\u0131, ba\u015fqa bir t\u0259r\u0259fd\u0259n Murovu g\u00f6rm\u0259k olar. \u00dcf\u00fcq\u00fcn bu q\u0259d\u0259r geni\u015fliyi, t\u0259bi\u0259tin f\u00fcsunkarl\u0131\u011f\u0131, yerli \u0259halid\u0259 fantaziyan\u0131n inki\u015faf\u0131na g\u00fccl\u00fc t\u0259sir g\u00f6st\u0259rmi\u015fdir”, – dey\u0259 m\u00fc\u015fahid\u0259 qabiliyy\u0259tin\u0259 malik Zeynal\u00a0 m\u00fc\u0259llim qeyd edir.<\/p>\n

Aida xan\u0131m\u0131n valideynl\u0259ri\u00a0 ehtiramla xat\u0131rlanmal\u0131d\u0131r. Anas\u0131 Sayal\u0131 xan\u0131m Hac\u0131yeva iki ali m\u0259kt\u0259bin (Pedaqoji \u0130nstitut v\u0259 Tibb \u0130nstitutu) m\u0259zunu olsa da, h\u0259yat\u0131n\u0131n b\u00f6y\u00fck hiss\u0259sini \u00f6vladlar\u0131na h\u0259sr etmi\u015f, Aida xan\u0131m\u0131n nailiyy\u0259tl\u0259r qazanmas\u0131 \u00fc\u00e7\u00fcn h\u0259r bir \u015f\u0259rait yaratm\u0131\u015fd\u0131r.<\/p>\n

Zeynal Ta\u011f\u0131zad\u0259 Az\u0259rbaycan\u00a0 dil\u00e7ilik elmini \u00f6z d\u0259y\u0259rli\u00a0\u00a0 t\u0259dqiqatlar\u0131 il\u0259 z\u0259nginl\u0259\u015fdirmi\u015f elml\u0259r doktoru, Az\u0259rbaycan Xarici Dill\u0259r Pedaqoji \u0130nstitutunun professoru, linqvistikada yeni ara\u015fd\u0131rma metodlar\u0131n\u0131 t\u0259tbiq ed\u0259n\u00a0 geni\u015f d\u00fcnyag\u00f6r\u00fc\u015fl\u00fc bir alim idi.\u00a0 Onun \u015eu\u015fa h\u0259yat\u0131 haqq\u0131nda\u00a0 qeydl\u0259rini maraqla oxuyub, XX \u0259srin \u0259vv\u0259lind\u0259 – siyasi olaylar bax\u0131m\u0131ndan ziddiyy\u0259tli v\u0259 m\u00fcr\u0259kk\u0259b bir d\u00f6vrd\u0259 bu q\u0259dim\u00a0 torpaqda ya\u015fayan insanlar\u0131n sevincli-q\u00fcss\u0259li h\u0259yat\u0131n\u0131, m\u0259i\u015f\u0259tinin s\u0259ciyy\u0259vi c\u0259h\u0259tl\u0259rini ayd\u0131n t\u0259s\u0259vv\u00fcr edirs\u0259n. Qohum-qon\u015fu aras\u0131nda m\u00fcnasib\u0259tl\u0259rin \u00f6z\u0259llikl\u0259ri, m\u0259\u015fhur xan\u0259nd\u0259l\u0259rin i\u015ftirak\u0131 il\u0259 toy m\u0259clisl\u0259ri, Qaraba\u011f m\u0259tb\u0259xinin unudulmaqda olan l\u0259ziz t\u0259amlar\u0131 haqq\u0131nda m\u0259lumat,\u00a0 \u015eu\u015fa m\u0259kt\u0259bind\u0259, seminariyas\u0131nda\u00a0 t\u0259hsilin x\u00fcsusiyy\u0259tl\u0259rinin n\u0259z\u0259r-diqq\u0259t\u0259 \u00e7atd\u0131r\u0131lmas\u0131… v\u0259 b\u00fct\u00fcn \u00e7\u0259tinlikl\u0259r m\u00fcqabilind\u0259 m\u0259n\u0259vi h\u0259yat\u0131n z\u0259nginliyi, oxumaq, durmadan inki\u015faf etm\u0259k ist\u0259yi.<\/p>\n

A.Ta\u011f\u0131zad\u0259ni h\u0259mi\u015f\u0259, \u0259g\u0259r bel\u0259 dem\u0259k caizs\u0259, “kitab adam\u0131”\u00a0 adland\u0131rm\u0131\u015fam. “\u00d6mr\u00fcn \u00fcf\u00fcql\u0259ri” il\u0259 tan\u0131\u015f olduqdan sonra h\u0259min kitab sevgisinin, h\u0259tta m\u0259n dey\u0259rdim, kitab “azar\u0131n\u0131n” k\u00f6kl\u0259rini anlad\u0131m. O, \u0259d\u0259biyyata m\u0259h\u0259bb\u0259t hissinin \u00f6vladlara a\u015f\u0131lanmas\u0131n\u0131 atas\u0131n\u0131n \u00f6z\u00fcnd\u0259n sonra qoyub getdiyi \u0259n qiym\u0259tli miras hesab edir.<\/p>\n

Aida xan\u0131m\u0131n parlaq t\u0259\u0259ss\u00fcratlar\u0131 s\u0131ras\u0131na Bak\u0131da 2 sayl\u0131 musiqi m\u0259kt\u0259bind\u0259 oxuyark\u0259n \u0259fsan\u0259vi \u00dczeyir Hac\u0131b\u0259ylini canl\u0131 olaraq g\u00f6rm\u0259si aiddir.\u00a0 M\u0259kt\u0259b\u0259 ba\u015f \u00e7\u0259k\u0259n \u00dczeyir b\u0259y onun r\u0259fiq\u0259l\u0259ri il\u0259 8 \u0259lli ansamblda \u00e7\u0131x\u0131\u015f\u0131n\u0131 dinl\u0259mi\u015f v\u0259 yeniyetm\u0259 piano\u00e7ular\u0131n istedadl\u0131 oldu\u011funa diqq\u0259t yetir\u0259r\u0259k onlar\u0131n musiqi t\u0259hsilinin davam etdirilm\u0259sini\u00a0 m\u0259sl\u0259h\u0259t g\u00f6rm\u00fc\u015fd\u00fcr.<\/p>\n

A.Zeynall\u0131 ad\u0131na Musiqi Texnikumunu piano\u00e7u kimi\u00a0 bitir\u0259n A.Ta\u011f\u0131zad\u0259 1951-ci ild\u0259 \u00dc.Hac\u0131b\u0259yli ad\u0131na Az\u0259rbaycan D\u00f6vl\u0259t Konservatoriyas\u0131n\u0131n fortepiano fak\u00fclt\u0259sin\u0259, professor Nigar Usubovan\u0131n sinfin\u0259 daxil olur. Amma iki il piano\u00e7u kimi m\u00fcv\u0259ff\u0259q oxuyan Aida xan\u0131m \u0259ll\u0259rinin x\u0259st\u0259liyi ucbat\u0131ndan\u00a0 ixtisas\u0131n\u0131 d\u0259yi\u015fm\u0259k m\u0259cburiyy\u0259ti\u00a0 il\u0259 \u00fczl\u0259\u015fir. Buradaca deyim ki, A.Ta\u011f\u0131zad\u0259 pianoya \u0259sla “x\u0259yan\u0259t” etm\u0259y\u0259r\u0259k, b\u0259st\u0259kar \u0259s\u0259rl\u0259rini, el havalar\u0131n\u0131 \u00f6yr\u0259nib s\u0259sl\u0259ndirm\u0259yi sevir. M\u00fchazir\u0259 oxuyark\u0259n, o, royal\u0131n arxas\u0131na ke\u00e7ib bizi\u00a0 t\u0259\u0259cc\u00fcbl\u0259ndir\u0259r\u0259k laz\u0131mi musiqi par\u00e7as\u0131n\u0131 s\u00f6yl\u0259nil\u0259n fikr\u0259 ill\u00fcstrasiya kimi \u0259zb\u0259rd\u0259n\u00a0 \u00e7alard\u0131…<\/p>\n

“M\u0259nim konservatoriyam” adl\u0131 m\u0259qal\u0259sind\u0259 Aida xan\u0131m t\u0259l\u0259b\u0259lik d\u00f6vr\u00fcn\u00fc,\u00a0 cavan m\u00fc\u0259llim kimi \u00e7al\u0131\u015fd\u0131\u011f\u0131 ill\u0259ri xat\u0131rlayaraq yaz\u0131r ki, Q.Qarayevin, sonra C.Hac\u0131yevin\u00a0 rektorluq etdiyi bu t\u0259hsil oca\u011f\u0131n\u0131n atmosferind\u0259 o zaman “musiqiy\u0259\u00a0 xidm\u0259t etm\u0259k ruhu” h\u00f6kmranl\u0131q edirdi. Ali pe\u015f\u0259kar, s\u0259n\u0259t vur\u011funu olan m\u00fc\u0259lliml\u0259rin t\u0259siri alt\u0131nda g\u0259nc musiqi\u00e7inin b\u0259dii d\u0259y\u0259rl\u0259r sistemi formala\u015f\u0131r, ara\u015fd\u0131r\u0131c\u0131l\u0131\u011fa\u00a0 mara\u011f\u0131 ba\u015f qald\u0131r\u0131rd\u0131.<\/p>\n

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T\u0259hsilini tarix-n\u0259z\u0259riyy\u0259\u00a0 fak\u00fclt\u0259sind\u0259 davam etdir\u0259n Aida\u00a0 xan\u0131m\u0131n taleyind\u0259 g\u00f6rk\u0259mli musiqi\u015f\u00fcnas \u0130zabella Vladimirovna\u00a0 Abezqauzla \u0259lam\u0259tdar g\u00f6r\u00fc\u015f ba\u015f verir. Onun m\u00fct\u0259x\u0259ssis kimi\u00a0 p\u00fcxt\u0259l\u0259\u015fm\u0259sind\u0259 Abezqauzun rolu dan\u0131lmazd\u0131r. Burada Aida xan\u0131m\u0131n m\u00fc\u0259llimin\u0259 k\u00f6vr\u0259k m\u00fcnasib\u0259tini, ona minn\u0259tdarl\u0131q hissinin sonsuzlu\u011funu qeyd etm\u0259y\u0259 bilm\u0259r\u0259m. 2020-ci ild\u0259 Abezqauz haqq\u0131nda m\u00fc\u0259llifi A.Ta\u011f\u0131zad\u0259 olan y\u0131\u011fcam bir kitab\u0131n (Az\u0259rbaycan B\u0259st\u0259karlar \u0130ttifaq\u0131n\u0131n n\u0259\u015fridir) i\u015f\u0131q \u00fcz\u00fc g\u00f6rm\u0259si ustad\u0131na sevginin \u0259yani n\u00fcmun\u0259sidir.<\/p>\n

1958-ci ild\u0259n A.Ta\u011f\u0131zad\u0259\u00a0 konservatoriyada \u00e7al\u0131\u015fma\u011fa ba\u015flay\u0131r: musiqi tarixi kafedras\u0131n\u0131n\u00a0 s\u0131ravi m\u00fc\u0259llimind\u0259n\u00a0 professoruna q\u0259d\u0259r y\u00fcks\u0259lir, m\u00fc\u0259yy\u0259n zaman k\u0259simind\u0259 kafedraya r\u0259hb\u0259rlik edir. A.Ta\u011f\u0131zad\u0259nin alim kimi\u00a0 m\u00fcnt\u0259z\u0259m s\u0259m\u0259r\u0259li f\u0259aliyy\u0259ti onun pedaqoji sah\u0259d\u0259 i\u015fin\u0259 d\u0259 t\u0259sir g\u00f6st\u0259rirdi.<\/p>\n

Aida xan\u0131m yarad\u0131c\u0131l\u0131q yoluna\u00a0 \u0259lam\u0259tdar bir\u00a0 d\u00f6vrd\u0259 – \u00f6t\u0259n \u0259srin 50-ci ill\u0259rinin sonu – 60-c\u0131 ill\u0259rinin \u0259vv\u0259lind\u0259 q\u0259d\u0259m basm\u0131\u015fd\u0131r. Siyasi atmosferin m\u00fclayiml\u0259\u015fm\u0259si d\u00f6n\u0259mind\u0259 SSR\u0130 v\u0259 Q\u0259rb aras\u0131nda “d\u0259mir p\u0259rd\u0259”nin t\u0259dric\u0259n laxlamas\u0131, \u00f6lk\u0259y\u0259 daxil olan informasiyan\u0131n h\u0259cminin xeyli artmas\u0131, s\u0259n\u0259t\u0259 yeni m\u00f6vzular\u0131n\u00a0 “m\u00fcdaxil\u0259si”, t\u0259rav\u0259tli forma axtar\u0131\u015flar\u0131 c\u0259miyy\u0259td\u0259 canl\u0131 reaksiya do\u011furur, q\u0131z\u011f\u0131n m\u00fczakir\u0259l\u0259r\u0259 meydan a\u00e7\u0131rd\u0131. B\u0259st\u0259karlarla yana\u015f\u0131, apar\u0131c\u0131 musiqi\u015f\u00fcnaslar\u0131m\u0131z da maraql\u0131, b\u0259z\u0259n ziddiyy\u0259tli, h\u0259tta dramatik hadis\u0259l\u0259r burul\u011fan\u0131na ba\u015f vurur,\u00a0 \u0259ld\u0259 olunan informasiyan\u0131 refleksiyaya m\u0259ruz qoymaq, qazan\u0131lan bilikl\u0259ri musiqinin t\u0259dqiqin\u0259 c\u0259lb etm\u0259k, d\u00fcnyada ba\u015f ver\u0259nl\u0259ri milli musiqi nailiyy\u0259tl\u0259ri il\u0259 tutu\u015fdurmaq ist\u0259yi il\u0259 ya\u015fay\u0131b-yarad\u0131rd\u0131lar.<\/p>\n

A.Ta\u011f\u0131zad\u0259nin xarakterinin x\u00fcsusiyy\u0259tl\u0259ri, ruh\u0259n azad olmas\u0131, yeni s\u0259n\u0259t\u0259 canl\u0131 mara\u011f\u0131, m\u00fcasir \u0259d\u0259biyyatla t\u0259masda i\u015fl\u0259m\u0259k h\u0259v\u0259si onu altm\u0131\u015f\u0131nc\u0131lar n\u0259slinin layiqli t\u0259msil\u00e7isi kimi s\u0259ciyy\u0259l\u0259ndirm\u0259k imkan\u0131 verir.<\/p>\n

M\u0259qal\u0259l\u0259rind\u0259n birind\u0259 A.Ta\u011f\u0131zad\u0259 yaz\u0131r ki, “yeni zaman s\u0259n\u0259tkarlar\u0131m\u0131z qar\u015f\u0131s\u0131nda yeni m\u00f6vzular v\u0259 onlara m\u00fcvafiq olan yeni forma axtar\u0131\u015flar\u0131 z\u0259rur\u0259tini do\u011furmu\u015fdur. Onlar\u0131n t\u0259c\u0259ss\u00fcm\u00fc \u00fc\u00e7\u00fcn \u0259vv\u0259lki dil resurslar\u0131 b\u0259z\u0259n kifay\u0259t deyil”. Musiqi\u015f\u00fcnas XX \u0259sr s\u0259n\u0259tinin klassikl\u0259rin\u0259 \u00e7evrilmi\u015f Stravinski, Prokofyev, \u015eostakovi\u00e7, Bartok, Hindemit v\u0259 ba\u015fqalar\u0131n\u0131\u00a0\u00a0 \u00f6yr\u0259nib, m\u00fcasir musiqinin texnoloji vasit\u0259l\u0259rind\u0259n yararlanan m\u00fc\u0259llifl\u0259ri t\u0259qdir edir.<\/p>\n

Vaxtil\u0259 akademik D.Lixa\u00e7ov\u00a0 “\u018fg\u0259r bu, imitasiya deyils\u0259…” adl\u0131 yaz\u0131s\u0131nda a\u015fa\u011f\u0131dak\u0131 fikri vur\u011fulay\u0131rd\u0131: “\u018fd\u0259biyyat\u015f\u00fcnasl\u0131q \u0259d\u0259biyyat\u0131 ger\u00e7\u0259kliy\u0259, real, konkret v\u0259 d\u0259qiq izah olunmu\u015f fakta \u00e7evirir”. D\u00fc\u015f\u00fcn\u00fcr\u0259m ki, A.Ta\u011f\u0131zad\u0259 d\u0259 bel\u0259 bir v\u0259zif\u0259ni realla\u015fd\u0131r\u0131rd\u0131: ayr\u0131-ayr\u0131 \u0259s\u0259rl\u0259ri musiqi tariximizin fakt\u0131na \u00e7evirir,\u00a0 ayr\u0131-ayr\u0131 s\u0259n\u0259tkar adlar\u0131n\u0131 tarixd\u0259 t\u0259sbit edir. H\u0259min s\u0259n\u0259tkarlar s\u0131ras\u0131nda is\u0259 C\u00f6vd\u0259t Hac\u0131yev, Soltan Hac\u0131b\u0259yov, Aq\u015fin \u018flizad\u0259 kimi milli obrazlar, ifad\u0259 vasit\u0259l\u0259ri \u00e7evr\u0259sini xeyli geni\u015fl\u0259ndir\u0259n yarad\u0131c\u0131lar var. H\u0259min b\u0259st\u0259karlar haqq\u0131nda yazark\u0259n, t\u0259dqiqat\u00e7\u0131 musiqimizin inki\u015faf\u0131n\u0131n vacib qanunauy\u011funluqlar\u0131n\u0131n a\u015fkarlanmas\u0131 s\u0259viyy\u0259sin\u0259 y\u00fcks\u0259l\u0259\u00a0 bilir. Bel\u0259likl\u0259, A.Ta\u011f\u0131zad\u0259ni c\u0259sar\u0259tl\u0259 XX \u0259sr Az\u0259rbaycan musiqi tarixini yaradan aliml\u0259rd\u0259n biri kimi s\u0259ciyy\u0259l\u0259ndir\u0259 bil\u0259rik.<\/p>\n

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M\u0259qal\u0259l\u0259r toplusunu alim “XX \u0259sr Az\u0259rbaycan musiqisi” s\u0259rl\u00f6vh\u0259si alt\u0131nda d\u0259rc etdirmi\u015fdir. M\u0259qal\u0259l\u0259ri bir-bir oxuduqca biz ayr\u0131-ayr\u0131 b\u0259st\u0259karlar\u0131n timsal\u0131nda musiqimizin \u0259sas inki\u015faf m\u0259rh\u0259l\u0259l\u0259rini, h\u0259min m\u0259rh\u0259l\u0259l\u0259rd\u0259 h\u0259ll olunan yarad\u0131c\u0131l\u0131q v\u0259zif\u0259l\u0259rinin \u00f6z\u0259llikl\u0259rini ayd\u0131n t\u0259s\u0259vv\u00fcr edirik. “Dahilik zirv\u0259si” adl\u0131 m\u0259qal\u0259d\u0259 ir\u0259li s\u00fcr\u00fcl\u0259n tezisd\u0259n – “\u00dczeyir Hac\u0131b\u0259yli yarad\u0131c\u0131l\u0131\u011f\u0131 canl\u0131 m\u00fcasirlikdir…. onun \u00e7oxc\u0259h\u0259tli axtar\u0131\u015flar\u0131 musiqimizin trendini m\u00fc\u0259yy\u0259nl\u0259\u015fdirdi” t\u0259kan alaraq, alim ilk b\u0259st\u0259kar\u0131m\u0131z\u0131n ideyalar\u0131n\u0131n m\u00fcxt\u0259lif n\u0259sl\u0259 aid s\u0259n\u0259t\u00e7il\u0259r – Q.Qarayev, C.Hac\u0131yev, F.\u018fmirov, A.M\u0259likov, X.Mirz\u0259zad\u0259, A.\u018flizad\u0259, M.Quliyev v\u0259 ba\u015fqalar\u0131 t\u0259r\u0259find\u0259n ger\u00e7\u0259kl\u0259\u015fdirilm\u0259si yollar\u0131n\u0131n f\u0259rqliliyini inand\u0131r\u0131c\u0131 s\u0259rgil\u0259y\u0259 bilir. Musiqi\u015f\u00fcnas \u0259mindir ki, h\u0259min m\u00fcxt\u0259liflik b\u0259st\u0259karl\u0131q m\u0259kt\u0259bimizin \u0259z\u0259m\u0259tin\u0259 d\u0259lal\u0259t edir.<\/p>\n

A.Ta\u011f\u0131zad\u0259nin C\u00f6vd\u0259t Hac\u0131yev bar\u0259d\u0259 monoqrafiyas\u0131 XX \u0259srin m\u00f6ht\u0259\u015f\u0259m simalar\u0131ndan birinin s\u0259n\u0259t nailiyy\u0259tl\u0259rin\u0259 h\u0259sr olunub. Alim h\u0259r bir \u0259s\u0259rin, ilk n\u00f6vb\u0259d\u0259 h\u0259r bir simfoniyan\u0131n dramaturji h\u0259llinin f\u0259rdiliyini b\u0259dii qay\u0259nin \u00f6z\u0259lliyi il\u0259 s\u0131x t\u0259masda n\u00fcmayi\u015f etdirm\u0259y\u0259 m\u00fcv\u0259ff\u0259q olur. X\u00fcsus\u0259n “\u0130nsan. Torpaq. Kosmos” adl\u0131 he\u00e7 bir q\u0259lib\u0259 s\u0131\u011fmayan Be\u015finci simfoniyan\u0131n (iki hiss\u0259, yeddi f\u0259sild\u0259n ibar\u0259tdir) t\u0259hlili \u0259sas\u0131nda alimin \u0259ld\u0259 etdiyi n\u0259tic\u0259l\u0259r diqq\u0259t\u0259layiqdir. Simfoniyan\u0131n dramaturji inki\u015faf\u0131nda, f\u0259sill\u0259rinin sanki kadrbakadr ard\u0131c\u0131ll\u0131\u011f\u0131nda kino dramaturgiyas\u0131n\u0131n, montaj prinsipinin “f\u0259aliyy\u0259tini” a\u015fkarlayan m\u00fc\u0259llif eyni zamanda\u00a0 \u0259s\u0259rin t\u0259\u015f\u0259kk\u00fcl\u00fcnd\u0259 mu\u011fam\u0131n da qurulu\u015f x\u00fcsusiyy\u0259tl\u0259rinin \u0259ks olundu\u011funu vur\u011fulay\u0131r. Alimin t\u0259birinc\u0259, h\u0259r bir f\u0259sil formaca bitkin olmay\u0131b, vahid monotematik inki\u015faf x\u0259ttinin bir halqas\u0131d\u0131r: “M\u0259hz burada d\u0259stgah prinsipi -mu\u011fam silsil\u0259sin\u0259 xas variasiyavarilik, s\u00fcitavari konstruksiya \u00f6z\u00fcn\u00fc a\u015fkarlay\u0131r”.<\/p>\n

O, isbat edir ki, C.Hac\u0131yevin\u00a0 m\u00fcasir musiqi c\u0259bb\u0259xanas\u0131n\u0131n \u0259n yeni ifad\u0259 vasit\u0259l\u0259rin\u0259 m\u00fcraci\u0259ti\u00a0 d\u0259b\u0259 uy\u011funla\u015fmaq deyil, milli musiqinin k\u00f6kl\u00fc x\u00fcsusiyy\u0259tl\u0259rinin daha d\u0259rin t\u0259c\u0259ss\u00fcm\u00fc m\u0259qs\u0259dini g\u00fcd\u00fcr.<\/p>\n

Maraql\u0131d\u0131r ki, kitab 1979-cu ild\u0259 i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u00fcb. M\u0259hz h\u0259min ild\u0259c\u0259 M.Aranovskinin “Simfonik axtar\u0131\u015flar” t\u0259dqiqat\u0131 n\u0259\u015fr olunmu\u015fdur. Aranovski simfoniya janr\u0131n\u0131n “h\u0259yat\u0131nda” m\u00fc\u015fahid\u0259 olunan “destabilizasiya” v\u0259ziyy\u0259tini t\u0259sbit ed\u0259r\u0259k, silsil\u0259 t\u0259fsiri, dramaturji h\u0259ll m\u00fcxt\u0259lifliyi il\u0259 f\u0259rql\u0259n\u0259n onlarla \u0259s\u0259rin t\u0259hlili \u00fc\u00e7\u00fcn yeni metod t\u0259klif etmi\u015fdir.\u00a0 Aida xan\u0131m is\u0259 t\u0259k bir C.Hac\u0131yevin\u00a0 simfoniyalar\u0131 timsal\u0131nda simfonik forman\u0131n m\u00fcxt\u0259lif yozum variantlar\u0131n\u0131 \u00fcz\u0259 \u00e7\u0131xara bilmi\u015fdir.<\/p>\n

XX \u0259srd\u0259 musiqi t\u0259f\u0259kk\u00fcr\u00fc paradiqmas\u0131ndak\u0131 d\u0259yi\u015fiklikl\u0259r musiqi kompozisiyas\u0131n\u0131n daxil\u0259n yenil\u0259\u015fm\u0259sin\u0259, h\u0259min kompozisiyan\u0131n t\u0259\u015fkilind\u0259 i\u015ftirak ed\u0259n vasit\u0259l\u0259rin iyerarxiyas\u0131n\u0131n yenid\u0259n qurulmas\u0131na g\u0259tirib \u00e7\u0131xarm\u0131\u015fd\u0131. N\u0259 vaxtsa k\u00f6lg\u0259d\u0259 qalan, “yard\u0131m\u00e7\u0131” ifad\u0259 vasit\u0259l\u0259ri – faktura, tembr, artikulyasiya \u0259sas “ekspressiya parametri” (V.Xolopova) funksiyas\u0131n\u0131 \u00f6z \u00fcz\u0259rin\u0259 g\u00f6t\u00fcr\u00fcr. Bu fikir A.Ta\u011f\u0131zad\u0259nin Soltan Hac\u0131b\u0259yov haqq\u0131nda t\u0259dqiqat\u0131n\u0131 oxuyark\u0259n yad\u0131ma d\u00fc\u015fd\u00fc. Burada alim kompozisiyan\u0131n qura\u015fd\u0131r\u0131lmas\u0131nda tembr dramaturgiyas\u0131n\u0131n vacib rol oynad\u0131\u011f\u0131n\u0131 vur\u011fulay\u0131r. T\u0259dqiqat\u00e7\u0131 S.Hac\u0131b\u0259yov orkestrinin \u00f6z\u0259llikl\u0259rini – kolorit parlaql\u0131\u011f\u0131n\u0131, ayr\u0131-ayr\u0131 al\u0259tl\u0259rin personifikasiyas\u0131n\u0131 diqq\u0259t\u0259 \u00e7atd\u0131rark\u0259n impressionistl\u0259rin,\u00a0 rus b\u0259st\u0259karlar\u0131n\u0131n orkestri il\u0259 paralell\u0259r\u0259 \u00fcz tutur. M\u0259s\u0259l\u0259n,\u00a0\u00a0 b\u0259st\u0259kar\u0131n al\u0259tl\u0259rin tembr v\u0259 intonasiya imkanlar\u0131n\u0131n\u00a0 s\u0259rh\u0259dl\u0259rini geni\u015fl\u0259ndirm\u0259k\u00a0 c\u0259hdl\u0259rini qeyd etdikd\u0259n sonra alim m\u00fch\u00fcm bir n\u0259tic\u0259y\u0259 g\u0259lir: “Lakin S.Hac\u0131b\u0259yov \u00fc\u00e7\u00fcn r\u0259ngl\u0259rin do\u011furdu\u011fu effekt \u0259sas deyil, onun \u00fc\u00e7\u00fcn tembrin b\u0259dii obraza tam uy\u011fun g\u0259lm\u0259si\u00a0 \u00f6n\u0259mlidir”.<\/p>\n

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Musiqi\u015f\u00fcnas\u0131n daha bir monoqrafiyas\u0131 60-c\u0131lar n\u0259slinin \u0259n parlaq simalar\u0131ndan olan Aq\u015fin \u018flizad\u0259nin yarad\u0131c\u0131l\u0131\u011f\u0131na h\u0259sr olunub. “\u015eostakovi\u00e7 irsinin n\u0259h\u0259ng basq\u0131s\u0131”ndan (M.Tarakanovun ifad\u0259sidir) xilas ola bilmi\u015f bu b\u0259st\u0259kar\u0131n musiqiy\u0259 b\u0259x\u015f etdiyi\u00a0 t\u00f6hf\u0259l\u0259ri d\u00f6vr\u00fcn \u0259sas \u00fcslub t\u0259may\u00fcll\u0259ri – neoklassisizm, neofolklorizm m\u0259cras\u0131nda n\u0259z\u0259rd\u0259n ke\u00e7ir\u0259r\u0259k, alim m\u00fch\u00fcm q\u0259na\u0259t\u0259 g\u0259lir. “Bayat\u0131lar” silsil\u0259sinin, “Az\u0259ril\u0259r” kantatas\u0131n\u0131n\u00a0 novator mahiyy\u0259tini a\u00e7\u0131qlayan m\u00fc\u0259llif b\u0259st\u0259kar\u0131n \u00f6zg\u00fcn \u00fcslubunu Stravinski, Bartok, Tormisd\u0259n ir\u0259li g\u0259l\u0259n \u00fcsullar\u0131n milli musiqi elementl\u0259ri il\u0259 sad\u0259 c\u0259mi deyil, b\u00fct\u00fcn \u0259xz olunanlar\u0131n \u00fczvi sintezi n\u0259tic\u0259sind\u0259 \u0259rs\u0259y\u0259 g\u0259l\u0259n yeni b\u0259dii keyfiyy\u0259t kimi s\u0259ciyy\u0259l\u0259ndirir, onun nailiyy\u0259tl\u0259rinin k\u0259\u015ff xarakterini vur\u011fulay\u0131r.<\/p>\n

Aida xan\u0131m\u0131n yeni simfoniyalar, operalar, kitablar, B\u0259st\u0259karlar \u0130ttifaq\u0131n\u0131n plenum v\u0259 qurultaylar\u0131nda s\u0259sl\u0259n\u0259n \u0259s\u0259rl\u0259r haqq\u0131nda operativ r\u0259yl\u0259ri he\u00e7 d\u0259 analitik materiallar\u0131ndan az maraql\u0131 deyil. H\u0259min m\u0259qal\u0259l\u0259r onu m\u00fct\u0259h\u0259rrik musiqi t\u0259nqid\u00e7isi kimi s\u0259ciyy\u0259l\u0259ndirir: r\u0259yl\u0259ri oxuyub d\u00f6vr\u00fcn atmosferini duyursan, n\u0259bzini tutursan.<\/p>\n

Musiqi\u015f\u00fcnas b\u0259dii n\u0259srd\u0259n, kinodan paralell\u0259r\u0259 m\u00fcraci\u0259t ed\u0259r\u0259k, q\u0259na\u0259tl\u0259rin\u0259 \u0259lav\u0259 h\u0259cm a\u015f\u0131lay\u0131r. M\u0259s\u0259l\u0259n, Arif M\u0259likovun D\u00f6rd\u00fcnc\u00fc simfoniyas\u0131nda romantik ikial\u0259mlilik d\u00fcnyaduyumunun m\u0259xsusi t\u0259rzd\u0259 t\u0259zah\u00fcr olundu\u011funu qeyd ed\u0259n alim buradak\u0131 m\u00fcxt\u0259lif texnikaya \u0259saslanan laylar\u0131n estetik dissonans\u0131n\u0131 \u00c7.Aytmatovun “G\u00fcn var \u0259sr\u0259 b\u0259rab\u0259r” roman\u0131ndak\u0131 metodla (zaman-m\u0259kan yerd\u0259yi\u015fm\u0259l\u0259ri il\u0259) m\u00fcqayis\u0259 edir.<\/p>\n

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Aida xan\u0131m \u0259sas\u0259n estetik bax\u0131mdan \u00f6z\u00fcn\u0259 yax\u0131n s\u0259n\u0259tkarlar haqq\u0131nda yaz\u0131r, vicdan\u0131 il\u0259 kompromis\u0259 girmir, “d\u00fcz\u00fc d\u00fcz, \u0259yrini \u0259yri” dem\u0259y\u0259 \u00e7al\u0131\u015f\u0131r, bu v\u0259 ya dig\u0259r insan\u0131n f\u0259xri adlar\u0131 qar\u015f\u0131s\u0131nda t\u0259zim etmir, yeri g\u0259ldi-g\u0259lm\u0259di ona m\u0259dhiyy\u0259 oxumur. M\u0259s\u0259l\u0259n, “Ar\u015f\u0131n mal alan” komediyas\u0131n\u0131n val yaz\u0131s\u0131” adl\u0131 m\u0259qal\u0259sind\u0259 bu val\u0131n \u0259rs\u0259y\u0259 g\u0259lm\u0259sind\u0259 Niyazinin m\u00fcst\u0259sna rolunu, onun harmoniyalar\u0131n\u0131n r\u0259ngar\u0259ngliyini, orkestr ixtira\u00e7\u0131l\u0131\u011f\u0131n\u0131 m\u00fcsb\u0259t qiym\u0259tl\u0259ndirm\u0259kl\u0259 yana\u015f\u0131, A.Ta\u011f\u0131zad\u0259 irad\u0131n\u0131 da bildirir: “\u00dc.Hac\u0131b\u0259yli musiqisinin vur\u011funu olan Niyazi operettan\u0131n obrazlar\u0131n\u0131 romantik t\u0259rzd\u0259 \u015f\u0259rh edir. D\u00fczd\u00fcr, b\u0259z\u0259n Hac\u0131b\u0259ylinin melodiyalar\u0131n\u0131 cilalamaq \u00fc\u00e7\u00fcn istifad\u0259 olunan effektli orkestr-harmonik vasit\u0259l\u0259r art\u0131q g\u00f6r\u00fcn\u00fcr, haradasa melodiyalar\u0131n ruhi g\u00f6z\u0259lliyin\u0259\u00a0 zidd g\u0259lir”. Bel\u0259likl\u0259, alim Niyazinin s\u0259n\u0259tkarl\u0131\u011f\u0131n\u0131 \u0259sla danmayaraq, \u00dczeyir b\u0259y musiqisinin t\u0259bi\u0259tin\u0259 x\u0259l\u0259l g\u0259tir\u0259n m\u0259qamlara da g\u00f6z yummur.<\/p>\n

Aida xan\u0131m diqq\u0259ti g\u00fcnd\u0259md\u0259 olan m\u0259s\u0259l\u0259l\u0259r\u0259 c\u0259lb etm\u0259yi bacar\u0131r. Bu bax\u0131mdan 70-ci ill\u0259r\u0259 aid operalar – \u015e\u0259fiq\u0259 Axundovan\u0131n “G\u0259lin qayas\u0131” v\u0259 M\u0259mm\u0259d Quliyevin “Aldanm\u0131\u015f ulduzlar”\u0131n\u0131n t\u0259hlili maraql\u0131d\u0131r. “G\u0259lin qayas\u0131”nda\u00a0 mu\u011fam operas\u0131 \u0259n\u0259n\u0259l\u0259rini m\u00fcasir s\u0259viyy\u0259d\u0259 t\u0259c\u0259ss\u00fcm etdirm\u0259k c\u0259hdl\u0259rini t\u0259qdir ed\u0259n alim eyni zamanda sovet d\u00f6n\u0259mind\u0259 inti\u015far tapm\u0131\u015f “mahn\u0131 operas\u0131”n\u0131n qanunlar\u0131n\u0131n f\u0259aliyy\u0259ti n\u0259tic\u0259sind\u0259 yaranan f\u0259sadlara – opera formalar\u0131n\u0131n b\u0259sitl\u0259\u015fm\u0259sin\u0259, simfonik inki\u015faf\u0131n s\u00fcstl\u00fcy\u00fcn\u0259 d\u0259 diqq\u0259ti y\u00f6n\u0259ldir. T\u0259nqid\u00e7i M.Quliyevin m\u00fcasir teatr\u0131n ideyalar\u0131na h\u0259ssas yana\u015fmas\u0131n\u0131, m\u0259s\u0259l\u0259n, B.Brextin tama\u015fa teatr\u0131na xas “yaban\u00e7\u0131la\u015fd\u0131rma” prinsipind\u0259n faydalanmas\u0131n\u0131 operam\u0131z\u0131 yenil\u0259\u015fdir\u0259n m\u00fcsb\u0259t hadis\u0259 kimi s\u0259ciyy\u0259l\u0259ndirir.\u00a0\u00a0 Librettonun (V.Pa\u015fayev) ba\u015fl\u0131ca keyfiyy\u0259ti – teatrall\u0131\u011f\u0131ndan t\u0259kan alan M.Quliyevin yaratd\u0131\u011f\u0131 musiqi portretl\u0259rinin qabar\u0131q v\u0259 g\u00f6r\u00fcml\u00fc oldu\u011funu, orkestr palitras\u0131n\u0131n r\u0259ngar\u0259ngliyini t\u0259qdir ed\u0259r\u0259k, A.Ta\u011f\u0131zad\u0259 tama\u015fan\u0131n rejissor h\u0259llin\u0259 dair iradlar\u0131n\u0131 da s\u00f6yl\u0259yir. “M\u00fcasir teatr\u0131n simas\u0131 rejissorun\u00a0 d\u0259rin\u00a0 f\u0259rdi yarad\u0131c\u0131l\u0131\u011f\u0131 il\u0259 t\u0259yin olunur”, – dey\u0259n alim \u0259lav\u0259 edir ki, teatr\u0131m\u0131z\u0131n “azad, s\u0259rb\u0259st, yarad\u0131c\u0131, h\u0259rt\u0259r\u0259fli savada v\u0259 istedada malik opera rejissoruna\u00a0 ehtiyac\u0131 var”. T\u0259\u0259ss\u00fcf, klassik operalar\u0131m\u0131z h\u0259l\u0259 d\u0259 m\u00fcasir rejissura intizar\u0131ndad\u0131r!<\/p>\n

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M\u0259qal\u0259l\u0259rind\u0259n birind\u0259 Q.Qarayev z\u00f6vq kateqoriyas\u0131n\u0131n t\u0259nqid\u00e7il\u0259r t\u0259r\u0259find\u0259n unuduldu\u011funu qeyd edir, h\u0259r\u00e7\u0259nd m\u0259hz o, “s\u0259n\u0259tkar\u0131n daxili m\u0259d\u0259niyy\u0259ti, t\u0259l\u0259bkarl\u0131\u011f\u0131, \u00f6l\u00e7\u00fc hissi, ifad\u0259 vasit\u0259l\u0259rini s\u0259hv\u0259 yol verm\u0259y\u0259r\u0259k d\u0259qiq m\u00fc\u0259yy\u0259nl\u0259\u015fdirm\u0259k bacar\u0131\u011f\u0131 haqq\u0131nda m\u00fchakim\u0259 y\u00fcr\u00fctm\u0259k imkan\u0131 verir”. S\u0259ciyy\u0259vidir ki, A.Ta\u011f\u0131zad\u0259 yaz\u0131lar\u0131nda h\u0259r hans\u0131 bir \u0259s\u0259ri, ifan\u0131 d\u0259y\u0259rl\u0259ndir\u0259rk\u0259n z\u00f6vq m\u0259s\u0259l\u0259sin\u0259 x\u00fcsusi diqq\u0259t\u00a0 yetirir. “N\u0259cib keyfiyy\u0259tl\u0259ri nec\u0259 qorumal\u0131? M\u0259n\u0259viyyats\u0131zl\u0131q, baya\u011f\u0131l\u0131q, z\u00f6vqs\u00fczl\u00fck t\u0259zah\u00fcrl\u0259rinin qar\u015f\u0131s\u0131na nec\u0259 s\u0259dd \u00e7\u0259km\u0259li?” – bu suallar\u0131n C.Hac\u0131yev \u00fc\u00e7\u00fcn \u0259h\u0259miyy\u0259tli oldu\u011funu vur\u011fulayan musiqi\u015f\u00fcnas\u00a0 \u00f6z\u00fcn\u00fc d\u0259 narahat ed\u0259n m\u0259tl\u0259bl\u0259r\u0259 toxunur.<\/p>\n

Alma mater – Konservatoriya, Musiqi Akademiyas\u0131\u00a0 – Aida xan\u0131m\u0131n do\u011fma oca\u011f\u0131na \u00f6vlad sevgisi duy\u011fuland\u0131rmaya bilm\u0259z. “Konservatoriyam\u0131z\u0131n h\u0259r da\u015f\u0131n\u0131, h\u0259r gu\u015f\u0259sini\u00a0 sevir\u0259m”, – dey\u0259 Aida xan\u0131m k\u00f6vr\u0259l\u0259r\u0259k etiraf edir.\u00a0 Onun f\u0259aliyy\u0259t\u0259 ba\u015flad\u0131\u011f\u0131 zaman Konservatoriya q\u0131z\u0131l d\u00f6vr\u00fcn\u00fc ya\u015fay\u0131rd\u0131, burada elmin korifeyl\u0259ri m\u00fchazir\u0259l\u0259r oxuyurdu. Onlar\u0131n aras\u0131nda itib batmamaq,\u00a0 m\u00f6vqeyini d\u0259qiq m\u00fc\u0259yy\u0259nl\u0259\u015fdirm\u0259k he\u00e7 d\u0259 asan deyildi. Aida xan\u0131m bunu bacard\u0131 v\u0259 tezlikl\u0259 h\u0259mkarlar\u0131 aras\u0131nda\u00a0 qibt\u0259do\u011furacaq n\u00fcfuz qazand\u0131.<\/p>\n

Alimin kafedraya r\u0259hb\u0259rliyi ill\u0259rind\u0259 bir \u00e7ox kurslar – ilk \u00f6nc\u0259 “Az\u0259rbaycan musiqi tarixi” kursu yeni m\u00f6vzular, metodik t\u00f6vsiy\u0259l\u0259r, v\u0259saitl\u0259r hesab\u0131na t\u0259kmill\u0259\u015fdirilmi\u015fdir. T\u0259dris prosesin\u0259 “M\u00fcasir musiqi”, “Asiya v\u0259 Afrika xalqlar\u0131n\u0131n musiqi m\u0259d\u0259niyy\u0259ti”, “Orkestr \u00fcslubunun \u0259saslar\u0131”, “Musiqi t\u0259nqidinin metodologiyas\u0131, n\u0259z\u0259riyy\u0259si v\u0259 tarixi”, “Teatr tarixi” v\u0259 s. kurslar \u0259lav\u0259 olunmu\u015fdu.<\/p>\n

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A.Ta\u011f\u0131zad\u0259nin f\u0259rdi m\u0259\u015f\u011f\u0259l\u0259l\u0259ri – diplom i\u015fl\u0259rinin v\u0259 dissertasiyalar\u0131n elmi r\u0259hb\u0259ri kimi\u00a0 f\u0259aliyy\u0259ti x\u00fcsus\u0259n t\u0259qdir\u0259layiqdir. Yetirm\u0259l\u0259ri aras\u0131nda \u00f6z s\u0259n\u0259tind\u0259 u\u011fur qazanm\u0131\u015f musiqi\u015f\u00fcnaslar – F.\u018fliyeva, K.N\u0259sirova, \u0130.Paz\u0131\u00e7eva, S.Rzayeva (namiz\u0259dlik dissertasiyalar\u0131), N.\u018ff\u0259ndiyeva, H.Babayeva, N.\u018fl\u0259kb\u0259rova, \u0130.K\u00f6\u00e7\u0259rli, E.H\u00fcseynova… qeyd olunmal\u0131d\u0131r. M\u00f6vzu se\u00e7imin\u0259, onun aktuall\u0131\u011f\u0131na diqq\u0259t yetir\u0259n alim t\u0259l\u0259b\u0259l\u0259rin\u0259, dissertantlar\u0131na olduqca t\u0259l\u0259bkar yana\u015f\u0131r, t\u0259dqiqat\u0131n y\u00fcks\u0259k s\u0259viyy\u0259d\u0259 icras\u0131na ciddi n\u0259zar\u0259t edirdi. Aida xan\u0131m\u0131n h\u0259mkarlar\u0131 “o zaman yaz\u0131lan diplom i\u015fl\u0259ri indinin\u00a0 namiz\u0259dlik dissertasiyalar\u0131 il\u0259 r\u0259qab\u0259t apara bil\u0259r” fikrini dil\u0259 g\u0259tir\u0259r\u0259k, A.Ta\u011f\u0131zad\u0259nin\u00a0 pedaqoq, elmi r\u0259hb\u0259r istedad\u0131na diqq\u0259t yetirirl\u0259r.<\/p>\n

Professorun “qeyri-r\u0259smi” t\u0259l\u0259b\u0259l\u0259rinin – onun t\u00f6vsiy\u0259l\u0259rind\u0259n b\u0259hr\u0259l\u0259n\u0259nl\u0259rin\u00a0 say\u0131 is\u0259 lap \u00e7oxdur. T\u0259sad\u00fcfi deyil ki, Fir\u0259ngiz \u018flizad\u0259 Aida xan\u0131m\u0131 “ham\u0131m\u0131z\u0131n m\u00fc\u0259llimi” adland\u0131rm\u0131\u015fd\u0131. H\u0259min minn\u0259tdar t\u0259l\u0259b\u0259l\u0259r s\u0131ras\u0131nda bu s\u0259tirl\u0259rin m\u00fc\u0259llifi d\u0259 var.<\/p>\n

Burada A.Ta\u011f\u0131zad\u0259nin daim g\u0259l\u0259c\u0259k haqq\u0131nda d\u00fc\u015f\u00fcnc\u0259l\u0259rl\u0259 ya\u015famas\u0131n\u0131, yeni kadrlar hesab\u0131na kafedran\u0131n i\u015fini canland\u0131rmaq ist\u0259yini qeyd etm\u0259liyik. \u00d6z\u00fc d\u0259 cavan m\u00fct\u0259x\u0259ssisi kafedraya d\u0259v\u0259t ed\u0259rk\u0259n Aida xan\u0131m istedad, z\u0259hm\u0259tke\u015flik, g\u0259ncin \u00fcmumi i\u015f\u0259 n\u0259 d\u0259r\u0259c\u0259d\u0259 s\u0259m\u0259r\u0259li ola bilm\u0259si meyarlar\u0131n\u0131 r\u0259hb\u0259r tuturdu. M\u0259n\u0259 Bilk\u0259ndd\u0259n \u00fcnvanland\u0131rd\u0131\u011f\u0131 m\u0259ktubunda, Aida xan\u0131m “\u0259g\u0259r\u00a0 t\u0259l\u0259b\u0259 m\u00fc\u0259llimd\u0259n yax\u015f\u0131 deyils\u0259, dem\u0259li, bu, m\u00fc\u0259llimin\u00a0 g\u00fcnah\u0131d\u0131r”, – dey\u0259 tam s\u0259mimiyy\u0259tl\u0259 yaz\u0131r.\u00a0\u00a0 Bu s\u00f6zl\u0259r onun \u015f\u0259xsiyy\u0259t kimi ucal\u0131\u011f\u0131na d\u0259lal\u0259t edir.<\/p>\n

A.Ta\u011f\u0131zad\u0259nin pedaqoji f\u0259aliyy\u0259tinin \u0259h\u0259miyy\u0259tli m\u0259rh\u0259l\u0259sini onun qarda\u015f T\u00fcrkiy\u0259d\u0259, Bilk\u0259nd Universitetind\u0259 \u00e7al\u0131\u015fd\u0131\u011f\u0131 ill\u0259r\u00a0 t\u0259\u015fkil edir. Burada o, “Musiqi v\u0259 s\u0259hn\u0259 s\u0259n\u0259tl\u0259ri” fak\u00fclt\u0259sind\u0259 i\u015fl\u0259y\u0259r\u0259k v\u0259zif\u0259sini m\u00fchazir\u0259 oxumaqla bitmi\u015f hesab etm\u0259y\u0259r\u0259k,\u00a0\u00a0 maraql\u0131 t\u0259\u015f\u0259bb\u00fcsl\u0259r\u0259 imza atm\u0131\u015f, m\u0259s\u0259l\u0259n, “kompozisiya v\u0259 n\u0259z\u0259riyy\u0259” \u015f\u00f6b\u0259sinin m\u00fcdiri kimi\u00a0 t\u0259l\u0259b\u0259-b\u0259st\u0259karlar\u0131n konsertl\u0259rini d\u00fcz\u0259nl\u0259mi\u015f, g\u0259ncl\u0259ri m\u00fcasir musiqi yarad\u0131c\u0131lar\u0131 il\u0259 g\u00f6r\u00fc\u015fd\u00fcrm\u00fc\u015f, yeni \u0259s\u0259rl\u0259ri dinl\u0259yib t\u0259hlil etm\u0259y\u0259, onlara annotasiya yazma\u011fa s\u00f6vq etmi\u015fdir. Q\u0259rib m\u0259kanda A.Ta\u011f\u0131zad\u0259 Bak\u0131 Akademiyas\u0131n\u0131n t\u0259hsil \u0259n\u0259n\u0259l\u0259rini uca tutmu\u015f, z\u0259ngin t\u0259cr\u00fcb\u0259sini s\u0259xav\u0259tl\u0259 ham\u0131 il\u0259 b\u00f6l\u00fc\u015fm\u00fc\u015f,\u00a0 m\u00fcxt\u0259lif ya\u015f kateqoriyalar\u0131na aid\u00a0 t\u0259l\u0259b\u0259l\u0259rinin n\u00fcfuzunu qazanm\u0131\u015f,\u00a0\u00a0 fak\u00fclt\u0259nin say\u0131l\u0131b-se\u00e7il\u0259n professorlar\u0131ndan biri olmu\u015fdur.<\/p>\n

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Bak\u0131ya d\u00f6n\u0259nd\u0259n sonra Aida\u00a0 xan\u0131m yen\u0259 d\u0259 musiqi tarixi\u00a0 kafedras\u0131nda m\u0259hsuldar i\u015fini davam etdirir, bir s\u0131ra yeni ara\u015fd\u0131rmalar icra edir,\u00a0 monoqrafiyalar\u0131n\u0131 \u0259lav\u0259l\u0259rl\u0259 z\u0259nginl\u0259\u015fdir\u0259r\u0259k Az\u0259rbaycan dilin\u0259 \u00e7evirir. Be\u015fcildlik “Az\u0259rbaycan Musiqi Tarixi” n\u0259\u015frinin (layih\u0259nin r\u0259hb\u0259ri – akademik Z.S\u0259f\u0259rova) \u00dc\u00e7\u00fcnc\u00fc cildi \u00fc\u00e7\u00fcn C.Hac\u0131yev v\u0259 S.Hac\u0131b\u0259yov haqq\u0131nda o\u00e7erkl\u0259ri m\u0259hz A.Ta\u011f\u0131zad\u0259 yaz\u0131b. Buradaca Heyd\u0259r \u018fliyev Fondunun\u00a0 “\u00dczeyir\u015f\u00fcnasl\u0131q” layih\u0259si \u00fc\u00e7\u00fcn alimin Az\u0259rbaycan v\u0259 rus dill\u0259rind\u0259 i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u0259n, elmi redaktor v\u0259 t\u0259rtib\u00e7isi oldu\u011fu\u00a0 “\u00dczeyir Hac\u0131b\u0259yli: m\u0259qal\u0259, o\u00e7erk, esse, arxiv materiallar\u0131” toplusunu (2014) qeyd ed\u0259k.<\/p>\n

\u00d6n s\u00f6z\u00fcnd\u0259 A.Ta\u011f\u0131zad\u0259 \u00dc.Hac\u0131b\u0259ylinin m\u00f6ht\u0259\u015f\u0259m fiquru qar\u015f\u0131s\u0131nda heyranl\u0131q hissini ifad\u0259 edir, onun ke\u00e7mi\u015f v\u0259 g\u0259l\u0259c\u0259k, \u015e\u0259rq v\u0259 Q\u0259rb aras\u0131nda k\u00f6rp\u00fc sald\u0131\u011f\u0131n\u0131 bir daha vur\u011fulay\u0131r. S\u0259n\u0259tkar\u0131 x\u0259yalp\u0259r\u0259st adland\u0131ran Ta\u011f\u0131zad\u0259 h\u0259m d\u0259 h\u0259min x\u0259yallar\u0131 icra etm\u0259k namin\u0259 \u00dczeyir b\u0259yin titanik f\u0259aliyy\u0259tini n\u0259z\u0259r-diqq\u0259t\u0259 \u00e7atd\u0131r\u0131r.<\/p>\n

Toplunun d\u0259y\u0259ri ondad\u0131r ki, burada ilk d\u0259f\u0259 bir s\u0131ra arxiv\u00a0 materiallar\u0131 yer al\u0131b, p\u0259rak\u0259nd\u0259 \u015f\u0259kild\u0259 m\u00f6vcud olan m\u0259qal\u0259l\u0259r redakt\u0259 edil\u0259r\u0259k bir araya g\u0259tirilib. Aida xan\u0131m \u00dczeyir b\u0259yin \u00e7oxc\u0259h\u0259tli s\u0259n\u0259ti il\u0259 ba\u011fl\u0131 bu v\u0259 ya dig\u0259r m\u0259s\u0259l\u0259y\u0259 h\u0259r bir m\u00fc\u0259llifin yeni, f\u0259rdi yana\u015fma t\u0259rzin\u0259 diqq\u0259t yetir\u0259r\u0259k, diskussiyaya s\u00f6vq ed\u0259n amill\u0259rin var olmas\u0131n\u0131 da\u00a0 alq\u0131\u015flay\u0131r. M\u00fchakim\u0259l\u0259ri q\u0259lib\u0259 salmaq niyy\u0259tind\u0259n \u00f6z\u00fcn\u00fc\u00a0\u00a0 k\u0259narla\u015fd\u0131ran A.Ta\u011f\u0131zad\u0259 \u0259mindir ki, m\u00fcbahis\u0259 olmayan yerd\u0259 elmi fikir iflic v\u0259ziyy\u0259tin\u0259 d\u00fc\u015f\u0259 bil\u0259r.\u00a0 \u00dczeyir b\u0259y kimi n\u0259h\u0259ng \u015f\u0259xsiyy\u0259tin m\u0259n\u0259vi al\u0259mini tam ifad\u0259 etm\u0259yin m\u00fcmk\u00fcns\u00fczl\u00fcy\u00fcn\u00fc\u00a0 acizan\u0259 etiraf edib, alim sonda\u00a0 “dahi s\u0259n\u0259tkarla \u00fcnsiyy\u0259t s\u0259ad\u0259ti ya\u015fatma\u011f\u0131n” m\u0259qal\u0259 m\u00fc\u0259llifl\u0259rinin\u00a0 ilk \u0259vv\u0259l \u00f6zl\u0259ri, sonra oxucular\u0131 \u00fc\u00e7\u00fcn n\u0259 kimi \u0259h\u0259miyy\u0259t k\u0259sb etdiyini vur\u011fulay\u0131r.<\/p>\n

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A.Ta\u011f\u0131zad\u0259 Az\u0259rbaycan\u0131 m\u00fcxt\u0259lif\u00a0 beyn\u0259lxalq forumlarda t\u0259msil etmi\u015fdir. 1976-c\u0131 ild\u0259 \u0130taliyan\u0131n Pezaro \u015f\u0259h\u0259rind\u0259 ke\u00e7iril\u0259n v\u0259 b\u0259st\u0259karl\u0131q t\u0259hsili probleml\u0259rin\u0259 h\u0259sr olunmu\u015f SSR\u0130 v\u0259 \u0130taliya b\u0259st\u0259karlar\u0131n\u0131n ikit\u0259r\u0259fli g\u00f6r\u00fc\u015f\u00fcn\u0259 – bu g\u00f6r\u00fc\u015f\u00fcn i\u015ftirak\u00e7\u0131lar\u0131 s\u0131ras\u0131nda is\u0259 az\u0259rbaycanl\u0131lar Q.Qarayev v\u0259 F.\u018flizad\u0259 il\u0259 yana\u015f\u0131, T.Xrennikov, A.Petrov, G.Kan\u00e7eli, C.Kaxidze, \u0130.Mart\u0131nov kimi tan\u0131nm\u0131\u015f s\u0259n\u0259tkarlar var idi – A.Ta\u011f\u0131zad\u0259 d\u0259\u00a0 qat\u0131laraq, Az\u0259rbaycan b\u0259st\u0259karl\u0131q m\u0259kt\u0259bi, onun q\u0131sa zaman\u00a0 k\u0259simind\u0259 qazand\u0131\u011f\u0131 nailiyy\u0259tl\u0259r haqq\u0131nda m\u0259lumatla \u00e7\u0131x\u0131\u015f etmi\u015fdir.\u00a0 1987-ci ild\u0259 Praqada vaqe olan\u00a0 beyn\u0259lxalq konfransda alimin “Musiqinin humanist mahiyy\u0259ti”\u00a0\u00a0 m\u00f6vzusunda m\u0259ruz\u0259si t\u0259dqiq\u0259 c\u0259lb olunan material\u0131n geni\u015fliyi, \u00fcmumil\u0259\u015fdirm\u0259l\u0259rin d\u0259qiqliyi il\u0259 se\u00e7ilir.<\/p>\n

Aida xan\u0131m\u0131n r\u0259fiq\u0259l\u0259ri – Az\u0259rbaycanda arfa ifa\u00e7\u0131l\u0131q m\u0259kt\u0259binin t\u0259\u015f\u0259kk\u00fcl\u00fcnd\u0259 m\u00fch\u00fcm xidm\u0259tl\u0259ri olan Aida Abdullayeva v\u0259 m\u00fcqt\u0259dir piano\u00e7u, pedaqoq Elmira S\u0259f\u0259rova haqq\u0131nda essel\u0259ri x\u00fcsus\u0259n diqq\u0259ti \u00e7\u0259kir. E.S\u0259f\u0259rova\u00a0 bar\u0259d\u0259 yaz\u0131s\u0131nda Aida xan\u0131m \u0259xlaq v\u0259 m\u0259n\u0259viyyat m\u0259s\u0259l\u0259l\u0259rin\u0259 toxunur. “M\u0259nc\u0259, n\u0259sill\u0259raras\u0131\u00a0 b\u00f6lg\u00fc t\u0259kc\u0259 \u015faquli deyil, \u00fcf\u00fcqi x\u0259tt \u00fczr\u0259 ba\u015f verir. A\u011f\u0131ll\u0131 v\u0259 d\u00fcr\u00fcst, vicdanl\u0131 adamlar nec\u0259 var el\u0259 d\u0259 qal\u0131blar, karyera dal\u0131nca qa\u00e7anlar, c\u0131l\u0131z insanlar yax\u015f\u0131l\u0131\u011fa do\u011fru d\u0259yi\u015fm\u0259yibl\u0259r”, – dey\u0259n alim\u00a0 h\u0259yat t\u0259cr\u00fcb\u0259sinin n\u0259tic\u0259si kimi\u00a0 yaranan fikirl\u0259rini oxucular\u0131 il\u0259\u00a0 b\u00f6l\u00fc\u015f\u00fcr.<\/p>\n

Bu s\u00f6zl\u0259rd\u0259 Aida xan\u0131m\u0131n \u015f\u0259xsi m\u00f6vqeyi, h\u0259yat prinsipl\u0259ri d\u0259 \u00f6z ifad\u0259sini tap\u0131r. He\u00e7 d\u0259 t\u0259sad\u00fcfi deyil ki, “XX \u0259sr Az\u0259rbaycan musiqisi” kitab\u0131n\u0131n \u00fcz qab\u0131\u011f\u0131nda\u00a0 Q.Qarayevin “Don Kixot” simfonik qrav\u00fcrl\u0259rind\u0259n “c\u0259ngav\u0259r \u00e7a\u011f\u0131r\u0131\u015f\u0131” m\u00f6vzusunun akkordlar\u0131 yerl\u0259\u015fdirilmi\u015fdir. Ax\u0131 Don Kixot obraz\u0131 il\u0259 h\u0259qiq\u0259t axtar\u0131\u015flar\u0131, insanlara t\u0259m\u0259nnas\u0131z xidm\u0259t etm\u0259k niyy\u0259ti, saxtakarl\u0131q v\u0259 t\u0259k\u0259bb\u00fcr t\u0259zah\u00fcrl\u0259rin\u0259 qar\u015f\u0131 etiraz motivl\u0259ri\u00a0 ba\u011fl\u0131d\u0131r. A.Ta\u011f\u0131zad\u0259nin istedad\u0131 m\u00fcdafi\u0259 etm\u0259k, ehtiyac\u0131 olana yard\u0131m\u00e7\u0131 olmaq, nahaq i\u015fd\u0259 i\u015ftirak etm\u0259m\u0259k, h\u0259yat missiyas\u0131n\u0131 vicdanla yerin\u0259 yetirm\u0259k kimi keyfiyy\u0259tl\u0259ri – ba\u015fl\u0131ca h\u0259yat d\u0259y\u0259rl\u0259ri adland\u0131r\u0131la bil\u0259r. Alimin ail\u0259sini tan\u0131yanlar bu ocaqda h\u00f6km s\u00fcr\u0259n y\u00fcks\u0259k m\u0259n\u0259viyyat ab-havas\u0131ndan \u00fcr\u0259kdolusu dan\u0131\u015faraq, Aida xan\u0131m – Tofiq \u018fliyev “dueti”ni \u015f\u0259h\u0259rimizin \u0259n g\u00f6z\u0259l, “ideal” c\u00fctl\u00fckl\u0259rind\u0259n biri kimi s\u0259ciyy\u0259l\u0259ndirirl\u0259r. B\u00f6y\u00fck alim, akademik, iki d\u0259f\u0259 SSR\u0130 D\u00f6vl\u0259t M\u00fckafat\u0131 laureat\u0131, Az\u0259rbaycan Neft v\u0259 Kimya \u0130nstitutunun rektoru olmu\u015f Tofiq \u018fliyevi \u0259sl ziyal\u0131lara xas t\u0259vaz\u00f6karl\u0131q, sad\u0259lik\u00a0 f\u0259rql\u0259ndirirdi, onun simas\u0131 sanki h\u0259mi\u015f\u0259 nur sa\u00e7\u0131rd\u0131. Bu ail\u0259nin ya\u015fad\u0131\u011f\u0131 Nizami k\u00fc\u00e7\u0259sind\u0259ki xudmani, qonaqp\u0259rv\u0259r evd\u0259 olanlar\u00a0 Aida xan\u0131m v\u0259 Tofiq m\u00fc\u0259llim aras\u0131nda tam amal birliyin\u0259 \u0259saslanan \u00fclvi, uca m\u00fcnasib\u0259tl\u0259ri – onlar bir-birini h\u0259yatda, elmi i\u015fl\u0259rd\u0259 h\u0259mi\u015f\u0259 d\u0259st\u0259kl\u0259yirdil\u0259r – heyranl\u0131qla m\u00fc\u015fahid\u0259 etmi\u015f, ya\u015f\u0131ndan as\u0131l\u0131 olmayaraq b\u00fct\u00fcn qonaqlara eyni diqq\u0259tl\u0259 yana\u015fmaq bacar\u0131\u011f\u0131n\u0131 qiym\u0259tl\u0259ndir\u0259 bilmi\u015fl\u0259r. Tofiq m\u00fc\u0259llim v\u0259 Aida xan\u0131m\u0131n yolunu onlar\u0131n iki \u00f6vlad\u0131 davam etdirir: Fuad \u018fliyev tan\u0131nm\u0131\u015f alim, elml\u0259r doktoru, informasiya texnologiyalar\u0131 v\u0259 elektrotexnika \u00fczr\u0259 T\u00fcrkiy\u0259nin Yedit\u0259p\u0259 Universitetinin professoru, Nigar xan\u0131m is\u0259 anas\u0131 kimi musiqi\u015f\u00fcnas, m\u00fc\u0259llim, s\u0259n\u0259t\u015f\u00fcnasl\u0131q \u00fczr\u0259 f\u0259ls\u0259f\u0259 doktorudur.<\/p>\n

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Az\u0259rbaycan musiqi elminin, t\u0259hsilinin g\u00f6rk\u0259mli n\u00fcmay\u0259nd\u0259si olan A.Ta\u011f\u0131zad\u0259nin n\u00fcfuzu \u015f\u0259ksizdir. Aida Ta\u011f\u0131zad\u0259 d\u0259rin bilikl\u0259ri, nadir m\u00fc\u0259llimlik istedad\u0131n\u0131 ruh ucal\u0131\u011f\u0131, \u00fcr\u0259k geni\u015fliyi, h\u0259yata m\u00fcdrikan\u0259 bax\u0131\u015fla\u00a0 birl\u0259\u015fdir\u0259 bilmi\u015fdir. “O vaxt ki biz h\u0259r hans\u0131 bir i\u015fi sevinc v\u0259 h\u0259v\u0259sl\u0259 ger\u00e7\u0259kl\u0259\u015fdiririk, onda, dem\u0259li, \u00f6z Taleyimiz\u0259 – Tanr\u0131n\u0131n bu torpaqda\u00a0 bizim \u00fc\u00e7\u00fcn n\u0259z\u0259rd\u0259 tutdu\u011fu ali missiyaya riay\u0259t edirik”, – bu s\u00f6zl\u0259r m\u00fc\u0259llimimin\u00a0 m\u0259ktubundand\u0131r. \u018fminlikl\u0259 dem\u0259k olar ki, Aida xan\u0131m el\u0259 yarad\u0131c\u0131l\u0131q yolunun ba\u015flan\u011f\u0131c\u0131ndan Taleyin\u0259 riay\u0259t edib, sonucda g\u00f6rk\u0259mli\u00a0 nailiyy\u0259tl\u0259r qazanaraq musiqi s\u0259n\u0259ti v\u0259 elmimizd\u0259 \u00f6z\u00fcn\u0259 f\u0259r\u0259hli v\u0259 f\u0259xri yer qazanm\u0131\u015fd\u0131r.<\/p>\n

Bu \u0259lam\u0259tdar yubiley g\u00fcnl\u0259rind\u0259 k\u00fcbarl\u0131q, g\u00f6z\u0259llik, m\u0259n\u0259viyyat m\u00fcc\u0259ss\u0259m\u0259si olan ist\u0259kli Aida xan\u0131m\u0131 onun h\u0259mkarlar\u0131, o c\u00fcml\u0259d\u0259n, xaricd\u0259 ya\u015fayan musiqi\u00e7i dostlar\u0131 v\u0259 t\u0259l\u0259b\u0259l\u0259ri ad\u0131ndan \u00fcr\u0259kd\u0259n t\u0259brik edib, ustad\u0131m\u0131za m\u00f6hk\u0259m cansa\u011fl\u0131\u011f\u0131, h\u0259yat \u015f\u00f6vq\u00fc v\u0259 sidq-\u00fcr\u0259kd\u0259n sevdiyi musiqi il\u0259 yeni m\u0259ftunedici g\u00f6r\u00fc\u015fl\u0259r, k\u0259\u015ffl\u0259r arzulamaq ist\u0259rdim.<\/p>\n

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Az\u0259rbaycan.media<\/strong><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Z\u00fcmr\u00fcd DADA\u015eZAD\u018f Professor, \u018fm\u0259kdar inc\u0259s\u0259n\u0259t xadimi Musiqi\u015f\u00fcnas Aida Ta\u011f\u0131zad\u0259nin yubileyin\u0259 sevgi v\u0259 ehtiramla ithaf olunur   XX \u0259sr Az\u0259rbaycan musiqi m\u0259d\u0259niyy\u0259tinin t\u0259\u015f\u0259kk\u00fcl\u00fc v\u0259 inki\u015faf\u0131na t\u00f6hf\u0259l\u0259r vermi\u015f s\u0259n\u0259t\u00e7il\u0259r s\u0131ras\u0131nda aliml\u0259r d\u0259… <\/p>\n","protected":false},"author":4,"featured_media":51261,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-51260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kos"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51260"}],"version-history":[{"count":2,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51260\/revisions"}],"predecessor-version":[{"id":51263,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/51260\/revisions\/51263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/51261"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}