{"id":50528,"date":"2025-08-27T10:00:56","date_gmt":"2025-08-27T06:00:56","guid":{"rendered":"https:\/\/azerbaycan.media\/?p=50528"},"modified":"2025-08-27T11:35:48","modified_gmt":"2025-08-27T07:35:48","slug":"sumqayit-dovl%c9%99t-dram-teatrinda-yeni-tamasanin-premyerasi-gerc%c9%99kl%c9%99sib","status":"publish","type":"post","link":"https:\/\/azerbaycan.media\/?p=50528","title":{"rendered":"Sumqay\u0131t D\u00f6vl\u0259t Dram Teatr\u0131nda yeni tama\u015fan\u0131n premyeras\u0131 ger\u00e7\u0259kl\u0259\u015fib"},"content":{"rendered":"
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\u00a0\u00d6t\u0259n teatr m\u00f6vs\u00fcm\u00fcnd\u0259 Sumqay\u0131t D\u00f6vl\u0259t Dram Teatr\u0131nda yeni tama\u015fan\u0131n premyeras\u0131 ger\u00e7\u0259kl\u0259\u015fib.<\/div>\n
M\u0259d\u0259niyy\u0259t Nazirliyinin istedadl\u0131 g\u0259ncl\u0259rin potensial imkanlar\u0131n\u0131n s\u0259m\u0259r\u0259li realiz\u0259sin\u0259 y\u00f6n\u0259lik ” \u00d6yr\u0259d\u0259r\u0259k \u00f6yr\u0259nir\u0259m” layih\u0259si \u00e7\u0259r\u00e7iv\u0259sind\u0259 istadadl\u0131 rejissor Abdulla Xalq yaz\u0131\u00e7\u0131s\u0131, AYB nin s\u0259dri Anar\u0131n Qarav\u0259lli \u0259s\u0259rin\u0259 yeni eksplikasiya il\u0259 yana\u015f\u0131b.<\/div>\n
Anar g\u00fccl\u00fc m\u00fc\u015fahid\u0259 qabiliyy\u0259tin\u0259 malik,xarakterl\u0259r qalereyas\u0131 s\u0259rgil\u0259y\u0259n,obrazlar\u0131n\u0131n koloriti,psixoloji v\u0259 fiziki taml\u0131\u011f\u0131,b\u0259dii m\u0259tnin q\u00fcdr\u0259ti,dialoqlar\u0131n\u0131n t\u0259biiliyi,sarkastik yana\u015fmas\u0131\u00a0 v\u0259 \u0259lb\u0259tt\u0259,dil- \u00fcslub z\u0259nginliyi il\u0259 oxuculara do\u011fmad\u0131r.<\/div>\n
\u018fdibin z\u0259rif yumor hissi yaz\u0131lar\u0131na ayr\u0131 bir ovqat qat\u0131r. B\u0259lk\u0259 d\u0259 h\u0259r g\u00fcn rastla\u015fd\u0131\u011f\u0131m\u0131z,salamla\u015fd\u0131\u011f\u0131m\u0131z adamlar\u0131n tipologiyas\u0131 Anar t\u0259x\u0259yy\u00fcl\u00fcn\u00fcn s\u00fczg\u0259cind\u0259n ke\u00e7\u0259r\u0259k \u00e7e\u015fidli personajlar kimi kitab s\u0259hif\u0259l\u0259rind\u0259,ekranlarda,teatr s\u0259hn\u0259l\u0259rind\u0259\u00a0 \u00a0 g\u00f6r\u00fcn\u00fcr. Anar yarad\u0131c\u0131l\u0131\u011f\u0131 x\u0131rda bir vaqe\u0259nin,v\u0259 ya detal\u0131n sosial- f\u0259ls\u0259fi mahiyy\u0259tin\u0259 vara bilm\u0259k g\u00fcc\u00fc il\u0259 s\u0259ciyy\u0259l\u0259nir ” Qarav\u0259lli” d\u0259 bir kibrit \u00e7\u00f6p\u00fcnd\u0259n ba\u015flayan,zaman\u0131 itirmi\u015f fa\u011flr bir adam\u0131 zill\u0259t\u0259 salan,sonda da y\u00fck\u00fcn alt\u0131nda bitir\u0259n hadis\u0259 kimi Rejissor Abdulla El\u015fadl\u0131 da s\u00fcjet x\u0259ttind\u0259 v\u0259 ad\u0131nda meydan- xalq oyunlar\u0131n\u0131n,m\u0259zh\u0259k\u0259 estetikas\u0131n\u0131n poetika g\u00f6st\u0259ricil\u0259rini ehtiva ed\u0259n \u0259s\u0259ri g\u00f6t\u00fcr\u00fcb, Brext \u015f\u0259rtiliyi,\u00a0 Vaxtanqov fantastik realizmi il\u0259 uzla\u015fd\u0131r\u0131b,\u00e7ox m\u00fcasir eksplikasiya yaz\u0131b, ad\u0131n\u0131 da qoyub sosial \u015farj. Tama\u015fa ba\u015flar- ba\u015flamaz rejissor heyr\u0259tl\u0259ndirm\u0259y\u0259 m\u00fcv\u0259ff\u0259q olur. Meydangirl\u0259r- h\u0259m d\u0259 pis ki\u015fi il\u0259 yax\u015f\u0131 ki\u015fi,daha d\u0259qiq istedadl\u0131 aktyorlar \u015e\u0259mistan S\u00fcleymanl\u0131 il\u0259 Kamran Muradl\u0131 meydan\u0131 \u0259l\u0259 al\u0131rlar. Truppa Anar\u0131n yumoru ruhunda t\u0259qdim edilir. Tama\u015fan\u0131n himni oxunur. Pantomim elementl\u0259rl\u0259 s\u00f6k\u00fcnt\u00fc prosesin\u0259 ba\u015flamaq c\u0259hdi verilir. Amma Dionisin ruhu mistik formada mane olur Rejissor s\u00f6k\u00fcnt\u00fcn\u00fcn h\u0259d\u0259fini a\u00e7\u0131qlam\u0131r B\u0259lk\u0259 bir teatr binas\u0131n\u0131,bir m\u0259b\u0259di, tarixi abid\u0259ni s\u00f6k\u0259c\u0259kl\u0259r?! B\u0259lk\u0259 d\u0259 , Allah\u0131m, bir m\u0259n\u0259vi- ruhi x\u0259zin\u0259nin saxlanc\u0131 d\u00fc\u015f\u00fcb plana?!\u00a0 S\u0259hn\u0259 f\u0259hl\u0259l\u0259ri,ma\u015finistl\u0259r i\u015f\u0259 qar\u0131\u015f\u0131rlar, qurulu\u015f\u00e7u r\u0259ssam\u0131n t\u0259snifatla\u015fd\u0131rd\u0131\u011f\u0131 r\u0259ngl\u0259rin harmoniyas\u0131nda,musiqi t\u0259rtibat\u00e7\u0131s\u0131n\u0131n havacat\u0131nda \u00f6z i\u015fl\u0259rini g\u00f6r\u00fcrl\u0259r,rekvizit v\u0259 \u0259lb\u0259s\u0259l\u0259ri yerl\u0259\u015fdirirl\u0259r,\u015f\u0259rtilik prinsipind\u0259 \u00fcnvan planlar\u0131n\u0131 t\u0259qdim edirl\u0259r,h\u0259m d\u0259 s\u00f6zs\u00fcz obrazlar kimi dramaturji x\u0259tt\u0259 birl\u0259\u015firl\u0259r. Abdulla n\u0259inki dialoqlara,h\u0259r c\u00fcml\u0259y\u0259,h\u0259r s\u00f6z\u0259 bel\u0259, mizan verm\u0259yi bacar\u0131b. Onun qurulu\u015funda s\u00f6z oynay\u0131r,s\u00f6z\u00fcn r\u0259ngi- ruhu g\u00f6r\u00fcn\u00fcr,s\u00f6z\u00fcn plastikas\u0131 duyulur,personaj\u0131n ac\u0131s\u0131\u00a0 t\u00fcst\u00fc ver\u0259n operatorun duman\u0131na qar\u0131\u015f\u0131b s\u0259hn\u0259y\u0259 yay\u0131l\u0131r. S\u00f6z\u00fcn b\u00fct\u00fcn qatlarda \u00e7\u0259kisinin vizual effekti qabar\u0131r. Ba\u015f rol- ba\u015f \u0259zabke\u015f \u018fv\u0259z \u018fv\u0259zov el\u0259 bir labirint\u0259 d\u00fc\u015f\u00fcb ki, hal\u0131na ac\u0131maqdan ba\u015fqa \u0259ld\u0259n bir i\u015f g\u0259lm\u0259z. Niy\u0259?! \u00c7\u00fcnki zavall\u0131 adam ” yox”” dem\u0259yi bacarm\u0131r. \u00dcz\u00fcyolad\u0131r. Fa\u011f\u0131rd\u0131r. Ab\u0131rl\u0131d\u0131r. C\u0259miyy\u0259t d\u0259 \u00f6lm\u00fcr bel\u0259l\u0259ri \u00fc\u00e7\u00fcn?!\u00a0 N\u0259 q\u0259d\u0259r imkan var, \u018fv\u0259z \u018fv\u0259zovun \u0259v\u0259zsiz xidm\u0259tind\u0259n istifad\u0259 edirl\u0259r \u00d6l\u00fcm\u00fcn\u0259 q\u0259d\u0259r b\u0259hr\u0259l\u0259nirl\u0259r. El\u0259 lap m\u00fcst\u0259qim m\u0259nada!\u00a0 V\u0259 \u0259m\u0259kdar artist, SDDT n\u0131n apar\u0131c\u0131 s\u0259hn\u0259 ustas\u0131 \u0130zam\u0259ddin Ba\u011f\u0131rov kibrit \u00e7\u00f6p\u00fc kimi yan\u0131b k\u00fcl\u0259 d\u00f6n\u0259n b\u0259db\u0259xt bir insan \u00f6mr\u00fcn\u00fcn qara tablosunu m\u00fck\u0259mm\u0259l \u00e7\u0259kir. \u0130zam\u0259ddin alt qatdak\u0131 yumoru m\u00fcnas\u0131b s\u0259s tenbrind\u0259 \u00e7atd\u0131rmaq,pauza v\u0259 mimikalar\u0131n d\u00fczg\u00fcn b\u00f6lg\u00fcs\u00fc kimi pe\u015f\u0259kar v\u0259rdi\u015fl\u0259ri say\u0259sind\u0259 hadis\u0259nin a\u011f\u0131rl\u0131q t\u0259fsilat\u0131n\u0131,obraz\u0131n y\u00fck\u00fcn\u00fc ver\u0259 bilir. SDDT n\u0131n apar\u0131cl s\u0259hn\u0259 ustas\u0131 ,dramatik- psixoloji \u0259s\u0259rl\u0259rd\u0259 yadda qalan obrazlar yaradan Habil Xanlarov Qarav\u0259llid\u0259 tam f\u0259rqli oyun n\u00fcmayi\u015f etdirir Z\u0259rif yumor cizgil\u0259ri il\u0259 tamamlad\u0131\u011f\u0131 3 m\u00fcxt\u0259lif rol onun aktyorluq m\u0259har\u0259tinin g\u00f6st\u0259ricisidir. Apar\u0131c\u0131 s\u0259hn\u0259 ustas\u0131 \u0130lham S\u0259f\u0259rlu obrazln psixoloji d\u0259rinliyini m\u0259nims\u0259yib onu do\u011fru formatda t\u0259qdimata \u00e7\u0131xaran aktyorlardand\u0131r Bu \u0259s\u0259rd\u0259 \u0130lham\u0131n oynad\u0131\u011f\u0131 rol b\u00fct\u00fcn hadis\u0259l\u0259rin- \u018fv\u0259z \u018fv\u0259zovun ba\u015f\u0131na g\u0259l\u0259n b\u0259lalar\u0131n s\u0259b\u0259bkar\u0131d\u0131r \u0130lham\u0131n lirik- psixoloji yumora meyli Qarav\u0259llid\u0259 m\u0259qam\u0131na d\u00fc\u015f\u00fcr.\u00a0 \u015e\u0259mistan S\u00fcleymanl\u0131 s\u00f6z\u00fcn \u0259sil m\u0259nas\u0131nda hoqqa \u00e7\u0131xar\u0131r. Proloqda meydanb\u0259yilik,pis ki\u015fi obraz\u0131,zooma\u011faza m\u00fcdiri- personajlar o q\u0259d\u0259r f\u0259rqli cizgil\u0259rl\u0259 b\u0259z\u0259nir ki, az qala aktyoru tan\u0131ya bilmirs\u0259n. \u015e\u0259mistan\u0131n daxili s\u0259rb\u0259stliyi,s\u0259hn\u0259 plastikas\u0131 v\u0259 texnikas\u0131 obraza canl\u0131l\u0131q verir,sarkazm\u0131 d\u00fczg\u00fcn \u00e7atd\u0131r\u0131r. Premyerada tama\u015fa\u00e7\u0131kar g\u0259nc aktyor Kamran Muradl\u0131n\u0131n polifonik oyun t\u0259rzi il\u0259 tan\u0131\u015f ola bildil\u0259r. Kamran daxili\u00a0 co\u015f\u011funlu\u011funu,plastikas\u0131n\u0131 hadis\u0259l\u0259rin axar\u0131nda do\u011fru t\u0259nziml\u0259yir. Qroteksin q\u0259d\u0259rini,istifad\u0259 d\u0259r\u0259c\u0259sini d\u00fcr\u00fcst m\u00fc\u0259yy\u0259nl\u0259\u015fdirir<\/div>\n
Elay Xas\u0131yevin d\u0259 \u00fcz\u0259rin\u0259 b\u00f6y\u00fck y\u00fck d\u00fc\u015f\u00fcb Aktyor ya\u015f g\u00f6st\u0259ricisind\u0259,sosial kateqoriya c\u0259h\u0259tind\u0259,psixoloji- fizioloji\u00a0 t\u0259r\u0259fd\u0259n d\u0259 ayr\u0131- ayr\u0131 r\u0259ngl\u0259rl\u0259 tipajlar yarad\u0131r Onlar\u0131n masqalar\u0131n\u0131 b\u00f6y\u00fck yarad\u0131c\u0131l\u0131q \u015f\u00f6vq\u00fc il\u0259 \u00e7atd\u0131r\u0131r. \u0130lah\u0259 S\u0259f\u0259rova daim axtar\u0131\u015fda olan z\u0259hm\u0259tke\u015f aktrisad\u0131r.Ona h\u0259val\u0259 olunmu\u015f obraz \u00fc\u00e7\u00fcn xarakterik detallar tap\u0131r Qarav\u0259llid\u0259 yaratd\u0131\u011f\u0131 Dezdemona v\u0259 katib\u0259 \u0130lah\u0259nin rejissor tap\u015f\u0131r\u0131\u011f\u0131n\u0131 d\u00fczg\u00fcn anlamas\u0131n\u0131n g\u00f6st\u0259ricisidir. B\u0259sit t\u0259f\u0259kk\u00fcrl\u00fc,d\u00fc\u015f\u00fck z\u00f6vql\u00fc m\u00fc\u011f\u0259nni v\u0259 kreslo sevdas\u0131ndan \u0259l \u00e7\u0259km\u0259y\u0259n qosqoca po\u00e7t m\u00fcdirinin katib\u0259si- ayr\u0131-\u00a0 ayr\u0131l\u0131qda tam f\u0259rqli xarakterl\u0259rdir Aynur H\u00fcmb\u0259tovan\u0131n emosional ifad\u0259 vasit\u0259l\u0259ri,inc\u0259 yumoru bu obrazlara x\u00fcsusi r\u0259ng qat\u0131r. N\u0259hay\u0259t, Elmir Mehdiyevin can\u0131nda olan m\u0259zh\u0259k\u0259\u00e7ilikd\u0259n,pantomim sevgisind\u0259n yerind\u0259 istifad\u0259 etm\u0259yi bacaran rejissor tap\u0131ld\u0131 \u0130tini g\u0259zdir\u0259n vecsiz sakin v\u0259 q\u0131sqanc Otello Elmir Mehdiyevin ifas\u0131nda \u00e7ox maraql\u0131d\u0131r. Ramazan Xanlarov da bu tama\u015fa il\u0259 i\u00e7ind\u0259ki oyun t\u0259\u015fn\u0259sini g\u00f6st\u0259r\u0259 bildi. R\u0259van H\u00fcseynzad\u0259nin, Fazil\u0259 Rzayevan\u0131n, \u018fmrah\u0131n ,Etibar \u018fmirovun da \u00f6z i\u015fl\u0259rin\u0259 pe\u015f\u0259kar yana\u015fmalar\u0131 \u00fcmumi i\u015f\u0259 \u00e7ox fayda verib. Qurulu\u015f\u00e7u r\u0259ssam Nizami Dada\u015fov m\u0259kans\u0131zl\u0131qda m\u0259kan\u0131n dekorunu qura bilib Elay Xas\u0131yevin musiqi t\u0259rtibat\u0131, Ramazan Xankarovun ritmikas\u0131 rejissor traktovkas\u0131na faydal\u0131 xidm\u0259t edir.<\/div>\n
\u00a0 \u00a0 V\u0259 sonda b\u00fct\u00fcn m\u0259suliyy\u0259timl\u0259 dem\u0259k ist\u0259rdim ki, marketinq\u00a0 \u00fc\u00e7\u00fcn Qarav\u0259lli sosial \u015farj\u0131 yet\u0259rinc\u0259 perspektivlidir.<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0\u00d6t\u0259n teatr m\u00f6vs\u00fcm\u00fcnd\u0259 Sumqay\u0131t D\u00f6vl\u0259t Dram Teatr\u0131nda yeni tama\u015fan\u0131n premyeras\u0131 ger\u00e7\u0259kl\u0259\u015fib. M\u0259d\u0259niyy\u0259t Nazirliyinin istedadl\u0131 g\u0259ncl\u0259rin potensial imkanlar\u0131n\u0131n s\u0259m\u0259r\u0259li realiz\u0259sin\u0259 y\u00f6n\u0259lik ” \u00d6yr\u0259d\u0259r\u0259k \u00f6yr\u0259nir\u0259m” layih\u0259si \u00e7\u0259r\u00e7iv\u0259sind\u0259 istadadl\u0131 rejissor Abdulla Xalq yaz\u0131\u00e7\u0131s\u0131,… <\/p>\n","protected":false},"author":4,"featured_media":50534,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[],"class_list":["post-50528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mdniyyt"],"_links":{"self":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/50528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50528"}],"version-history":[{"count":4,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/50528\/revisions"}],"predecessor-version":[{"id":50552,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/posts\/50528\/revisions\/50552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=\/wp\/v2\/media\/50534"}],"wp:attachment":[{"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=50528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/azerbaycan.media\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=50528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}